Hey, y’all! I started this blog purely because I wanted to chronicle my reread of every single Fear Street novel in a fit of nostalgia. I do this for fun and without expecting anything in return. I’m not the first to do this, I probably won’t be the last. And while I’ve had books donated to me from friends, and I’m able to request items through my library, the easiest way for me to read the majority of these books is by purchasing them. Most of the books cost me around $5, which doesn’t seem like a lot, but I’m a librarian who often doesn’t have a lot of excess money lying around. I set up a donate link for my Paypal, simply so if anyone has an extra dollar or two lying around, it can be used to purchase the next Fear Street book. There’s no pressure to do this, and I only make this post so you’re aware. The link will remain on my sidebar and is available below. I will continue this blog anyway, but as of right now I have some things planned for October and zero money to purchase the books with, with Interlibrary Loan not guaranteed to happen within the time frame. I’ll still be posting weekly as long as I have book so read, and any amount money can help with that. Thanks so much for reading, and I look forward to where Fear Street takes us in the future.
I get what they’re going with in the original cover (stolen from its Amazon page), but considering the park isn’t even built until the last ten pages, it seems a little baity. Still, I like the imagery of a haunted amusement park a lot, so I’m willing to be nice. The boy leering over the scared girl is a nice touch too. I think it’ supposed to be a Ferris wheel because there’s not track underneath, but I don’t see any structure to support it.
The second cover is the collector’s edition (stolen from its Amazon page), which I’m reading out of. I actually do like this a lot. The amusement park with the sinister face leering over it is perhaps more apt to the story, especially since it seems to take place over decades. I like them both.
Are we having fun yet?
I actually really like this one? It’s what these books need, something indicative of the danger inside, without revealing too much, and giving us a sense of foreboding. This one nails it.
Part one puts us in 1935, a few years after the stock market crash has plunged us into a depression, though besides a few people talking about “bringing more money into the town” it doesn’t really feel like the Depression. Not that I’m an expert, but everything seems pretty much the same.
We’re introduced to Meghan Fairwood, fiddling with a fountain pen her parents purchased her, thinking about her boyfriend Richard Bradley, football player and bully. She notices someone watching her, a pale solemn-faced boy with a familiar name. Robin Fear. Her magazines fall out of her locker, and he helps her pick them up, noting Clark Gable on the cover. They have a friendly conversation over their favorite movies and radio shows when Richard comes marching in, scooping her up in a kiss. Meghan’s a little annoyed that he does this without asking, and then he sneers at Robin, telling him to step off. He does some basic bully work, and Robin stutters away. He trudges home, so mad he couldn’t stand up for himself in front of his crush. He goes to his home on Fear Street, not the long abandoned mansion but a newer home. It seems the Fears have held onto their money somehow. He looks for his dad, opens the door to the study, to find a strange sight.
Nicholas Fear is floating in the air surrounded by purple swirling smoke like he’s doing light as a feather stiff as a board. He’s chanting something to himself, and Robin quickly leaves. He knows his father’s study is full of books on the occult. This apparently has never raised his suspicion before. I don’t know why the Fears don’t indoctrinate their children. Raise them on the black arts. Make them do their first blood sacrifice at five years old. I’m not saying you’re raising healthy children, but you don’t get situations like this.
He hears a soft thud in the library, which makes me think Nicholas stopped chanting and fell to the ground. The doorbell rings, and Nicholas emerges, telling his son to go answer it. Four men are there, one of them Jack Bradley, Richard’s father. Nicholas invites the men into his sitting room, and Robin peeks in from the doorway. His dad is pretty rude to these men who take it very kindly. Jack Bradley discusses Coney Island, and tells us that the town of Shadyside currently has little income thanks to the stock market crash. Most of the men in town are unemployed. Bradley has an idea to build an amusement park in Shadyside, offering work to the unemployed and bringing in tourism. But he needs land from Fear Woods to do so. They already have approval to start building. All they need is Nicholas to say yes.
Nicholas obviously says no and starts shouting at them. He tells them to get out, and Bradley won’t take no for an answer. He says he’ll send him the plans, that he needs to say yes, and then suddenly the men start choking. He’s pulled a Darth Vader on all of the men present, and Robin watches in horror as they start to collapse to the ground. He runs into the room shouting for his dad to stop it, and suddenly Nicholas pulls back. Nicholas plays dumb and says there must be something in the air, can I get you a glass of water, are you okay? But it’s clear what just happened.
I went back to my other recaps of the Fear Saga, because I remembered them saying the Fears had no money and I thought their land was forfeit too, but I forgot about Nicholas. I assume it’s the same Nicholas that showed up to claim his birthright, who went to one of the town leaders and ended up with a job, and who married his daughter after she killed everyone else around him. Book two in the sagas never revealed what happened after he decided to pledge his life to evil, so I’m assuming this is the definitive version. Nicholas is now completely evil. Ruth is now dead (don’t worry, we’ll see her soon), and all the land her father owned is now in Fear hands again.
After all this, Robin decides to get out of the house. He starts to leave and runs into his father, who offers to join him. Robin asks if he had to say no to those men (and if he had to murder them), and Nicholas tells him he’s a Fear, and the Fears stand apart in this town, they’re better. As they walk, they run into Mr. Bradley, holding a surveying tool in his hand. Nicholas calls him out for trespassing, but Mr. Bradley tells him the town council will back him on his plans. We’ll later learn that Mr. Bradley is on the town council, which suddenly makes this all look like a deeply unethical use of funds to put back into the pocket of Mr. Bradley himself, but I’ll forgive him because he’s not going to survive this book. Anyway, Mr. Bradley tells the Fears the town council is going to allocate part of the woods for the project. I’m not really sure how that works legally, though it’s possible the Fears don’t own all the woods, since that wouldn’t make much sense. I don’t think we’re ever shown the full extent of the woods, but they seem pretty large. It looks like that whole corner of Shadyside is mostly undeveloped.
Anyway, Nicholas storms back to the house, and Robin continues walking. He runs directly into Meghan. She says she comes to this spot in the woods because it’s her secret place. He calls the woods his backyard, probably showing off a little, and Meghan reminds us there’s a bunch of scary stories about the Fears, though she doesn’t name one. They make a little small talk, and then Meghan shouts because she got something in her eye. This is supposed to be the romantic moment where the love interest sees an eyelash on their face and leans in to get it off, fingers brushing against their face, eyes meeting, the protagonist vulnerable. But in this instance, there’s a dust mote in her eye, and Robin is described as touching her eye gently, which no. No. That’s not how anything works. He invites her inside the house for a drink, when two rough hands grab him. Guess who’s back! Richard is livid, thinking he saw Robin kissing Meghan. I actually love Robin’s internal monologue during these segments, because he’s always like “am I going to have to fight? Can I fight? This dude’s so much bigger than me.” Meghan shouts at Richard to stop, and he steps back, busting out laughing. He pretends it was all a big joke, and when he asks Robin if he really thought he was going to punch him, Robin’s like “Yeah dude.” It’s pretty clear Richard is covering up his anger after Meghan got so mad. Richard pushes Robin out of the way and starts making out with her.
Robin runs home, feeling empty inside. He pushes open the door and finds his father collapsed on the floor. He doesn’t seem to be breathing, and he shakes him, only to notice the purple smoke emerge again. Slowly Nicholas wakes and pretends he just fell. But once Robin gets him into the chair, he admits he was practicing. “Practicing what?” Robin asks, and Nicholas asks him if he saw his mother. Robin reminds him that she’s dead, and he insists that he could still see her. But they hear something at the door, and a figure floats into the room, veiled and surrounded by purple smoke. Nicholas rises from the chair, proclaiming, “It is she!” Robin can’t quite tell. It looks like a woman, yes, but more like a shadow or a flame. He tries to remember what his mother looked like, but he was so young when she died. Ruth leans forward, and her veil slips away, revealing a skeletal face of grey-green bone and rotted skin. Worms crawling across her face. Robin screams and doesn’t stop screaming for two full days.
He wakes in bed with a nurse over him and his father looking concerned. He’s told he had a nightmare, that he’s been in a “deep sleep” for several days. He tries to remember what he saw but can’t. Nicholas is raging because the council voted to take part of the woods away, and again I can’t help but note that Bradley is said to be on the town council.
We cut to Bradley himself with a handful of men who are getting started on the work. They’re doing some survey work and getting the land ready for when they have to build. Bradley says he doesn’t believe in all those stories, but he doesn’t want to stay past sunset either, and so they hurry. Or, they try to, until one of the men drives a wooden stake through his foot. The others take him to the hospital, and Bradley finishes up. As he’s working, he starts feeling itches on him from bugs he can’t see. He’s swarmed by them, his whole body now being bit and him scratching at it. He scratches the skin off his neck and chest but they’re still coming, and he can’t stop.
Meghan is wandering into the woods again to meet her boyfriend. Isn’t there a backseat of a car these kids would rather be in? He shows up late, and they walk and talk. She’s clearly annoyed at him, clearly more interested in Robin, but she isn’t sure she wants to give up the perks of being a sportsman’s girlfriend. Richard trips on the rope they were stringing up, and they notice what they think is a deer far away, but as they approach, it’s clearly not. It’s the skeleton of a man, but don’t worry. His head is intact. Richard drops to his knees when he sees it, the head still staring up in horror, but his skin and bones and muscle completely eaten away from the rest of him. It’s less a horrifying image and a more comical one, but it works.
Smash cut to a few weeks later, after Bradley’s funeral. The police don’t know what caused his death, but Robin does. His father is to blame. He hurries to his father’s study to confront him and hears voices. Multiple voices. Women’s voices. He pushes open the door, but it’s only Nicholas Fear, sitting in a chair, with a book in his lap. Robin asks him pretty directly if he killed Jack Bradley, and of course Nicholas says no. Robin, of course, does not believe him.
At school Meghan sees him again and chases after him. They talk about nothing at all, an then Meghan just kisses him. She has no impulse control. And, of course, Richard comes charging out of nowhere to punch Robin in the face. He wails on him for a while, and Robin’s only concern is that he’s not fighting back, that he looks like a wuss in front of Meghan. Robin runs all the way home. That night, Meghan gets a call from Richard who wants to apologize and she hangs up on him, only for him to show up at her house. He seems less bothered that she was kissing another boy and more that she was anywhere near Robin Fear. Meghan refuses to break up with him, and I guess after seeing his temper I would be too, but she never thinks that. She just doesn’t stop dating Richard. And when he tells her they’re going ahead with plans to build the park, she’s excited for him. Richard tells her that they’re asking all of the teenagers, even the girls, to come help clear stumps for a dollar a day. I went to an inflation calculator to see what that was, and it’s equivalent to about $17 of today’s money, which doesn’t seem like a ton but it’s the depression. She’s very excited about this.
Meghan sees Robin at school and asks him to meet her. Robin asks if she wants to meet in the woods, but she’s still scared after finding Richard’s dad, so they go get a malt together instead. It’s not very sneaky, even with Richard at practice, considering all their friends are probably also there. They got to the malt shop and listen to Cab Calloway on the radio. Robin is nervous, and Meghan at first thinks he’s going to ask her out, but instead he blurts out that his father is evil and might be doing something to stop construction on the amusement park. Meghan is confused, and when he tells her he’ll be on the work crew, she’s not sure it’s a good idea. He seems to realize this isn’t going the way he wanted, and he adds that he mostly wants to join the work crew to be around her. She kisses him again.
Once the school year is out, work begins. They’re all given extremely sharp hatchets to chop stumps with, and Robin shows up a few hours later, helping Meghan with her work. Someone takes a photo for the paper, which seems like a bad idea if Robin’s sneaking around, but whatever. Suddenly Richard comes rushing forward, axe in his hand, screaming at Robin to stay away from Meghan. Robin manages to avoid the first swing, and several kids grab onto Richard to get him to stop. Unfortunately, it means Richard slices open one of the other boys in response. Another kid strikes Richard down for it, and suddenly all the kids are doing it. It turns into a full on Battle Royale. They all start killing each other, and Robin grabs Meghan, pulling her away from the fray. She runs home, looking behind her to see the purple smoke rising up through the trees.
