Fear Street #42 – Killer’s Kiss


The Cover

I really like the original cover (taken from this Fear Street blog)? There’s something very classic about it, from the old photograph to lip stains on it, to the colors. It has very little to do with the plot, but that’s okay, because it’s sinister and sweet all at the same time.

The new one (taken from its Amazon page) is better than most of the updated covers. I appreciate a good skull though I don’t know why it’s wearing sunglasses? That color with that bridge crack definitely makes this skull look like a cool dude. The kiss on the forehead too is weird. I know why they did it there, but that doesn’t say “tender love turned deadly” as much as “bad Photoshop”.


Her lips were sweet and deadly.

Also a pretty good tagline. It could use an ellipses in there to really sell the drama, but I like this.

Sweet, tender, and vicious.

Not as good, but they’re nearly identical. I think vicious isn’t as sellable as deadly I think it loses something from not being a complete sentence.


We open on Vincent Milano watching Delia apply a tube of purple lipstick to her lips after a makeout session. The first three chapters made me think Vincent would be our main character, and I thought this was going in a more Double Date direction, but he sort of disappears from his own story after this introduction? Unlike other Stine books where someone’s dating two people at once (which is an alarming number of them), Vincent is pretty much just there to lie and die.

The important thing is, Vincent and Delia have just been making out super good, and we see Delia do something she’ll do a hundred times in this book: she applies her lipstick and then presses a tissue to her lips, making a perfect lip mark. Vincent’s also a pretty bad womanizer. Delia asks him about his birthday party, and he realizes both she and Karina are invited and decides to do nothing about this. He’s also invited both girls over on the same night for making out. Too late he realizes the clock in his living room has stopped and Karina might be there at any second, so he kicks Delia out without much fanfare. Literally as she pulls out of the driveway, Karina turns down his street. If you’re going to two-time two girls who despise each other, at least plan it better.

Karina arrives and chats with Vincent on his porch before they walk in, and she realizes Delia left a huge purple lip mark on his cheek. Vincent quickly backtracks with some lame excuse about helping her with her homework and that she gave him a peck on the way out. Karina proceeds to give the same speech that Delia gave about her: the two are rivals, and the one is always stealing the other’s clothes and friends and now boyfriends. Karina flips out though and shouts that she won’t let her win before slamming the door and driving off. A totally normal Shadyside reaction.

We cut to Delia hanging out with her friends on the bleachers in the gym. Britty and Gabe are discussing the Conklin Award, which is never fully explained but appears to be an arts scholarship that allows Delia a free ride to the “most expensive fashion college in New York” (you couldn’t figure out a name, Stine?). Without it, Delia’s not even sure if she can afford community college in Waynesbridge. They say seven kids applied for it, which seems improbably low for a huge scholarship that could get you into art colleges in New York, but maybe it’s a local thing? There also seems to be a talent portion that is unrelated to the actual art that the student does? Delia paints and sketches fashion, but she plays guitar for her talent, and Karina sings, and Stewart, another contender, does a magic show? I don’t know much about art scholarships but I don’t think they work like a beauty pageant.

There’s a little more about Karina and Delia’s rivalry, and Britty mentions they all used to be friends. She still hangs out with Karina and offers to talk to Delia for her. Gabe mentions they had a truce for a whole year and were nearly on friendly terms, but Delia won’t stand for her boyfriend being stolen. Which is when the doors fly open and Karina comes shrieking in. She lunges at Delia and starts to choke her! She screams that Delia’s not going to win this time, and Delia manages to shove her off. For the first time ever in a Fear Street novel a teacher intervenes. The coach takes Karina to the principal’s office, and Delia is shaken. Her friends comfort her, and Britty promises to talk to Karina to see what’s going on.

Delia and Vincent are chatting, and I don’t know why Vincent is even with Delia. He clearly doesn’t want to talk to her and would choose Karina over her in a heartbeat. As he starts kissing her, Delia realizes they’re being watched, and she sees her younger sister Sarah. The two sisters fight, and Delia snaps at Sarah that she’s just jealous because no boy’s ever kissed her. Sarah flips out and screams that she hates her. She threatens her sister, steals one of her paintings, and runs upstairs.