Robin also runs home, desperate to find his father. He runs into the room and tells him it worked perfectly, exactly as expected. He’s a real Fear now.
But that’s not all! We’re sent hurtling into “This Year” (publishing date looks to be 1996). Here we meet Dierdre Bradley hanging out with her boyfriend Paul. Paul is working at the newly built Shadyside amusement park all summer, which Dierdre’s dad owns, after spending so many years trying to get it built. The first week is free and open to the public to drum up publicity.
Dierdre’s a little guilty because her boyfriend gave up a better job upstate to stay in Shadyside with her, and when their date is over, she sneaks off with some other guy. She’s also worried because there’s been so many accidents building this park, but so far, on opening day, there’s been no problems. They go on some rides, and then he has to get to work. She goes off to meet her other boyfriend, Rob. I think this is supposed to be a reveal, but Stine didn’t even change his name.
She gets away from her second boyfriend and finds her dad speaking with some TV crews. Part of the park is a reenactment of the hatchet incident. Her dad says this is in honor and remembrance of those that died, but that’s a lot of horseshit. When they sit down to see it, it’s realistically done, from the sets to the limbs flying off. Which, there’s also barely any acting in it. A narrated tape is played over the action. The kids walk into the woods to clear stumps, and then they just start murdering each other. Limbs are flying, blood is gushing, and the reporter tells us it looks so real. This isn’t a way to honor anyone. This is gratuitous. But the kids get up once they’re done and take a bow, all except Paul. Dierdre runs up to the stage, but it’s just a cramp. She kisses him and realizes Rob is in the audience, watching them.
She sees Rob later and asks him why he was at the show. He’s mostly annoyed about her other boyfriend and brushes her off. She tells him goodbye and goes to meet Paul, only to find him crushed beneath the Ferris wheel. The park is shut down again, looking unlikely to reopen, and the workers have split. Dierdre’s dad bemoans his lot in life, but Robin arrives and offers his services. DUN DUN DUN.
Wisps of purple smoke floated into the living room, carrying a sweet-sour odor. Spicy with a hint of decay.
Fear Street Trends
The fashions of the 1930s segment comes straight out of a magazine, with Meghan’s knee socks and Robin’s brown trousers. When doing work, Meghan wears men’s clothes and feels a little nervous about it, but so are all the other girls working. Nothing much from the modern sections, though we spent so little time there.
This first in the Fear Park series is pretty meh. There’s no real plot here, and no real climax. It’s all prologue, and if it’d been self-contained to just the 1935 segments, I think an actual story could’ve been built there. I think the idea is good, though as a late addition to the Fear mythology, it seems strange that something like that hatchet murders aren’t mentioned more often, especially since we’ve spent a lot of time in the Fear Woods at this point. I think I’ll like the concept a lot more once we spend time in the actual amusement park. Two hatchet mutilations out of five.
I said I’d be back June 4 but that was a lie. Summer is the craziest time of year for me, so I took my day off to relax with the Fear Street summer books I accidentally missed last year. Let’s get to some motherfucking vampires.
I managed to find three images for this! The first is the original cover (borrowed from this Fear Street blog), which I go back and forth on. The bat looks goofy, and the sexy lady on the beach is both interesting and not. It’s just not very dynamic or interesting. Her skin is the same color as the sky, and the blood dots look glued on. The concept of vampires on the beach could be a fun one, and they gave a fairly generic cover.
The second is the edition I’m reading, the collector’s edition (borrowed from its Amazon page). It actually got donated to my library and I snagged it right up. The cover is actually holographic and really ridiculous looking, but I like how shiny it is. It’s more sinister than the original, but those goofy fangs have got to go.
The third I found completely by accident over on Paperback Swap and my goodness. My. Goodness. It looks like the Hungarian version of the book or something. A carousel is mentioned in the book and there’s a kind of creepy horse on it, but it does nothing and they do nothing with it. Still, I love this. It’s just so weird and goofy.
Their first kiss could be her last…
I like it. It’s not particularly exciting, but it plays into the title, adds a sense of danger, without revealing more than it has to. A solid addition.
We meet Jessica as she walks around the shops in Sandy Hollow. She goes into one shop that has a sign “Bikinis Half Off”, which lets you know this is a PG-13 Superchiller. Jessica sets herself up as a townie, who’s recognized by people in the show, which adds a layer of confusion once we learn more about her. She chats with Lucy for a minute, who keeps telling her how beautiful she is. Jessica mentions she’s going on a blind date. The summer’s started, full of new people and exciting things, and she’s ready to go out.
She goes to meet her date, and we’re introduced to Gabri Martins, who’s tall, thin, and pale. He’s got very intense black eyes that effect every woman that talks to him. He shows up very late to the movie, and she’s a little annoyed but pleased at how handsome he is. They sit through a comedy for like half of it, and then he leans over and asks if she likes it, to which she responds no. They ditch. It’s kind of a power move from Gabri. They walk along the beach instead, and Jessica tells him she wants to run. She takes off, Gabri following behind her, and they tumble together in the dunes, rolling around, breathless, looking into each other’s eyes, and Gabri leans close to her, mouth opening to reveal long fangs that plunge into her neck.
Jessica immediately starts laughing and tells him she’s an “Eternal One” too. Their response to their respective blind dates being ruined is amazing. Jessica mutters that she bought a new dress and everything, and Gabri complains that she wasted his whole night. He groans about “the nectar” and needing it and how hungry he is. Gabri and Jessica have a good back and forth and I’m a little disappointed the book doesn’t end with them killing all the humans and getting together.
They both turn into bats, and Gabri attacks some girls on the beach. Apparently bats are common here, all coming off an island off the beach, implied to be where several Eternal Ones live. Jessica (still a bat) pushes Gabri off the girls, and they transform back on the beach, where Gabri yells, “What is your problem?” They argue some more, and then Gabri proposes a bet. He decides they need to figure out who’s more appealing and more attractive to humans, and they each find a boy or girl to seduce. The point isn’t to drain their blood, but to take “three small, measured sips” to turn the human into an Eternal One as well. Jessica agrees, but only if they pick out who the other has to seduce.
Smash cut to April, visiting for the summer with her family. She has to babysit her twin little sisters during the day, but at night she’s free to run around on her own. April’s coming from Shadyside, as is her boyfriend Matt, who her parents clearly dislike. She characterizes herself as a pushover, with her family trying not to argue, with her sisters pushing her around, and with her boyfriend, who’s pretty neglectful. She meets up with him and Todd on the beach. Matt does a classic Shadyside prank by grabbing her from behind, while Todd is quiet and doesn’t say much.
Matt is fairly immature, and they come across an arcade that he clearly wants to play at. April tells him she’d rather walk around the beach, and he gets a little pouty over it. He’s also very into horror movies. They wander around, see the carnival setting up, the Living Dead marathon at the movie theater, and a bonfire a bunch of townies they recognize have put on. They run into Ben, Matt’s actual love interest, who immediately invites him to the arcade and Matt nearly goes with him until he remembers April. Todd is clearly uncomfortable in the group, but they make space for him.
Jessica and Gabri have been watching the bonfire, and Jessica points to April. Gabri’s not happy that she has a boyfriend already, and complains that she’s making it harder. Then he points Todd out to her, which is maybe the dumbest mistake Gabri ever made. The nerdy awkward guy being propositioned by a beautiful eternal vampire? Jessica might as well waltz away with the prize right now.
And just like that, Todd is walking alone on the beach by himself. He recognizes how awkward he is and worries he’s a weird loner, and then a beautiful girl approaches him. She tells him she’s lost, batting her big eyelashes, and he just points and tells her where the summer houses are. She presses a little more, asking if he can show her, and he finally takes the hint. Todd gets lost in his own thoughts as they walk, wondering if he could even bring up the nerve to ask her out, and then she grabs him and kisses him. Question answered. She goes for the neck, and he sinks into darkness.
Meanwhile, April is hanging out by the arcade, waiting for Matt to show up. Getting bored and frustrated, she wanders off, hoping to find him, and runs into Gabri instead. He offers to walk with her until they find Matt, and for a while they walk and talk, April wondering if she’s attracted to him or just mad at her boyfriend. Gabri is getting hungrier and hungrier and decides to just nab the nectar while he can. He reaches for her as a bat flies in her hair, and she flips out, screaming and running. She runs directly off the beach into Matt’s arms. He asks her what’s wrong, and she tries to explain, but Gabri is already gone. He’s yelling at Jessica for stopping him, and she reminds him their bet isn’t that he can drain a girl. He has to make her desire him. He tells her he’s ready to play dirty.
The next day Matt calls Todd, wondering why he didn’t see him at night, and Todd’s dead tired and fast asleep. He tells him about the girl he met, and Matt’s proud of his boy for getting out there, and at night they go on a double date. Jessica’s strategy is clearly just to make out with Todd as much as possible, again a poor choice by Gabri. If some beautiful girl had come up to me in my awkward phase in high school (see: all of high school), I wouldn’t care if she was a vampire. Honestly it would have been a bonus. They go get pizza, because it’s a vampire book. Jessica refuses to eat, and then they run into Gabri, who flips out when April grabs the garlic. She shares the story of how they met and realizes Matt is jealous, which probably makes her feel pretty good. Jessica decides she wants to leave, and she and Todd go for a walk on the beach.
Jessica almost gets a second bite out of Todd, when Gabri as a bat scares a girl nearby. Again this shows Gabri as a poor tactician, as Jessica immediately starts playing up her fear and gets Todd to take care of her. Really, Gabri, this is your fault for making a bad bet. You’re just denying yourself now.
April is ready to meet Matt for another date, but he’s too busy playing video games with Ben and they’re going to see a triple feature of Friday the 13th. April calls the movie sexist and storms off, which is amazing. Immediately she runs into Gabri. He asks if she’s with Matt, and when she gets annoyed, he invites her to the carnival. April is clearly looking to make Matt jealous and goes along with it. They walk around, pointing at the various rides and the carousel, until April drags him through the house of mirrors. What you gonna do, Gabri. He solves this problem by falling very far behind. April gets lost, which I don’t think mirror mazes at pop up carnivals are actually meant to be like dangerous or easily lost in, if nothing else because they have to keep a good flow going, but April manages to hurt herself getting around. April does catch a glimpse of him and wonders why she can’t see his reflection. He uses the maze to get behind her and creep forward. He reaches for her, ready to drink, and hits glass instead. They meet again, and she does the disassociating thing the vampires force them to do, wondering aloud about his reflection, though he comments that it’s too dark. He starts to lean towards her, when they’re interrupted by a child crying. Gabri quickly absconds.
Gabri’s a little distracted as they keep walking, since he knows Jessica is way ahead of him and will soon win. April tries to talk and flirt with him, but he’s nonresponsive until they get to the Ferris wheel. As soon as they’re high enough, he takes a bite.
There’s a few scenes of Matt being told by others that April was out with a boy, and Todd sleeping through the day, and an interesting scene with Jessica where she notes that after becoming a vampire she doesn’t have any memories, something Gabri also mentions in another scene. The vampire lore is actually really interested and shared in small bits and I want to know more. Jessica goes to meet Todd, kissing him, when she sees a bat flying towards them and assumes it’s Gabri about to fuck up her whole night. She gets overexcited and drains Todd too much, and he falls over dead.
Matt takes his morning jog and finds Todd’s body in the ocean. Jessica goes to see Gabri in his home on the island, which is said to be claimed by him by spreading burial dirt, and he rests his coffin in a house. He tries to get her to concede, and she tells him the bet isn’t over yet, because she’s going to try it on Matt next.
Matt struggles a bit after finding Todd’s body. He dreams about him, and a cloud of bats descending on his best friend, which makes him think vampires are the reason he’s dead. I mean, he’s not wrong, but it’s a weird conclusion to make from a dream. He immediately runs to April and tells her this, and April gets angry, telling him that stuff isn’t real and treating their friend’s death like a horror movie is sick. He leaves, dejected. He held onto Todd’s lighter and is playing with it when he runs into Ben, who he also tells his theory and who immediately makes fun of him. Storming off, he runs into Jessica, who starts working her mojo. She pretends to be distraught, though she also pretty much immediately kisses him. Todd’s been dead like four days.
There’s a scene where Gabri wakes and composes himself, his face revealed to be ancient upon waking and he uses vampire powers to make it young. Also super interesting. Jessica comes, mocks him, and Gabri runs off to finish off April. In a weird scene, he hangs out with her family and even gets along with the twins. April shows him the cross necklace her dad bought her as an early birthday present asks that he clasp it on for her. He pretends to and lets it drop.
Matt is dead tired from being with Jessica and collapses in his bed, when he gets a strange visit from his bloated corpse of a friend Todd. Todd warns him about the vampires, and when Matt wakes again, he isn’t sure if it was a dream or not except for a foul stench left behind. He tries to warn April, but she isn’t responding to him. To convince her, he takes his dad’s camera and follows her to the carnival, where she is with Gabri. He realizes he’s supposed to meet Jessica but decides against it on account that she’s a vampire. Of course, after stalking his ex-girlfriend all night, it’s too late to get the film developed, and when he goes the next day the machine is down and he has to wait until seven to pick it up. Luckily when he does, the film shows exactly what he expected: April alone in all the shots, talking to an invisible partner. He runs to find April and runs into Jessica instead. She pulls him in, and for a minute it looks like she’ll win, until he sees April in a rowboat with Gabri heading towards the island.
He follows in another rowboat, getting to the island and searching for her in Gabri’s house. He finds her in a chair, slumped over, seemingly out of it, and Gabri appears behind him. He lunges, and Matt takes his only weapon–an oar from the boat–and manages to accidentally stab him with it. It’s like in Buffy when sometimes a vampire trips and falls on a fence post and dies. Of course, it being an R.L. Stine book, the end is much more gruesome.
And as Matt stared in horror, Gabri’s body collapsed to the floor, folding like an accordion. His eyes stared lifelessly up at Matt, and Gabri’s face began to crumble, the skin drying and peeling, flaking to powder until the entire skull was revealed.
And then the skull too disintegrated.
He manages to wake April, and then Jessica arrives. She lunges at him, bites down, and he’s prepared to die until April lifts herself off the chair and fights Jessica back. Jessica manages to pin April, and then Matt pulls out Todd’s lighter, using it to catch Jessica’s hair. Her death is equally as gross.
Matt and April stared in horrified disbelief as the flames raged over Jessica’s head, as she slowly melted, her skin sagging, dripping, wet chunks dropping off under the heat of the flames.
Jessica’s outraged expression disappeared as her face caved in. Her skull was aflame, melting as her face had, and the fire spread to her shoulders, cracking loudly.
The fire spreads, of course. They manage to escape off the island, leaving the horror behind them. Story’s not over yet though! A few days later, Matt meets April, and they discuss what happens. He finds her silver cross on the ground and starts to return it to her, but she tells him no, revealing herself to now be an Eternal One. Her fangs extend, and she bites into Matt. Smash cut to credits.
“But I need the nectar!” he cried, turning to her. “Without the nectar, I’ll perish.”
“Where’d you get that line? Out of an old horror movie?” Jessica joked, shaking her head.
Fear Street Trends
Usually summer Fear Street books are full of bikinis and swimsuits, but luckily these kids remember their fashions. Lots of cut offs and shorts on the boys. It’s general beach wear, so breezy shirts and neon colors. In the first scene, Jessica picks up a glow in the dark swimsuit and immediately rejects it.
I’m going to be frank here: I love vampires. I love vampires so much I think half the stories on my writing blog are about vampires. And this was a pretty solid vampire book. Honestly Stine stepped up his game here. There’s several descriptions and paragraphs that were genuinely well written, and the opening scene set up to reveal is fairly well done. I loved Jessica the snarky vampire and there’s some lore written into it too. Sometimes these books are a slog to get through, but this one I liked. I’m giving it five melted vampires out of five.
Sorry, guys! I meant to post this last week, and I got very, very sick so I ended up posting none of the things I meant to. But I’m back now! After really enjoying the first in the Fear Street relaunch, I decided to give the second one a try, and let’s just say this one shows a little more of R.L. Stine’s traditional style.
Here’s what I like about the cover (stolen from Goodreads): it plays into the central conceit of the story, which is It’s Scary to Be a Babysitter. I like the pop of red from her sweater, I think the colors are spooky, and while there’s still a weird filter over it, I overall enjoy this. I think the figure at the window is the least scary thing they could’ve chosen, especially because the weird brick wall behind it is distracting and looks like they paid a dollar for it off Canva. I don’t feel like it captures the tone of the book, which is not clueless babysitter is unaware of the danger she’s in. Lisa is constantly on edge and constantly feels like she’s in danger when everyone tells her she’s not. But otherwise a fairly good cover.
In the dead of the night, the evil one awaits.
Um. I feel like my complaint about the taglines was heard too clearly. This is not your generic tagline. This is very specific, and it still doesn’t really have anything to do with the story. I guess it kind of does, but you don’t figure out who “the evil one” might be until after you’re led through six other red herrings. It feels more like Satanists are going to come after her or something. I guess they tried. I’ll give them points for that.
We are introduced to Lisa in the worst opening line ever not written by a thirteen year old goth girl:
My name is Lisa Brooks and I’m a twisted psycho.
I guess Lisa’s supposed to come off as sardonic and slightly broken from her ordeal. She’s a bit of a bad girl in the not-prologue, meeting up with her friends when she’s supposed to be home studying. She’s not even doing anything bad, but her parents treat her like she broke a covenant. Anyway, we’re introduced to her friends and boyfriend, Nate, who’s an acrobat much like Corey was. He’s into scary movies and talks about his friend Saralynn a lot. Both of these things will come up later. They’re served cheeseburgers at Lefty’s by Rachel from the previous volume, restarting the ancient Fear Street tradition of recycled extras. She and her friends do a weird ritual where they pile their phones on the table, and the first one to ring has to pay for dinner. I’m not a hip cool teen, but do teenagers call each other anymore? Isn’t all texting and snapchatting? I do like the line where Lisa complains about her parents leaving her voicemails, because who listens to voicemails?
Saralynn mentions she has to do a video for a class, and she asks Nate if they can use all his horror stuff. He’s a huge movie buff and lists Evil Dead II as his favorite of all time, which I actually agree with (fight me nerds). Their friend Isaac, who’s in a Metallica cover band, offers to get blood from his cousin who works in a medical lab. They’re interrupted by Lisa’s parents showing up, and her dad demands she comes home with him right now. It’s mostly regular concerned parent stuff, but he does take it a little far dragging her out of the booth. It’s unclear if Lisa’s ever done anything to deserve this. She says she dated a guy with tattoos, but that doesn’t seem enough to warrant this. Anyway, he drives her home, and the whole family argues, until dad careens into another car and is instantly killed.
Lisa does not do well after the accident. The family dog ran away, and she has hallucinations sometimes, as well as vivid dreams. She runs outside at night thinking she hears her dog and sees a strange inhuman monster, but her mom pulls her inside and tells her she was sleepwalking. Concerned, her mom sends her to Dr. Shein. On her way to her appointment, Lisa thinks she sees the creature again, but it’s only Nate in a costume “used in an old Universal horror film back in the fifties”. Which, like, if this kid actually has the costume from the Creature from the Black Lagoon, a) his family is probs rolling in it, b) this kid’s horror credentials went through the roof, and c) why the flip is he wearing it outside? The kids are nice to Lisa, clearly aware she’s still struggling, and they invite her over to watch horror movies, though Lisa declines. Isaac asks her if she wants to see his band play, and Nate and Saralynn share a weird moment that makes Lisa a little jealous.
Lisa goes to see her doctor, who tells her that hallucinations after the accident aren’t uncommon, especially since she might have a minor amount of brain damage. Dr. Shein affirms that she is making progress, even though Lisa feels like she’s getting worse. Doc tells her to go back to school, thinking it’ll help her get re-adjusted, and she sets her up with a babysitting job so her off hours are taken up too. Lisa’s happy about this, until Dr. Shein mentions the house is on Fear Street. You don’t have a problem with Fear Street, do you, Lisa?
Lisa goes to Isaac’s band rehearsal, and it’s cringe worthy. He warns her away from Fear Street, and mentions they’re taught about the Fear Street curse in sixth grade history, which isn’t totally bonkers but is a little weird. Suddenly he kisses her, and she pushes him away, right as Nate walks up. Nate just tells Lisa they need to get going, and never mentions the kiss. Lisa knows he saw it, but she doesn’t know how to react to his no reaction. Nate doesn’t buy into the Fear Street paranoia and even mentions that Brendan Fear is a cool guy. They come up to the house, and Lisa goes in for her job interview. She meets Brenda Hart, who seems a little tired and a little young. She tells Lisa that for three days a week, she needs someone to pick up her son Harry and stay with him until she comes home after 9. She offers to pay Lisa three hundred dollars a week, which is a major red flag for me. Lisa mentions that she’ll have to work to earn her way into college, especially after the bad luck that’s been following her and her mom around. Brenda takes her to meet Harry, who’s a sweet looking boy with curly blond hair. He begs Lisa to let him stay up late, and she amuses him, but as Brenda takes her back downstairs, she warns her never to let Harry stay up late.
We cut to Lisa and Nate making out as Lisa recounts the story to Nate. The doorbell rings, and Saralynn and Isaac walk in, Isaac complaining about his band. There’s still some tension as Nate and Isaac joke with each other, neither acknowledging the obvious elephant in the room. The phone rings, and Lisa picks it up to hear Summer Lawson on the line, a previous girlfriend of Nate’s. She tells Lisa she’s in major trouble, and she has no idea about Nate, and then she hangs up.
Babysitting goes well. Harry loves having Lisa around, and he’s a pretty easy kid. After putting Harry to bed, Lisa chats with Nate, who’s kind of vague, and she wonders if he’s thinking about Isaac kissing her. She hears a noise and goes upstairs to see a monster darting from the house. She flips out and runs to Harry’s room to see if he’s okay. He’s nowhere to be found, and she starts tearing off his covers and looking under the bed. She finds him in the closet, and he tells her that someone came into his room. Lisa lies and asks him if it was a nightmare, and that seems to calm him. She gets Harry back to sleep, and Brenda comes home. Lisa doesn’t tell her what happened. Like a dummy.
Lisa tries to tell her mom what happened, but it’s clear her mom doesn’t believe her, and when Lisa accidentally knocks something over while she tries to convince her, her mom says she’s out of control. I’m starting to suspect Lisa didn’t have very good parents in the first place. Lisa returns to Dr. Shein, who suggests medication, and she continues to say this isn’t unusual, which sounds like a lie. Lisa gets a happy moment with the return of her dog, though, so maybe things are looking up.
The gang goes to the club to see Isaac play with his band, and again mention is made that you can be eighteen or older to buy beer. I’m completely certain that every state now has the drinking age to 21, but what do I know. The teen club is called the Hothouse now, though it sounds more like they let under eighteen in until a certain point. Nate goes to buy them drinks with a fake ID, and Saralynn offhandedly mentions he got caught last year, and says to Lisa that she doesn’t know everything about Nate. Lisa is mildly weirded out by this, if only because it makes Saralynn sound jealous. Isaac and his band go on, and they are terrible. Lisa goes to get another drink and runs into Summer, who she describes as “beautiful, like a goddess”. She warns Lisa that she’s in trouble, and when Lisa tries to get her to say more, she disappears into the crowd.
Lisa goes to babysit Harry again, and while she’s reading up on her science assignment, she gets a call from Summer. She lets it go to voicemail and tries to get back to her homework, when she hears a thud. She goes to the kitchen and finds Nate standing there. He says he was on his way to pick up his brother and decided to swing by, offering her a ride home. She hears Harry calling for her, and he’s crawled out of bed. She puts him back to bed, comes downstairs, and Nate is gone, but she hears noises again. She sees the creature on the staircase. She screams at it, it spits at her, and she charges it. She thinks she chased it out of the house, and then she hears a high, shrill scream. Lisa runs outside, sees nothing, and then runs back upstairs to check on Harry. He seems to be asleep. Brenda comes in, and Lisa debates telling her what happened, when Harry appears on the stairs, announcing that he stayed up late by faking sleep. Brenda is annoyed but sends him upstairs, asking Lisa if she’s okay when she sees her trembling. For a moment, she considers telling Brenda what she saw, but Nate honks his horn outside. Nate has scratches all over his face. Suspicious. He tells her he fell into a rose bush. They see something weird across the street, and Lisa goes to inspect it, discovering the body of a dead girl. Summer Lawson.