At school, Delia is caught off guard by Stewart, who she says is the stiffest competition for the Conklin Award. She’s clearly into him and forgets for a second that she even has a boyfriend. Stewart asks her out, but she sees Vincent coming down the hall, and she tells him no. Stewart seems genuinely disappointed, which is a little sad. But later on she hears someone talking from within a storage closet, and she sees Stewart and Karina inside, talking quietly. She thinks maybe they’re plotting against her. She runs into Britty, who tells her that there’s no real reason for Stewart to help Karina, and it’s more likely that he asked Delia out because he likes her. They watch Stewart leave, but Karina doesn’t. Delia asks Britty to talk to Karina, to explain that she’s with Vincent, and she’s willing to be cool so long as Karina doesn’t come for him. Britty seems reluctant, but as they see Karina leave, she goes to greet her.

Britty gets Karina to stop walking so Delia can listen in. Britty asks her what happened the other day at the gym, and Karina blows it off. Britty is rightfully upset that she doesn’t see a strangulation as a big deal, and she tries to lightly bring up that she’s acting out of control. Karina gets real menacing and says Delia won’t win the Conklin and won’t win Vincent, and then she calls out to Delia in the hall before storming off.

Delia is all nerves as the competition starts for the Conklin Award. She dreams about Karina covering her in her Midnight Wine lipstick (less fun than it sounds). Delia chose to go last in the competition and regrets it, since she has all the time in the world to get nervous. Karina sings as someone plays piano, and Delia notices her sister sitting away from them, watching Delia. Delia runs backstage, her nerves getting to her, and she picks up her guitar case. The judges call her name, and she’s saved the embarrassment of playing an original song she wrote about Vincent when she realizes all her strings are cut, and a dead rat has been stuffed into its hollow center. Gabe helps her off stage, and she accuses Karina of messing with her. The judges again present themselves as reasonable authority figures and tell the girls that they’ll investigate what happened and decide from there.

Delia gets home to find a note taped to her door from Vincent, inviting her out to Red Heat. She decides to get some clothes that Britty borrowed from her back, and when she arrives at Britty’s house, she finds she and Gabe are making cookies for her. It’s genuinely sweet how these two support Delia, and they chat about Karina and eat cookies together and it’s great. As Delia drives back home, she sees Karina and Vincent kissing. She tries to slam on her brakes but hits the accelerator instead, and then a patch of ice, and then she’s spinning out of control. Karina helps her out of the car, and the two share an awkward moment. Delia admits she didn’t know Vincent was dating both of them, and Karina tells her he’s been lying. Karina apologizes for going berserk in the gym but swears she didn’t ruin her guitar, and she asks for a truce. Delia reluctantly agrees, and then Karina gets the fuck out of there so Vincent can arrive. I’m not 100% sure what happens next, but we cut to Vincent on the phone with Delia clearly the same night, telling her that he can’t go to the Red Heat after all, which is fucking crazy. He tells Delia that Karina was lying and kissed him against his wishes and, like, dude. If you’re going to keep playing this terrible game, at least go dancing with her tonight to reinforce it. Also she almost died getting an outfit to look good for you so you can at least show up. He doesn’t even wait for Delia to respond before hanging up on her. As he hangs up, he cuddles up to the next girl on his couch: Sarah.

The next stage of the Conklin Award appears to be presenting what you’re actually going to school for. Delia waits with her paintings. They’re all also artists and appear to be pretty good, so again, I don’t really know what the the requirements are for this scholarship. Stewart continues to be sweet to Delia and soft asks her out. But Delia’s called in, and she removes her paintings from their portfolio, only to discover they’ve been smeared with Midnight Wine lipstick. Delia flips out and immediately goes to find Karina, who is making out with Vincent.

Britty and Delia talk during an elaborate display of Britty pulling out salsa, jalapenos, and black beans and rice, which I guess is meant to tell us that Britty is Latinx, but it sort of comes out of nowhere? I’m not sure what Stine’s thought process was with this. Delia tells her she’s going to see Vincent, and Britty tells her to drop his ass. But Delia won’t let it lie, and she goes to Vincent’s house, only to find him making out with Sarah. Vincent tries to write it off, but Delia doesn’t even seem to care. She’s worried about Karina, and she makes him promise to talk to her before she gets too out of control.