They’re brought to the police station and questioned again. They meet Captain Rivera, another striking move for diversity in the Fear Street series, tries to be friendly with the teens. Lisa’s mom tells him Lisa has “emotional issues”, and again, I’m starting to think Lisa just has bad parents. The media is calling it the Cannibal Killing, since apparently Summer had bits of her chewed up. Lisa admits she heard a scream that night, but her priority was on Harry. Her mom demands she tell the police about the creature she saw. Lisa admits to the police what she thinks she saw, and Captain Rivera isn’t a jerk about it. He asks her if it was a movie she saw, and when Lisa’s mom mentions the accident, he’s sympathetic.
Saralynn texts Lisa, but she ignores her. She’s a little suspicious of Saralynn’s relationship with Nate, and why Summer was out on Fear Street, and she’s thinking about Nate’s horror movie collection. At school, she sneaks out of study hall with Nate, and she tries to talk to him about the monster. He clearly doesn’t believe her, and he offhandedly mentions something Dr. Shein told her, making Lisa feel more suspicious. She remembers how Nate was all scratched up. But Nate interrupts her by asking about Isaac, and he tries to bring it up, but she dismisses it immediately. He offers to help her babysit on Friday to make her feel safe, and then offers to bring Saralynn too, which makes Lisa more suspicious. They run into Saralynn, who agrees to come over. Lisa walks away, not before hearing Saralynn say they should tell Lisa the truth.
Lisa goes to pick Harry up and asks about his sleep. Harry’s aunt tells her that he has a form of epilepsy, and if he doesn’t get the right amount of sleep, he could have seizures. Lisa is startled by this, but she’s promised so long as he gets his sleep, he’ll be fine. She takes Harry home. She tucks him in on time and amuses herself by flipping through the family photo albums. Photos of Brenda and her husband, family reunions, picnics, and then Lisa sees two familiar faces: Nate and Saralynn. Immediately Lisa calls Nate, but he doesn’t pick up. Brenda comes home after ten and asks Lisa how she’s doing. She wonders if Lisa is thinking about quitting the job with a murder happening so close, but she says Harry loves her, and Lisa admits she’s fond of him.
Lisa goes home and manages to get Saralynn on the phone. Lisa asks her about the photo, and Saralynn says, yeah, she told Nate to tell her, but the three of them are related, distantly. Brenda, Saralynn, and Nate are all vaguely second cousins or something. She says it was Nate’s idea to keep it a secret, getting more and more vague by the second. Lisa isn’t sure she can trust them, but Saralynn insists they want to help.
On Friday, the whole gang shows up to help with Harry. They all play Harry’s Xbox game and turn the sound down when Harry goes to bed. Lisa confronts Nate about hiding his blood relations, and he doesn’t say anything convincing. They study for a while, and Nate notes that Isaac hasn’t answered any of his texts, despite him supposed to be coming over as well. He decides to go pick him up. The girls chat for a little while, until Lisa gets up and sees the monster on the stairs. She screams and points to it, but Saralynn can’t see anything. Lisa has a total breakdown, realizing she is crazy, and Saralynn offers to call her doctor, but Lisa insists she has to check on Harry. When she gets upstairs, Harry is gone. They search the house, finding nothing, until Lisa hears something outside. It sounds like a fight, and some hissing, and general monster noises. Lisa goes outside and finds Isaac on the ground, dead.
They’re taken to the police station again. Nate says he was hunting for Isaac all over, but couldn’t find him, giving him a pretty good alibi that no one can back up. Rivera brings up her hallucinations again, and Lisa’s mom is no help. River than says he’s not accusing Lisa, but also is it possible that she’s the one doing all the murders? Lisa insists what she saw was real, but as soon as they leave, she breaks down again, saying she needs Dr. Shein, because she might actually be crazy.
Lisa gets put on medication, avoids Nate because she thinks he might be the killer, and doesn’t go back to work until Brenda calls begging her to come over, that she’ll pay her double, because she needs a babysitter. While babysitting, Lisa goes through the albums again, looking for any clue. She finds a picture of Harry with another girl in a blue sweater that’s only labeled “Joy”, though considering how unhappy the girl looks, it’s a poor description. Tucked into the pages is a letter from Joy, saying though she loves Harry, she can’t keep the job as his babysitter. The nightmares are too bad. There’s an address attached, and Lisa writes it down, determined to find Joy.
Lisa manages to borrow her mom’s car and drive out to the address. A woman answers the door, and when Lisa asks, she screams that joy is in the state hospital up in Martinsville. Lisa drives over there and sees the plaque that says the hospital was built by Jacobus Fear in 1911. I honestly adore the far reaching Fear family. It’s a little refreshing from the first run of the series, where they’d all disappeared. It’s a really bad depiction of a mental hospital, with people shouting random crazy phrases, sad moans everywhere, and a man licks her hand. Your usual description written by someone who’s never actually been to a mental hospital. She tells the nurse she’s Joy’s friend, and they let her in to see Joy. Lisa starts to ask her about Harry, but Joy flips out and calls him a demon and a monster. Lisa thinks she’s talking about Nate, but we all know the truth.
Lisa tries to get more information about Nate from Saralynn, who remains useless. Still, she goes to get Harry from his aunt’s house and walk him home, but she stops halfway there when she realizes his backpack is gone. She tells him to stay there and she’ll grab it, which is dumb, but it leads to Lisa going back to the aunt’s house to hear strange howls. When she opens the basement door, she sees three strange creatures that are almost human like, but hideous and malformed. She escapes, runs with Harry back to the house, and she calls the police, trying to play it cool the whole time. She gets Captain Rivera and convinces him to meet at the aunt’s house to search the basement, but, of course, when they get there, it’s empty. Lisa sulks as she goes back to Harry, who convinces her to let him stay up late. He asks her if she can guess why he likes staying up late so much, and he tells her it’s because he gets to change. She asks what that means, and then he does. He becomes that hideous monster she’s been seeing and snaps at her as Brenda comes in, shouting at the both of them.
Brenda scoops up the monster, that turns back into regular Harry. She tells Lisa she can’t leave, now that she’s seen Harry like this, and tells her it’s her fault that Isaac and Summer are dead, since she couldn’t do her job right. She monologues for a minute and then tries to stab her with a kitchen knife, and then Nate runs in and saves her. He attacks Harry, and Lisa runs for it. Apparently she does nothing about this new information until the next day, where she goes to Dr. Shein’s office. I guess she didn’t try to call Nate to see if he was okay, or ask Saralynn what she knew, or try and get the police again. She tells Dr. Shein everything, and Dr. Shein decides to put her in a hospital like the one Joy is in. Because it turns out Dr. Shein was in on it too! Lisa is calm though, because she lifts up her phone and reveals that she was FaceTiming this whole conversation to the police! How modern! The police arrest the mad doctor, and the day is saved, kind of.
Apparently the police kept the arrests and mad scientist business out of the papers, which seems ridiculously bonkers. Lisa takes up a job at a daycare center, appreciating how busy it is and how many kids she sees in a day. She’s a little sad about Nate, who did save her life, but is happy now that she’s not babysitting a literal monster. She’s introduced to a new kid, Sam, who is just Harry, who begs to be able to stay up late.
“Dr. Shein, do you see this phone in my lap? It’s connected to an app called FaceTime. Do you know what that is?”
“Yes, I know what FaceTime is,” she muttered.
Fear Street Trends
These kids get more and more fashionable. I guess because Isaac’s a musician, Stine actually googled some popular bands, so Vampire Weekend and Daft Punk get a shout out, as does a fake psychobilly band. Previous folks get a cameo, including Kerry Reacher and Rachel Martin. Lisa and Harry watch Kung Fu Panda 2 on Netflix, a weirdly specific choice, which makes me imagine Stine had to watch it with his grandkids, and Harry plays an Xbox game called “Candy Catastrophe” which is clearly Candy Crush, but on a console I guess? Lisa’s dad looks like Clint Eastwood, and her mom is a Denzel Washington fan. Harry reads a story by Willa Cather, who I googled to see if it was symbolism. I can’t tell.
Um… I don’t know? Admittedly it took me a minute longer to read this one, and the fatigue set in earlier, unlike say Party Games, where I at least felt the characters were doing something the whole time and not just milling around until the story caught up to them. It made very little sense, and it’s honestly nonsensical ending (how did the aunt move all those monsters?), I feel compelled to give it a low rating, but I’m also the one who constantly wants actual supernatural things to happen in these stories. It felt a lot more Goosebumps-y than Fear Street, which may not be a bad thing to the right person, but the thing I’ve enjoyed about Fear Street is it’s more thriller style nature, versus the kid vs monster style of Goosebumps. The death of the dad added almost nothing to the character and was only there to service the plot, and bad therapy is a major part of the Fear Street series, but it was egregious here, though I guess on purpose? I’m still going to give it two shapeshifting children out of five.
As a note, I’m taking a short vacation from this blog while I sort out the many, many projects I’ve given myself and prepare for summer reading. There will be no new reviews posted in May, and I currently have a plan for June, so we will see if that works out. I will tentatively say the next review will go up June 4 (my birthday!). Tentatively. See you then!
The cover (pulled from its GoodReads page) is okay. It’s not sinister enough for me. There have been other covers that have done more with the interplay of sex and death, and this one just feels a little flat.
He was a hunk of trouble…
God, I love this. This is what every Fear Street tagline should be. It’s punny, it’s indicative of the book without being spoilery, it’s so good.
Janie is hanging out in the hallway when she first gets a glimpse of the new boy. She sees him from a distance, and he’s brooding and dreamy. Her thoughts are interrupted by her two BFFs Faith and Eve. Faith is a rich girl, while Eve’s family struggles to make ends meet, much like her boyfriend Ian who’s working about five jobs to pay for his college. They all worked to plan the school dance and now have to count the money from it. Of course, her friends are more interested in gossiping than doing their job. Eve does a mean prank on Janie, making Janie think they lost the money, and Faith brushes her off for it. They all three see the new boy walking towards them, his arm bleeding, and when they rush forward he tells them he was helping someone with their bike and accidentally sliced his arm on the fence. He introduces himself as Ross Gabriel, and Faith and Eve help him go to the nurse’s office, leaving Janie behind, who pouts that she saw him first.
The girls return to help Janie, who lets them know she’s interested in Ross. The others tease her and discuss their own boyfriends. The boys themselves, Paul and Ian, show up and start goofing around with the girls, joking they’d steal the money and tossing stacks of bills at each other. Their interrupted by Mr. Hernandez, their principal, who at first threatens to suspend them, then lightens up and let’s them know he’s joking. They finish counting it to a little over twelve hundred dollars, and Janie goes to tell Mr. Hernandez the final count while the other two leave. She forgets the amount, returns to the drawer where the money is, and finds that it’s missing for real!
Janie goes over to Faith’s a few days later, still stressed out over the missing money, but relieve the girls aren’t suspects. She sees Paul at her house, and they all have kind of a tense conversation. After he leaves, Faith asks Janie if she’s going to ask Ross out, or if Faith herself will do it, dismissing Paul when Janie brings him up. They make a bet: ten dollars to the first girl who asks out Ross. They even call Eve, and she agrees to play the game.
Ross is Janie’s chemistry partner at school, and he plays it cool and funny when he’s with her. He lets her know his old school was way a head and he’s done this experiment before, and then he drops in some wrong ingredients, creating a stink bomb. He plays dumb in front of the teacher, saying he made a mistake, and the teacher takes the test tube out of the room. The other kids are grateful for his disrupting class and removing the teacher in one move. Ross says, “I like to mess people up.” It’s so strange, and even Janie’s like, what, but the bell rings. As they leave, she starts to ask him out, but he sees someone in the hallway and quickly bolts. It’s okay though, because Eve runs up to Janie and proclaims herself the winner of the bet.
On Friday night, Janie and Faith are talking about how jealous they are over the phone. Faith says she could call Ian right now and let him know Eve is on a date, but Janie tells her not to. Faith worries a little her parents might be divorcing, since they’re no longer in the same room at the same time anymore, and she’s extra annoyed that Paul asked her for three hundred dollars to fix his car, and she’s pretty sure he only goes out with her because she’s rich. Janie invites her over to watch a movie, but Faith tells her she just wants to stay in.
We cut to Eve in the car with Ross, and they’re making out. This is paints Eve in a pretty poor light, especially because later we learn Ross agreed to go out with her because she promised him half of the bet money, which makes it sound like she pretty much only did this to win ten dollars. We don’t really see her and Ian together at all, and so it’s unclear if she’s interested in fooling around, or if she’s lonely because Ian works so much. It doesn’t matter much, because she and Ross walk into the Fear Street woods, and she does not walk out again. Janie gets a call Saturday morning from Ian, who tells her Eve never got home last night.
Janie calls Eve’s mom, who lets her know Ross is missing too. Ian comes over to Janie’s, and he asks if they can drive around, since he’s too nervous to sit still. Ian kind of accuses Janie of knowing Eve went on a date last night, and Eve deflects. Ian slams on his breaks as they near Fear Street, claiming he saw a dog, and they both see something in the woods. Getting out, they find Eve’s body. The police arrive, and Ian’s clearly a wreck. Janie tells him they can go now, that the police are handling it, and he tells her he’s certain someone killed her over the money. At first she thinks he’s talking about the bet, but then he clarifies: Eve stole the dance money. He then demands to know who Eve went on a date with, and she tells him the truth, that it was all a stupid bet. He flips out and tells her to get out of the car, and she’s afraid he’s going to do something stupid, so she steals his keys and tosses them into the grass. The paramedics take Eve’s body away, and Janie worries that Ross is lying dead in these woods too.
Janie and Ian are called into the police station to answer more questions, and they see Ross being brought in by two officers. Janie’s excited to see him alive at first, and he told her Saturday morning he went with his parents back to his old town bright and early, meaning he didn’t even know what happened until they got back and the police were waiting for him. He lets her know he dropped Eve off at home and watched her go up to her door. She was safe, as far as he knew. He asks if she believes him, and she hesitates. Ian makes it clear he doesn’t.
Janie meets up with Faith, and they’re both miserable. They agree not to tell anyone that Eve stole the money, a bad idea, and they’re interrupted by Ross. He sits beside Janie, and Faith gets openly hostile, something he picks up on. He wants to know if she’s thinking he’ll kill her too, which sounds like a threat, and he starts screaming at her, again, not a good look. Faith runs away as she sees Paul and Ian, but Janie hangs behind. She tells Ross she does believe him, and this is where he admits he only went out with Eve because of the bet money. He mentions something that went down in his old town, and Janie asks about it, but he brushes her off.
Her friends are still suspicious of Ross, but Janie isn’t so sure on them. Paul mentions he found the money to pay for his car, and she starts to wonder if Faith gave it to him, or if he got it on his own. Ross comes over to her house to work on French homework, driving her to a restaurant, where his car breaks down in the middle of nowhere, which gives Janie a lot of anxiety. He lives on Fear Street too, and he runs inside his house to grab his wallet. This is all set up for after he drops her off back home, and she has to return his text book. She arrives at his house, and an old woman answers the door, telling her no one named Ross lives there. She’s worried she’s falling for a murderer, and her friends are disdainful of the relationship. Faith mentions she overheard some rumors about Ross from his old school but refuses to elaborate. The rumors at their school circulate that Ross was arrested for the murder, but they see him in the cafeteria, where he kind of flips out that everyone is accusing him. Janie asks him about the old woman, he tells her his grandmother is senile. She forgets things, including her grandchildren, and sometimes her own son. He also says Ian told the police about the stolen money, surprising Janie, but the money wasn’t found at Eve’s. He then starts to hand her a scarf, which Janie thinks is Eve’s, and she flips out and runs away.
Janie runs to the parking lot only to see Faith and Paul having a huge fight. She decides not to tell them that Ross has Eve’s scarf, since they’re in the middle of something. After school, she goes to the mall to see Ian, and he talks about his many, many jobs. When she gets home, Faith is calling her, and she tells her she has something really important to tell her about Ross. Suddenly she gets another call, and she goes quiet for about a minute, then returns, asking Janie to come to her house. Janie asks why she can’t just tell her over the phone, but Faith insists. When Janie gets to Faith’s house, the door is ajar, and she smells something burning. She runs into the den to find Faith on the ground, struck by a poker. She calls 911 and thinks she hears someone in the house. The operator tells her to leave calmly, but Janie’s so disoriented that she locks herself in the den. Then someone comes up behind her, and it’s Ian! He tells her that Faith was going to tell him something about Ross, and when he sees the body, he starts to freak out and blame him again.
A funeral is held. Ross is missing. Everyone is sad. Janie runs into the girl who scared Ross off before, and she spills everything. That at his old school, his name was Robert Kingston. He went out with a girl for a few months, and after they broke up, her body was found in the woods. He was questioned but not arrested. Robby hung around with some bad boys too, and his alibi was that he was in a stolen car. Now knowing this, she runs into Ross that night and is terrified to be near him. He’s getting unhinged, it seems, and demands she get in his car and talk to him. He then tries to give her scarf back to her, and Janie realizes it is hers, not Eve’s, and she flipped out over a misunderstanding. She refuses to go with him, but she says she’ll meet him at the pizza place at eight tonight, promising. That seems to satisfy him, and he drives off. Janie gets home and tries to call the police so they’ll know where Ross is, but a storm has knocked out the phone lines. Her parents are out late, and she’s getting anxious alone in her house, and around eight-thirty, Ross comes a-knocking.
Ross is clearly angry, but he tells her the truth. He didn’t kill that girl. He found her body, and the police took him in for that, but the rumor mill wouldn’t stop. He wasn’t even in town when Faith was killed, but the police are still picking him up to ask questions. He gets aggressive with her, and then a pair of headlights come up the driveway, chasing him off.
The kids at school get more aggressive, and Paul and his friend start to beat up Ross when they see him talking to Janie. Janie herself is skipping class and hiding out to avoid him. Ian finds her and tells her he has proof that Ross killed Faith. As usual, he says he can’t tell her here, and he drives her out to the woods. They park across the street from Ross’ house and go into the trees. He has with him a baseball bat, and once they’re far enough, he starts to threaten Janie. He tells her he knows Faith told her everything, that she’s a loose end, and Janie has no idea what he’s talking about. It turns out Eve stole the money for him, but when he heard about her date with Ross, he got jealous and angry. He killed her there with the bat in a fit of rage, and then drove her body to the woods, where he led Janie the next morning. Janie screams that Ross is right behind him now, and he tells her he’s not stupid, only for Ross to grab him and be rewarded with a hit of the bat. Janie flips out and attacks Ian, pinning him to the ground and pressing the bat to his throat to choke him. Ross gets up, holding Ian down, and tells Janie to run to his house and call the police. She agrees with a smile, happy that she’s no longer in love with a murderer.
“I usually don’t put a move on a girl the first date.” He shrugged. His eyes locked on hers. “I usually wait until the second date!”
Fear Street Trends
We get to see Corky and Kimmy out of a Cheerleaders book, which is a delight! Deena Martinson breaks up with Gary Brandt, and Ricky is still the class clown. There aren’t a ton of fashions, but my favorite is Eve’s sexy red denim jeans she saves for hot dates, worn with a blue blazer borrowed from Janie. Blazers are such good date wear.
More than usual, this Fear Street book felt especially cookie cutter. Cute boy, dangerous love interest, murder, murder, plot twist, two characters who should no longer trust or like each other get together at the end. I’ll give it two stolen money bags out of five.
YOU GUYS. I didn’t realize until it was too late, but I have been doing this blog for an entire year of my life. For something I did only to indulge my nostalgia trip, it’s been a fun ride. I was debating what to do to celebrate a whole year of self-indulgence, but with the knowledge that another Cheerleaders story might be coming out soon, and putting off reading the re-launch until I got to a point where I could remember enough about this series to properly examine a reboot, I decided to look at something brand new.
This cover (taken from its Amazon page) is pretty good. Better than the cover redesigns of the books I’ve been reading for sure. They reintroduce a painterly style, and the sharp contrast of the light an ddark work well to create a growing sinister feeling. The deflated balloons work as well. The weird green overlay feels a little strange, but it’s a solid cover.
Are you dying to play?
For all my lamenting of average taglines for the Fear Street, I actually really like this one? It takes an overused pun, but there’s no dramatic ellipses or dashes. I approve of this.
This book is twice as long as any other Fear Street novel, which means it’s a little over 200 pages, but goodness I started to lag in the middle. I’m an adult now with a very short attention span and I don’t have the time or energy to read books over a hundred pages long.
This book opens with an introduction, which I was actually happy to read, because it reintroduces us to this newer trendier Fear Street. Fear Street is on the east side of Shadyside here instead of being on the west, something that is totally unimportant but I do actually spend a bit of time looking at the Fear Street map. Again we’re told the story of two girls who were found in the woods with their bones missing, something we knew not to be true in the Fear Street Saga, but who knows in the universe.
We’re introduced to Rachel Martin who works at Lefty’s, a diner. She sees Brendan Fear with a few people from school. Brendan is a big nerd who not only plays World of Warcraft and Grand Theft Auto (I’m going to keep a tally of modern references), but mods and designs games as well. He’s surprisingly casual for a Fear descendant, and in this continuity it seems like the family is still around and fairly prominent. I’m interested in how this continues to play out in the rest of the re-launch. Anyway, Rachel has a major crush on Brendan. Her BFF Eric is also there, and he’s super annoying, a kind of Ricky Schorr remake. They invite Rachel to Brendan’s party, an all-nighter on Fear Island at Brendan’s mansion. Rachel is happy to be invited, especially because Brendan pulls her aside.
Rachel’s grabbed by her friend Amy who tells her not to go with Brendan Fear. Amy gives us the run down on the Fear history. We also know the Fears are still rich, though Brendan’s dad is an investment banker rather than a black arts. Amy also asks about Rachel’s boyfriend Mac, who’s described as angry and aggressive and is the average love interest in these sorts of stories. Rachel does say she was worried he would actually hurt her.
Rachel gets home, finds the door wide open, finds her parents asleep in bed, and then goes up to her room where she finds a dead rat in hers. She thinks its Mac, but she doesn’t want to get into it. She goes to school the next day, and Mac finds her, pulling her aside. She confronts him about the dead rat, but he’s confused. He tells her not to go to the Fear Island party, that he’s heard some rumors, and she tries to get him to open up. He exhibits plenty of violent and abusive behavior, and she tells him goodbye before driving off.
Rachel packs an overnight bag and puts on her party outfit. She drives out to the boat launch and sees a bunch of kids from school, as well as two strangers in brown leather jackets. We’re also introduced to an explicitly black character named Robby Webb, who goes as Spider Webb. There’s some shenanigans on the boat, and as they leave, Rachel thinks she sees Mac watching her. As they ride to the island, they’re warned there’s no WiFi and no phone signal, which is a little alarming, but a decent excuse not to have phones in the mix. When they get there, everyone files off, and the boat pilot trips and falls. The kids freak out as they see blood in the water, and two workers pull him out, promising he’s okay. Rachel knows the workers are lying, but they’re led away by more workers. They’re led to the mansion, and the girls and boys get rooms where they’re paired up. Rachel talks to April, and April mentions she got a dead squirrel in her bed. A bunch of the girls also say they got roadkill in their bed.