And now it’s time for something completely different. Britty and Gabe appear to be helping Vincent set up his party in an abandoned house in Fear Street. I’m not 100% why either of them agreed to help or would show up with Delia, but narratively it needs to happen. Karina arrives instead, and Britty and Gabe vacate. Vincent doesn’t even seem to want Delila at his party, and when Britty comes up to him later saying she’s worried, he blows it off. He refuses to be worried about it at his own party, though he still seems kind of worried about it. Britty is getting snippy with him and says that they’re stopping by Delia’s on the way home, not that he cares. But as they start to leave, Delia arrives, making her grand entrance. Her heels are snapped, her dress is torn, her arms are scratched, and blood is on her face, and she collapses right there in front of everyone. They all gather around to see if she’s okay, and Delia points an accusing finger at Karina. She says Karina invited her over to talk, and then tied her up on her bed. She demands to know what Karina’s plan was after the party. Was she going to kill her? Karina screams that she didn’t do it, and when Delia says they can go to her house, she tells them no. Vincent tries to talk to Karina, but she screams at him and runs off.

The next day, Delia seems fine, which is probably the biggest red flag. She won’t go to the police, and she’s applying her makeup like normal. She and Britty and Gabe go over to the house to clean it, but they wait outside for Vincent first. When he doesn’t arrive, they check inside, only to find his body there, his body stabbed, and a purple lipstick mark on his cheek. The police take Delia in, and Gabe tells her not to accuse Karina, in case that makes her sound guilty, but the current story is that Karina ties up people to her bed so like mention that I guess. The detectives leave Delia with their murder board which doesn’t seem appropriate protocol. She watches as they start putting pictures of evidence on the murder board. They come out and tell her they took her lip print (????) and compared it to the print on Vincent’s body and found it a match. We don’t get the scene where a bunch of grown men in police uniforms force a teenage girl to kiss something to get her “lip print” and for that I’m thankful.

They do tell her not to talk until her attorney arrives, but she decides she can prove it wasn’t her. She does a full Mythbusters and says that if it was truly her lip print, the print would be reversed on Vincent’s cheek (?????). She does the thing where she presses a piece of paper to her lips and shows them the print, and then points out that this must’ve been pressed to Vincent’s cheek. I’m not a scientist, or a biologists, or an artist, but I’m pretty certain this is not how lipstick marks work. I don’t know if I could tell the difference between a direct kiss stain and a reproduction. Also, Delia, how much lipstick are you globbing on that your tissue paper blotting can reproduce a full lip mark after use. I feel like Stine maybe thought up this part first and then wrote us a story to get here. It’s written like a real Sherlock Holmes moment, but it doesn’t make any sense.

Anyway, the police go to search Karina’s house and find a saved sheet of lipstick marks. I’ve avoided talking about the homoerotic tension between Karina and Delia but man oh man could I get into some stuff. Karina flips out when Delia accuses her and tries to attack her again. Her mom promises to get her help, and Delia feels it might finally be over.

Cut to senior prom, sort of. Gabe and Delia are going together, but they stop by the psychiatric hospital to see Karina first, I guess to make her feel extra bad? Gabe mentions he’s been coming every week, though I don’t know why. He tells Delia he’s proud of her for winning the Conklin Award, and she says this isn’t how she wanted to win. She then proceeds, with no prompting, to tell Gabe exactly how she dug a dead rat out of the trash to wreck her own guitar, and ruined her own paintings, and she got so mad when she caught Vincent with Sarah, so she faked her own kidnapping, planted evidence in Karina’s house, and then killed him. She kisses Gabe and begs him not to tell anyone, and then comes the worst ending to a book I think I’ve ever read:

Gazing over Delia’s shoulder, he saw a white coated doctor standing grim-faced in the doorway.

“I heard the whole story,” he told Gabe. “I’ll phone the police.”

And then it’s over. What? It’s such a clumsy exit.