They go downstairs, where Brendan greets them. He gives a welcome speech and mentions he can buy beer at eighteen, which would really narrow down the location of Shadyside, but I don’t think any states have that law any more. He also introduces the two strangers as Morgan and Kenny Fear, his cousins. They seem pretty unimpressed to be here. Brendan invites everyone to get trashed, and they snack down on pizza and drinks. Brendan pulls her aside again, and they flirt. Rachel goes off looking for the bathroom and thinks she hears someone calling for help. She runs into one of the hired help and is turned away, and she goes back downstairs and is instantly swallowed up by the party. Brendan tells them about the ghosts that haunt the house, and Delia, who has shades of Suki Thomas with her bleach blond hair and her flirtatious persona, tells Eric she loves Ghost Hunters and invites him to explore the haunted attic with her. It’s actually a cute moment, especially since Eric flirts with everyone, and the second someone flirts back he’s a little dumbstruck. Like in the Halloween Party, Brendon gives them a scavenger hunt list, and they team up to hunt through the house. Brendan picks Rachel to go with him. The girls jump up to confront Brendan about the dead animals in their bed, and he flips out, telling them about his Great-Aunt Victoria. She collected dead animals and taxidermied them by the hundreds, and died by taxiderming herself, which doesn’t make a lick of sense but it’s a fun story.
Brendan and Rachel go off to search the upstairs, taking an elevator up. They kiss. The doors open up, and they find themselves in a dark hall, where they’re attacked by bats. She loses track of Brendan and runs back to the elevator. Somehow she pulls herself together, but when she gets to the elevator it doesn’t work. She throws open a door hoping for a staircase and screams when she sees the body of a boy hanged from the ceiling, a pithy note attached. Brendan runs up behind her, and when he sees it, he seems genuinely freaked out. It’s a mannequin dressed in his clothes, and he tells Rachel someone is threatening him. They’re distracted when they hear screaming downstairs, and they look for the others. They find Patti on the floor, twisted up, another cute game themed note attached to her dead body.
They realize there’s an actual killer in the house, and Kerry starts shouting that the Fears are cursed. Apparently legend states the house was used when the Fears would hunt their servants. Brendan goes off to call the police, but he reminds everyone there are no bars on the island, and the landlines are shut down. They decide to walk out to the boat, and Brendan tells them there’s no pilot, that the workers went to bring in a second pilot. As they debate what to do, the lights go out. They go get some flashlights, sticking with the group, but they find the flashlights missing.
The lights come back on, and Brendan takes them to see the security cameras to see if they can figure something else. They find video of masked men with hunting rifles breaking into the house. They decide to go for the boat anyway, since there’s a radio on it they may be able to call for help. As they make it to the dock, they see the workers leaving, taking the boat with them. Brendan’s confused and doesn’t know why they took off. A storm is rolling in. The kids head to safety.
There’s more talk of the ghosts of the Fear family. Spider and Eric get into an argument, and Eric declares he hopes he’s the next victim since Spider will miss him so much. Brendan makes them hot chocolate, and they notice Kerry is missing. They search the house for him, and Rachel looks outside to see Kerry crushed beneath a pile of stones, with a note about Jenga attached to him. They discuss breaking into another house to get a canoe, or if they should wait for a new boat pilot. Rachel gets distracted and walks into a study, where she sees a woman in gray mist. She’s completely gray, no color at all, and on the table are animal parts. There’s stitching on her skin, and she’s holding thread in her hand. She calls Rachel forward, and Rachel gets the fuck out. She finds the others, and when they return to the room, the ghost is gone. When she thinks everyone is calling her crazy, she runs down the hall and thinks she sees Mac. When she turns the corner, a man in a black mask grabs her.
But it’s not a man in the mask, she’s just panicking. Brendan holds her and tells her she’ll be safe. They hear another scream and find Eric draped upside down on a ladder, with one more note attached. Rachel flips out again and runs out of the room. Now she’s grabbed again, and it’s Mac. He tells her to come with him, that things are going down. She asks if he knew about the murders, and he seems confused for a minute. She starts screaming for help, and he tells her he has a canoe, that he can get her out of there. She refuses to go with him. He runs off, and Brendan calls Rachel’s name.
Brendan leads the group to another room that has a small stage in it. He pulls the curtain, and they see the bodies of their friends piled on top of each other, and they start to move. All the kids start laughing about the dead rising and asking if the other kids were scared. Brendan declares them the first contestants in his game Total Panic. Everyone is righteously angry and start shouting at Brendan, and even his cousins tell him it was too scary. Rachel’s especially hurt, worried his flirting was also a game. He brings out his cousin Karen, dressed like Victoria Fear, and apologizes to Rachel, telling her everyone was supposed to see the ghost. She tells Brendan that she’ll never talk to him again, right as some masked men bust into the room. Brendan starts laughing, saying he forgot about those guys, and then they hit him with the butt of their rifles. It’s clear this is no longer a game.
Rachel recognizes one of the men, though she can’t place him. The masked men declare this a kidnapping, and they drag off Brendan and take Rachel too for some unclear reason. The leader that Rachel recognizes shouts about how Brendan’s dad is a creep who fired him and then screams at Rachel. Mac comes running in, and a rifle goes off. He falls to the floor. In the confusion, Brendan and Rachel take the chance to run. They make it to the elevator, which sticks, and they have to clean out. They make it outside to the woods. Somehow they get separated, and Rachel hears a gunshot and the men talking. She remembers the story of the Fears hunting their servants, and falls into a pit. It’s filled with bones, ribs, and skulls, presumably humans. She tries not to scream but is overcome with horror, and she uses the bones to climb the dirt wall out of the pit. She runs to the dock, hoping to find Mac’s canoe and finds it empty.
Rachel tries to figure out how to get out and get away. When she hears people coming closer, she launches into the water, clutching to logs to stay, and she’s pulled out by Mac. She’s shocked to see him alive, and he tells her he played dead. He also has his canoe on the other side of the island. They run through the trees, and Rachel is confused, since they’re heading away from the water, and he leads her right to the gunman.
The gunman is Mac’s dad, which explains why Mac knew something was going down this weekend. He was here to help Rachel, but when she recognized his dad, he knew he had to protect him. The gunman start planning to kill the teens, and Mac’s dad tells him to go home. Rachel manages to escape again and is chased after by Mac’s dad, but when he raises a gun to her, she steps to him, telling him he won’t shoot. He does, she drops to the ground, but the shot misses. She has a sudden fantasy where she picks up a rifle and shoots him and then declares open season on the other gunmen, which is random and pretty much only used as a cliffhanger. She’s dragged back to the house, where Brendan’s being held in the ballroom.
Brendan’s trying to convince them not to shoot them, saying his dad will pay, and they won’t tell. The door to the room bursts open, and police officers come in, guns drawn. The kidnappers put down their guns, and Brendan tells them to call his dad and take the gunmen on their boat. They handcuff them and drag them away, and Brendan starts smiling. Rachel asks how the police knew they were there, and he says they aren’t police, he hired them. Rachel calls him insane, and he just wonders what he’s going to do for a party next year.
In a weird turn of events, this book has an epilogue where it deals with what’s transpired. Rachel mentions vivid nightmares, and Mac is stuck waiting to see if he’s going to be tried as an adult or not. Rachel gets the news that the police dropped the charges on him since he tried to stop his father. Amy talks to Rachel about Brendan, and Rachel admits she still has a crush on him. Brendan takes her back to the island since she lost her favorite jacket there. She wanders up to the bedroom and sees a figure standing there. A tall woman with white hair, wearing Rachel’s jacket, and her face is only a skull. She takes a knife and stabs a squirrel’s body with it. Rachel runs, straight into Brendan, and when they return to the room, it’s empty, with her jacket folded on the table.
Like hello–it’s the twenty-first century. Geeks rule.
Fear Street Trends
You guys! This book was a breath of fresh air! Rachel looks like Reese Witherspoon, Mac looks like Brad Pitt. Fashions everywhere. Brendan’s a huge nerd who loves trendy video games. So much Facebook talk! Rachel changes her status to “It’s Complicated”. Amy wears a shade of red that’s referred to as slutty. Lots of skinny jeans, army jackets, and bright colors. The word ‘orgy’ is used. Lots of Disney talk too, which makes sense the original books might not have thought about that. Ghost Hunters is mentioned, and I’d love to see a ghost hunting team at this school. The amount of up to date references were amazing. I am absolutely going to read more of these books.
I was kind of expecting to not like this book at all. Most of the things I like about Fear Street are driven by nostalgia, and I was worried with a new series I’d be disinterested for the most part. But I liked this book. It wasn’t better than the old Fear Street books. I think Stine’s writing has definitely improved, though it feels almost exactly like reading a Fear Street book, perhaps with some dressing up and modernizing. I liked this book. I liked the characters in it. I appreciated that we were given a real epilogue, and I liked seeing the changes in the universe as well. I don’t know if it was a good book, but it was a book I enjoyed, and enjoyed in the context of the Fear Street books. So I’m giving it four crushed bodies out of five. I’m kind of excited to read more.
This one I’ve been putting off for a while for a few reasons, but my low bank account and a pile of Fear Street books donated to me by a friend meant this time around I went old school and read a real physical book (and ran out of sticky tabs doing it). Get ready for some hospital horror…
The cover (taken from a Buzzfeed article, bleh) is alright. There are things I like about it. I like the element of “something hidden going on at the hospital”, or the sweet innocent girl chatting with what should be a normal man, but the colors are just too bright and pastel. I think there’s a more dynamic way of having this image without it just being a man with a knife behind his back. Definitely could be better.
In this hospital people are dying–to get out!
It’s an obvious choice and I don’t hate it. I think a “what goes on under the knife” might be better, though there’s no actual surgery element to the book. It’s just kind of meh.
There’s an unnecessary prologue where Laurie is running through an unconstructed area of the hospital with a man chasing her. She’s grabbed, and her thought is “where is the knife”, which is a bonkers thought, especially when we get context later, but it’s a title drop.
We cut to one week earlier where Laurie and her friend Skye are playing candy striper in the kids wing on the ninth floor of Shadyside Hospital. They note the new wing under construction thanks to a big donation by Franklin Fear, descendant of the Fear family,and the wing will be named Fear Wing, which seems like a bad idea for a hospital, but whatever. Skye tells her she’s bringing more toys for a sick kid in one of the rooms, and there’s a running joke that he’s constantly getting new presents. As Laurie goes to run her errands, she hears crying in room 903 and finds a sick little boy named Toby. His room is bare, no balloons or toys or anything, and he doesn’t talk at all. She comforts him a little after reading that he has pneumonia, when one of the nurses walks in and tells her to get out. The nurses are all portrayed as mean and snappy, but there’s also a lot of mention going into how overworked they are. It’s a little weird, and I think Stine just didn’t want us to think he hated nurses or something when he made them all so mean.
Anyway, Nurse Wilton says the boy doesn’t talk at all, but Laurie is pretty certain he’s pleading with her, and not just because he’s sick. When she sees Skye again, she asks her if she could steal some balloons out of the other kid’s room so she can bring them to Toby, and Skye says the kid probably won’t even miss them. They also talk about a raffle for a red Mercedes-Benz that Franklin Fear is putting on to help pay for the wing, which is used as a plot point later on. We get some more girl talk. Skye makes plans with multiple boys and then decides who to drop last minute, while Laurie has been dating the same boy, Andy Price, son of the hospital director, who she’s trying to figure out how to dump. There’s a weird jab about Dr. Price being his step-father, which I think is meant to exonerate Andy later in the book, but we never really see the two of them interact, so whatever.
They’re interrupted by a handsome man entering the cafeteria. Rick is constantly described wearing loud t-shirts, and today his shirt says WRONG WAY GO BACK. He’s also a student volunteer, but he’s also in his second year at college, which will make his later flirtation with Laurie kind of creepy. He says he’s going to medical school, but a code blue gets called and he’s confused by it, and the girls explain it to
the readers him. Laurie thinks the code is for room 903, and she runs off, hoping that Toby is okay.
She runs to the room, and Toby is flailing under the care of Nurse Wilton, but it’s only because she’s trying to get blood from him for a test. The code was for room 503. Laurie offers to help, saying she can calm Toby down, but the nurse tells her to get out. Laurie walks back to the nurses station and overhears the nurse there talking to Toby’s mom, Mrs. Deane, who wants her son out of the hospital. Nurse Girard lets her know Toby will likely be going home the next day, but they have to be sure he’s out of danger. Laurie sees Nurse Wilton leave the room, and she sneaks back in. She tells Toby what the nurse said, and she holds his hand until he’s asleep. As she leaves the room, she sees someone enter the restricted construction zone and realizes it’s Rick.
Laurie goes home, to her aunt’s house. Her parents are dead, and she lives with Aunt Hillary, who’s a big name accountant and often works late. While she’s feeding herself, alone in the house, she gets a phone call, and like many phone calls in these books and other horror media, it’s just breathing on the other end. She starts to hang up until she notices the wail of an emergency vehicle in the background. The phone rings again, and this time it’s Rick Spencer, who asks why she left the cafeteria so quickly. She tells him a little bit about Toby, and then asks him why he was wandering around on the ninth floor. He tells her he wasn’t. He then asks her out on a date, but she tells him she’s already taken. In the background, she hears the siren again. When she asks how he got her number, he says Skye gave it to her, and she quickly gets him off the line. Out of curiosity, she calls Skye next, asking her directly if she gave out her number to Rick. She says no, and in true friend fashion asks if she should. All this proves is that Rick is a big fat liar.
The next day, Laurie talks to Andy a little bit, and despite her saying she’s looking for a way to break up with him, they seem to get along fine. She sneaks off to work early and buys a teddy bear for Toby, but when she gets up to his room, it’s empty. At first she flips out and assumes he’s dead (I don’t know why), but the second she walks to the nurses’ station, she sees him with Mrs. Deane. She notices Rick is the one talking to Mrs. Deane, and Toby runs over to her while his mom is distracted. She gives him the bear, he thanks her, and says his first words when she tells him to head back to his mom, those words being, “She’s not my mommy.” Laurie is stricken by this, especially when Toby says she’ll be mad if he tells her who she really is, but Mrs. Deane calls Toby back over before Laurie can ask more questions. They walk out, and Laurie asks Rick why he’s on the children’s floor and what he was saying to Mrs. Deane. He makes up a bunch of excuses and asks her out again, and she starts to tell him no when the phone rings. As she reaches for it, she sees a box of surgical knives open on the desk, and it freaks her out a little. Rick answers the phone, writes a note, and then picks up the knives, pocketing them. Laurie is shaken.
Laurie wants to know why Rick is lying to her, but she more importantly wants to figure out who the woman who took Toby away is. She sneaks into the patient record room and finds Toby’s file, copying down his address which is, you guessed it, on Fear Street. She tries to think of an excuse for going over there and remembers that she’s selling raffle tickets for that car in the lobby. It’s the perfect reason to knock on the front door. She starts to leave but sees Nurse Wilton right outside the door. Unsure how to escape without being seen, she thinks to wait her out, and when that proves it isn’t going to happen, she just makes a run for it. Nurse Wilton sees her, and she escapes to the elevator on the far side, letting the doors close in Nurse Wilton’s face. She’s shocked to see a person lying on a gurney beside her, monitoring equipment jutting out of the sickly woman, and the orderly demands she get out. She ducks out on the next floor, which says restricted personnel only.
She looks back at the elevator, but it’s moving up again, and she’s worried Nurse Wilton might’ve seen what floor she got off on. She runs through the unfamiliar halls and ducks into the first room she finds. It’s freezing cold, filled with metal tables, and when she puts her hand down on one she realizes she’s touching a corpse. It’s the anatomy lab, where medical students dissect corpses, and they are everywhere. Outside she hears a jangle of keys and realizes she’s been locked in. She starts to slam on the locked door and accidentally knocks over a skeleton, gains her balance by grabbing onto the first thing she finds, a hand that ends at the wrist, whirls around to see a severed head with its skin peeled back, and as she slams her fists again on the door, she thinks she sees something moving behind her. When nothing does, she makes herself breathe, realizing hysteria is getting to her. Calmly she re-examines the door and finds the deadbolt, manages to unlock it, and runs back into the hallway. She runs back to the elevator and stops again, this time seeing Nurse Wilton talking with Dr. Price. At first she thinks Nurse Wilton is complaining about her, but she realizes even she couldn’t be crazy enough to take a minor problem to the head of the hospital. Too traumatized to think about it, she finds another set of elevators and gets the fuck out.
When she meets up with her friends later, Laurie tells them what happened, and they joke about it with her. She asks if they’ll come with her to Fear Street, since she’s too scared to go alone. Skye makes them agree to go with her, though Andy is unexcited, and while they joke about it, when they actually get there, they’re all quiet. Since the houses don’t boast numbers, they split up the raffle tickets, and Skye and Laurie go up to the house they think is the Deanes. Mrs. Deane answers the door and seems annoyed by them, but to get them out of her hair she goes to grab her purse and make them leave. Laurie hears someone crying from inside, and when Mrs. Deane doesn’t return, she barges in. She sees Toby on the stairs and starts to talk to him, but he doesn’t seem to recognize her, and then Mrs. Deane shows up, yelling at him to go back to his room. She throws the dollar at Laurie who runs off, and the others demand to know what happened.
Laurie tries to figure out what to do about this development, and while she should call child services and be done with it, she gets called into the head nurse’s office instead and is told she’s being transferred out of the Children’s Floor. She sort of tries to explain the situation, but she’s told she’s been getting a lot of complaints, and if it’s true that she broke in to look at patient records, she could be fired. Laurie’s sent to the X-Ray Department to file for the rest of her life. She decides to go talk to Nurse Wilton to explain the situation, but when she finds her, the nurse is walking into the construction zone, and Rick follows her. At first, Laurie waits for them to come out, but after a long time passes, she follows them in. The construction area is barely done, and there’s all kind of strange shadowy shapes lying around. She almost walks through a hole in the floor and stops herself. When she turns around, she realizes one of the shapes is Nurse Wilton, a surgical knife sticking out of her neck.
Laurie flips out and runs back to the nurses station, grabbing Nurse Girard and Skye. Neither of them really believe her or do anything about it for a full minute, but they agree to go with her to collect the body and call security to the ninth floor. Laurie points security to where she found the body, but then she realizes there isn’t one anymore. Skye is enraged because she thinks it’s a big joke Laurie is playing, and then a doctor arrives, asking if another doctor put the girls up to this. He tells them he’s been playing a game of gotcha with one of the other physicians, and Skye says yes, of course, this is all a big joke. Laurie is convinced Rick killed the nurse, and she’s also convinced it’s connected to Toby somehow, though I don’t really know how she made that leap in logic. She goes to the patient records office again, but this time she can’t find Toby Deane’s file. Someone has taken it.
Nurse Wilton doesn’t show up to work again, but no one believes Laurie when she tells them the truth. Laurie’s convinced something is happening on Fear Street, and she drives to Toby’s house again. She watches for a while. She sees Toby in the kitchen with another woman who sees to be trying to comfort him, and he has a suitcase with him. Mrs. Deane and a few men arrive, picking up Toby and his suitcase and putting him in a car despite his every protest. She hears another child crying inside. Laurie tries to figure out what to do next and decides to talk to Dr. Price, since it’s his hospital. At no point does ‘call the police’ enter into her thoughts. She sprints back to her car and sees a Honda drive past slowly. As soon as it sees her, it backs up quickly, and a man gets out, Rick. He starts to call her name, and she drives away.
Laurie gets home to find it empty. Andy calls her, asking if she wants to watch a movie with him, and she asks if she can talk to his dad tomorrow. He starts to initiate something, asking if her aunt is home, and if not, can he come over, and she quickly hangs up on him. Alone, freaked out, and feeling like she was followed, she calls Skye and asks if she can sleep over, but changes her mind when she hears the door open, assuming her aunt is home. She calls Aunt Hillary’s name, and with no response, she realizes the person isn’t her aunt. In a desperate attempt to pick up the phone again, she knocks everything over, but is saved when the front door open and Aunt Hillary walks in for reals this time. Laurie runs to her, tells her there was someone in the house. Aunt Hillary says she saw a car leave just now, a Volvo, which is what Andy drives, but when Laurie tells her someone broke in, she starts to call the police. Laurie stops her for some reason and starts to tell her everything, but like everyone else, Aunt Hillary refuses to even entertain the notion that she actually saw any of this.
Laurie tries to go to sleep and is woken by a phone call from Rick. He tries to explain things to her, and she tells him she saw him steal the knives. He says he did take them, that he was bringing them to a doctor on the surgery floor, and then makes a joke asking if she thinks he stabbed anyone with them. She demands to know why he followed Nurse Wilton and why he was on Fear Street tonight, and he tells her to stay away from Fear Street.
The next morning, Laurie goes over to Andy’s house bright and early and pretends she’s interviewing his dad for a project. She goes into Dr. Price’s office and quickly tells him what she saw. He’s the first person to react like a person. When she tells him she suspects Nurse Wilton has been killed, he calls the office and asks about her schedule, and is told she’s gone on vacation for three weeks, explaining her absence. She then tells him about Toby and how his records disappeared. He then tells her she must be overworked or misunderstanding things. He offers to talk to the head nurse and put her back on the Children’s Floor, as well as have someone follow up with Toby, but it’s clearly a pacifying technique. As she walks out, she and Andy get into a fight, and she tells him to leave her alone forever. This goes nowhere.
Laurie goes to the mall to meet Skye and doesn’t have too much fun shopping. She’s surprised, though, because she sees Mrs. Deane there with Toby, who cries and struggles as she pulls him into her car. She does not mention this to anyone. When she gets home, she calls the Deanes, unsure of what to do, and tries to talk to Mrs. Deane about the raffle. Over the phone she hears Toby calling her name, and then hears Mrs. Deane strike him. She hangs up and runs straight over there.
She breaks into the house and is hit over the head for it, waking up tied to a chair. Mrs. Deane is there, talking on the phone to someone, saying they need to deal with her and her aunt before it gets out of hand. Toby finds her, and she asks him to get her some scissors so she can cut the rope. She asks him about the boy who got into the car, and he tells her it’s his twin brother Terry. As she cuts herself free, she hugs Toby and tells him to be quiet, and she can get him out of here. She picks him up and runs back to her car, driving off as Mrs. Deane calls after them. She pulls over briefly to call her aunt and warn her and is told she’s at the hospital, waiting for Laurie to come pick her up.
As Laurie drives to the hospital, the radio sputters on to say a car was found in the Fear Street woods, with Nurse Wilton inside of it. Laurie thinks to call Dr. Price, certain an autopsy will reveal the true cause of death, and they pull into the parking lot. She realizes Rick’s Honda is right behind them, and she picks up Toby, racing inside. Leaving Toby with a nurse, she gets on an elevator for the ninth floor. Rick is running in after her, and she isn’t sure if he saw her as the doors close.
She runs to the nurses station where she’s supposed to meet her aunt, but she isn’t to be found. Rick then enters the floor, momentarily distracted by Nurse Girard. Laurie looks for a place to hide and runs into the construction area. Rick follows. We get a chapter that is the prologue, once more with clarity, and when he grabs her he pulls her away from the hole she was about to step into. She screams for help, and then Rick is hit from behind. Dr. Price tells her it’s safe to come out. For a moment, she thinks she sees a knife sticking out of Rick’s back and screams that Dr. Price killed him, but on further inspection it’s another of Rick’s loud t-shirts. Rick starts to wake up, and he tells Laurie not to trust Dr. Price, that he was the one who killed Nurse Wilton, and that he’s been kidnapping children and selling them. Laurie’s frozen as she doesn’t know who to believe, and then Dr. Price lunges for her, removing a gun and pressing it to her temple, and he starts backing up towards the open hole in the ground. He takes one step too many, and they both fall through, but Laurie is caught by Rick. He drags her up, and they’re both safe.
As they wait for the police, Rick explains everything. His sister was kidnapped from a hospital, and he’d been searching for her, which led him to Dr. Price. He guesses that Dr. Price killed the nurse and hid her body under a sheet, pretending to be an orderly to get her out of the hospital. Aunt Hillary says she’d been at the hospital doing some auditing of the books and found a strange extra fund that no one seemed to know about, undoubtedly related to the selling of children. Laurie and Rick kiss for some reason, he makes a bad joke, and the day is saved.
A descendant of the Fear family, Franklin shared a family trait with his ancestor Simon Fear–he liked to have things named for him.