Favorite Line

“You’ve been out in the ozone somewhere since we got here.”

Fear Street Trends

So many! Thank goodness! Karina and Delia are clearly meant to be opposites, and they dress like it. Delia constantly mentions finding her clothes at thrift shops, and she wears loud colors and crazy designs. We see her wearing an orange shirt dress embroidered with yellow flowers. The outfit that almost kills her is a black suede miniskirt with a matching black suede fringed vest (ugh) with a purple lace bodysuit (what!) and platform red boots. Her “artsy” outfit for the second part of the competition is a braid with stone studded silver earrings. And her trademark purple lipstick. Karina is only described a handful of times, but Vincent says she looks like Michelle Pfeiffer (I’ve missed you celebrity descriptions!). She dresses more conservatively with pleated pants and a pink sweater.


This one is bad. It’s the only real word for it. The book is mostly bloodless and the unreliable narrator could’ve been cool if we were given more reason to distrust her. There’s a few red herrings but none of them are played up. The ending’s the worst part, and I think if she’d gotten away with it in the end, I would’ve forgiven this book some of it’s faults, but I guess Stine didn’t want to pull another Best Friend. I’m giving it one rat filled guitar out of five.


Fear Street # 37 – The Perfect Date


I did not mean to take January off, but my schedule got kind of crazy with things freezing over, taking trips, and working odd weekends, but I’m back! Since February is a month of love, I chose some books to really illustrate the dangers of dating.

The Cover

The original cover (pulled from this Fear Street blog) isn’t bad. There’s no background to it, which feels exceptionally lazy, but the posing is well done. It kind of reminds me of First Date, but the people in this are actually looking at each other and the knife to the back is subtle enough. The updated cover (taken from its Amazon page) is so, so sad. Why they do they do that negative exposure thing to all these books? Was that ever popular?


Dream date… or nightmare?

Pretty good, pretty good. Plays into expectations, makes a play one words, but doesn’t reveal too much. I can appreciate this one.

Breaking up can be murder.

Um, what? I guess there’s a subplot about breaking up with someone in this book, but that’s not the central conflict. This seems very out of place.


We open with a prologue! Brady Karlin and his beautiful girlfriend Sharon Noles are hiking up the tallest hill in Shadyside after a major blizzard burst through their town. Miller Hill slopes down in front of them, and Sharon’s nervous to sled down it. She keeps pointing over to the other hills, but Brady’s insistent they go down Miller Hill. He kind of pushes Sharon on her sled before she’s ready and follows after, and they’re sledding down, avoiding thornbushes and tall pine trees, flying so fast. Brady’s loving it, but Sharon starts screaming. She slams into a tree and goes flying. Brady chases after her, being casual about it at first, even though she’s not answering, and when he finds her body, there’s nothing left of her face.

Cut to a year later. Brady is hanging out with his friend Jon, possibly the most likeable guy in Shadyside, talking about cute girls. It seems like every girl has a crush on Brady, and Jon has to remind him he’s currently dating Allie Stoner. He seems a little upset when Brady mentions he’s been thinking about breaking up with her, and while it doesn’t come up, I’m 90% sure Jon has a little crush on her. Their conversation is interrupted when Brady sees a girl he describes as “perfect”, totally gorg, pouty lips and all. Jon again reminds Brady he has a girlfriend a she gets up to go talk to her. She introduces herself as Rosha Nelson, and her name normally wouldn’t make me bat an eye thanks to all the weird 90s names that get tossed around, but the characters bring it up themselves that it’s kind of weird. They chat, flirt, make plans for a date, and then she pours boiling hot coffee on his hand.

At school the next day, Brady runs into Allie, who reminds him they were going to the basketball game together on Saturday and invites him out for pizza that night. Brady plays her off and starts to break things off with her, but he gets cold feet on it. He lies instead, saying he has to babysit his cousin, and she seems to buy it. She asks if he’s still coming over Sunday to study with her and Jon, and he promises he’ll be there. But Brady’s distracted and only wants to think about Rosha. For the first time since the prologue he thinks about Sharon, and then quickly dismisses her for Rosha.