Fear Street Trends
Skye and Laurie are both a fashionable bunch who take care in their clothing. When Laurie gets down to business, she puts on a pair of distressed jeans, and she likes cable knit sweaters for comfort. Skye says Rick looks like Tom Cruise, and his graphic tees are tight enough that they can see his muscles. Besides his knife and wrong way shirt, he’s said to wear a Batman shirt (that looks like a mouth?) and a Harley Davidson tee. He’s a pretty fashionable guy. Toby is described as wearing Oshkosh overalls at one point too, which I think was supposed to add to his innocent look. Skye has that “skinny girl looks good in everything” look going on, and is mentioned to make even their volunteer uniforms look good.
I’m wobbling on this one a little. I ended up liking it a lot. It’s less repetitive than the other Fear Street books, and there weren’t as many “gotcha” scares. Just about every scene moves the plot forward, and the hospital setting was probably helped by my just finishing a replay of Silent Hill 2, so I was in the mood to be creeped out. Despite it’s strange plot, I think it is one of the better and creepier Fear Street books, so I’ll give it a four dissected corpses out of five.
I kind of adore the cover (pulled from the Simon and Schuster website). I mean, the girl falling out the window is hella goofy, but the girl in the foreground is spooky, serious, and while it’s clearly meant to be Amy, there’s a danger to her. I also adore the title, though it has very little to do with the actual book. All in all, still a good cover.
You will never be allowed to leave.
Again, standard, but still pretty good. Creates a sense of danger without doing very much at all.
Amy Pierce is the protagonist of this story, and we’re back in 1863. Amy’s traveling to New Orleans for the first time to live with her cousin Angelica, now Fear, for reasons. We’re told Simon is off to help in the war effort, that being the Civil War, and since all of our characters are from the South, there are many mentions of them being suspicious of the Union. People suspect Simon of selling supplies to whichever side that pays, and Amy finds it hard to believe he’d support the North. This is only mildly uncomfortable for the few times its mentioned.
Of course the Fear children are still alive. I will admit, though this probably makes the continuity all kinds of wacky, I was super disappointed in the original Fear Saga when we jump from Angelica and Simon getting together to Angelica being insane and her family falling apart. In this we get to see a lot more of Angelica, and we also get to see a lot more of the children, the girls especially, though I feel like their dynamic is slightly altered. I was re-reading my own recap of The Burning to remind myself what happened, and I did feel slightly denied of any actual interaction with Angelica. It makes this story kind of refreshing, especially since Simon is ushered out.
Anyway, Amy arrives to town, the villages warn her not to go up to the castle, Angelica greets her warmly but also in kind of a creepy way, and Amy makes nice nice with the servants. Amy’s family is stated to be poor, and she’s a little uncomfortable having Nellie make up her things and dress her. I guess she and Nellie are the same age, but Nellie’s given no actual description in this book, so I had a hard time with that. It’s only important because they bond and then Nellie dies (spoilers).
The girls are off to bed, but Julia comes by to warn Amy. As you remember, Julia is the un-favorite daughter, who makes pottery and isn’t very pretty, and she tells Amy that she should shut her door at night and lock it, because a thing made of black smoke and many faces walks the hallways at night consuming people. Before she drops that, she and Amy bond a little, and Amy gives her a silver bracelet, claiming it’s good luck. Still, Amy’s freaked out, and when she lays down she does hear crying outside her door, to which she opens it. There’s no one there, and she goes back to sleep.
The next day Amy finds Angelica in her library, and Angelica’s playing with tarot cards. She tells Amy to ask about her father, and she shows her how to use the deck. Amy feels a physical reaction to this, and she realizes she knows exactly how to read the cards despite never seeing them before. Angelica tells her that in the Pierce family, one or two women of each generation are born with an innate power. She tells her it’s a gift, and offers to teach her of the power, which is honestly really interesting, especially since we know Angelica was practicing magic before she ever met Simon. But Amy’s too scared, and she runs off, finding the children instead. They play a game of hide and seek, and Amy runs across the neighbors, who live behind a white garden fence. She sees a woman screaming in the yard, a snake coming at her. Amy cuts its fucking head off, spraying snake blood all over her, and helps the old woman up.
The woman is Claire Hathaway, and her son David comes out to help. Amy and David have a moment until Angelica comes running in. She pulls Amy away, and Amy sees David’s anger at that. Nellie comes in to help Amy change out of her clothes and starts to warn her about David Hathaway. I was waiting for the shoe to drop that David and Angelica had an affair, or that he and Nellie did, making Angelica jealous, but Angelica’s animosity towards him is never really explained, and what Nellie tries to warn her about is left a mystery. He does have a temper, but for a Fear Street love interest it’s like a normal human temper, especially since he’s hinted at suffering from PTSD. Anyway, Angelica warns Amy that David killed in war and will likely kill again.
Amy seems undeterred by any of this, and when Claire Hathaway invites her over to thank her for saving her life, she accepts. David is there as well, and at first he seems standoffish and and avoids her gaze, but she realizes he’s scarred on his face and turns his head to hide it from her. She tells him she doesn’t mind, and the eyepatch gives him a “rakish” look. He seems pleased that she doesn’t hold her tongue. He walks her back to the house, and they have a moment until they see Nellie plummeting from the third story of the Fear home.
Like The Burning, the descriptions in this book get practically gruesome. Amy runs up to Nellie and sees her eyes were shoved “deep into her skull” and white bone is exposed in her hair. Angelica runs to the rescue again, and she orders David to take Amy inside. Amy looks back and sees Angelica dabbing Nellie’s eyes with her handkerchief, which she pockets. David tries to explain to the children what happened, and Amy runs up the stairs to the study. She finds the tarot cards and feels compelled to use them. What happens next is a cliche, but the effect its used to is actually fairly well done. Amy removes the first card, and it’s Death, of course, why put a tarot deck in here if you aren’t going to use the Death card. But she pulls the second, and it’s also Death. Hands shaking, she flips the third. And its’ Death.
Things seem to calm down in the week following Nellie’s death. The family is going to a ball, and Angelica dresses up Amy, putting rosebuds in her hair. It’s hard to tell how much Angelica is grooming her, but she also puts down Amy easily, reminding Hannah that she’s prettier than her. They go to the Harvest Ball where they see David dancing with Bernice Sutherland, and Angelica’s friend Chantal Duvane comes up to speak with her. They gossip about David, and again, they sort of hint that he might be something of a playboy, or possible he’s just the most eligible bachelor in New Orleans at the moment, and every woman wants a piece. They’re all surprised when David comes up and asks Amy to dance. Angelica’s salty about it, clearly.
The song is over, and David offers to get her something to drink. Amy watches as he goes to the drink table, and then Bernice leads him away. She becomes upset, until someone screams fire, and they see Bernice running through the crowd aflame. We watch Bernice melt as Amy tries to save her, and then David saves Amy as the building crashes around her. As they run away, Amy thinks she sees flames leaping out of Angelica’s eyes, but when she looks again, her face is normal. Amy realizes she turned the Death card up three times, meaning there is one more death waiting.
David comes to comfort Amy and kisses her right after they watched a woman burn alive. Romantic. He says he’s leaving for a few days, but to meet him at the fish pond. She agrees.We then cut to her waiting at said fish pond, and David does not arrive. Instead of seeing him, she has a vision in the pond. She sees Chantal drowning. She also sees David pulling her down into the depths. Amy tries to put the vision out of her mind, but the next day, she finds Chantal in the lake, her eyes eaten out by fish. And again, she sees Angelica taking blood from the body.
Amy becomes convinced David is the killer, since all three of the women had a connection to him, and the vision showed him drowning Chantal. Amy goes again to the tarot cards to find another vision, but she feels a force stopping her, freezing her in place. She remembers what Angelica said, that the power is hers, and she breaks free. She turns over the card which I think is the High Priestess. She is then given another vision of Chantal drowning, this time existing in the vision as Chantal. Then Chantal changes to Mrs. Hathaway, and Amy realizes she’ll be the next do die.
Amy runs to the Hathaway house in the middle of the night and sees Mrs. Hathaway standing on top of the long staircase, David behind her. She screams at her to stop, sees David reach out to her, and then pull her back. David tells her she was sleepwalking, and she would’ve died down falling down the stairs if not for Amy’s arrival. They ask Amy why she’s there. Amy tells the truth. She tells them about the cards, about Angelica, about her powers, and David asks if Angelica could be the killer. Amy tells them to pretend nothing has changed, that she’ll wait for her parents to send for her, to keep Angelica’s wrath off them. David walks her back and tells her he’s in love with her. He gives her his mother’s ring. They embrace one more time, and when Amy returns to the house, Angelica is waiting for her.
Amy is sent to her room, where Julia finds her and gives her something. It’s a burnt letter. Amy’s parents have sent for her, but Angelica has been burning their letters. She’s both angry and relieved, and she considers going to David to tell him, when she sees him and Angelica arguing. Again, I was waiting for the shoe to drop that they were lovers or something, but they just have an intense argument, and he leaves. She sees Angelica do some kind of spell that summons an invisible monster. She takes out the handkerchiefs dotted with blood, and it confirms that she’s evil.
Amy manages to meet with David, warning him not to come into the garden or come to the house at night. They discuss leaving and going to her parents, and she tells him Angelica is too powerful. As she returns to the house, Angelica is waiting for her and claims they are celebrating All Hallow’s Eve. Amy is instantly suspicious, as the house is empty, including the servants and children. She makes an excuse to leave and goes to the tarot deck one more time, and every card she turns over is Death. Angelica catches her and summons her monster, the spirit made of black smoke and many faces. Angelica admits her anger over Amy’s affair with David is because she was saving David for Hannah, who would then inherit the Hathaway fortune. She killed all those women who were interested in David, or who were trying to warn Amy. The monster is set on Amy, and the black pillar absorbs her.
Amid the smoke monster, Amy sees the faces are people she knows, Chantal and Nellie and the other people Angelica killed. The faces lick her, which is super weird and creepy, and try to tear her skin off. But Amy taps into that Pierce power and sends them all away in a column of flames, knocking Angelica back. She runs, straight into David, who’s possessed by Angelica and drags her back inside. Angelica tells him to bring her to me, she says no David I love you, he breaks free. He pulls out his revolver and shoots Angelica, and they run, grabbing his mother, getting in a carriage, and get the fuck out. They see Angelica, alive and unharmed, and Amy wishes she could’ve taken Julia with her, but they say they can never go back, and they can only hope to be safe. They swear to never speak the Fear name again, and presumably go off to live happily ever after.
“You have freckles,” he said.
She covered her nose with her hand. “I hate them.”
“I like freckles.”
I have a lot more to talk about on this one. I mostly want to talk on the strange “All Hallow’s Eve” point at the end. It’s used to seem witchy, an old-timey way to see Halloween, but the truth is All Hallow’s Eve is a religious holiday. I talked about all this over at my old west supernatural serial, discussing specifically when Halloween and its celebration as it grew in America, and I’ll sum it up like this. It’s doubtful before the 1870s that Hallowmas would’ve been “celebrated” except with solemnity and contemplation unless the family was Irish. Pierce could be an Irish surname, but we’re not given the trappings of an Irish celebration. And honestly if this were the 1880s and set in a Victorian Halloween, I’d actually enjoy that, thanks to the Victorians loving to make everything about romance, but it’s just a few decades too early to get away with it.
I will say the Civil War stuff seems to be on track, if, like me, Stine or his ghostwriter had only read the Wikipedia page for this sort of thing. It is weird reading a book where all of the characters fully believe the subjugation of an entire race of people, but Gone With the Wind is a lot of people’s favorite epic romance, and that does a lot more preaching towards the beauty of pre-Reconstruction south that people are totally willing to let slide.
I was honestly surprised at how much I enjoyed this book. It wasn’t great, but as a reprieve from the usual straight line we have to take to get the full Fear story, it was nice. I did feel in the original saga that Angelic was denied an actual interesting story, and it was nice to see her evil while free of Simon. It muddles the continuity, sure, but it was an interesting story that was genuinely disturbing in some places. Four exposed skull spirits out of five.