Brady meets Rosha at the mall on Saturday, nervous he’ll get caught by one of Allie’s friends. At first he thinks he might get stood up, but she shows, and they head off to Waynesbridge to see a movie. Rosha, up to this point, has refused to tell Brady where she lives, meeting at a second location instead, hasn’t given him her phone number, and has clearly lied about why she wanted to meet at the mall. She’s also incredibly cold, and Brady seems supernaturally attracted to her, to the point that he starts stalking her later. She also does that thing crazy girls in Shadyside do, where they ask for the keys to their boyfriend’s car, and then drive it at 90 miles an hour down dangerous streets. Going home from the movies, she plows through some ice, spinning them out, and getting Brady’s head smashed into the windshield. When he comes to, she quickly tells him to get in the driver’s seat since she doesn’t have her license, and when the police arrive, she’s already gone.

Brady goes to meet Jon and Allie for studying, and he and Jon talk about his crazy night. Brady got off surprisingly easy for crashing his dad’s classic car, but maybe the concussion is punishment enough. Allie is a good girlfriend and fusses over him, and Brady gets annoyed and disappears for a bit. He realizes he doesn’t have Rosha’s phone number. He opens up a phone book and looks for the Nelsons before realizing there’s a lot of them, and he doesn’t know her parents’ names. He decides to ditch his friends and blames his head injury before heading home. As he walks back, he sees a police cruiser in front of his house, and the officer hands him back Rosha’s purse she’d been carrying the night before. He opens it, hoping there’ll be a phone number or some way of contacting her, but finds it completely empty.

Brady ditches his girlfriend some more and starts calling Nelsons in the phone book, only for his phone call to be interrupted. He answers, and a voice on the other end tells him to stay away from Rosha before hanging up. This makes Brady only wilder for seeing this girl he has no way of contacting and remembers she mentioned going to the private school in Shadyside. He drives over to the school, but not before talking to Jon, who calls him out on his shitty behavior. Brady’s just pissed, and he races to the school as the students are leaving. He chases down a bunch of blond girls, none of which are Rosha, and goes to the office, demanding her phone number, until they remind him they can’t just give out student information. He sees a boy waiting for the bus and asks him if he knows Rosha, and when he says no, he flips out on him and knocks him to the ground. As he wanders the school, looking for her, he sees this girl on the football field. He saw her on their date at the movie, this blond girl with these horrible scars all over her face. She just stares at him, and Brady starts running, straight into Rosha.

Rosha listens to his story and realizes he was essentially stalking her. She flips out and asks if he’s checking up on her, calling him weird and a jerk. Brady apologizes, and she apologizes for crashing the car. He hands her the purse, and she gets nervous when he mentions the police, but he assures her he didn’t tell them anything. They get a coffee, and she gives him a phone number and an address. She also asks him to go dancing with her Saturday night, and, even though he knows he has a party to go to with Allie, he agrees.

Brady practices breaking up with Allie, but he gets a phone call from the mystery person, telling hm to stay away from Rosha. He figures out it’s the scarred girl. He and Jon talk while lifting weights, and Jon pushes on him to dump Allie before she finds out he’s two-timing her. Brady is lifting weights from the bench, and he sees through the window the scarred girl staring at him, surprising him so he drops his weights on his neck. Jon pulls them off, and he points out that the girl was right there. Jon thinks he’s freaking out because she reminds him of Sharon, and he admits that’s probably true.

Brady decides to ask Rosha if she knows anything about the scarred girl, but when he calls the number she gave him, it’s disconnected. He freaks out and drives over to 7142 Fear Street to talk to her face-to-face. He drives slow down the street, reading the street numbers, and he sees the graveyard where Sharon is buried. He gets up to 7136, and after that there’s no houses. Just the woods.

Brady’s at his house now, thinking about Allie and Rosha and what he’s going to do, especially since he can’t contact Rosha. Luckily, she shows up at his house, and he lets her in. He points out her address was bogus and her phone doesn’t work, and she quickly comes up with some excuses why and then gets mad that he would even question her. As they’re starting to calm down, Allie arrives, and Brady flips out. He tries to get Rosha to go out the back door, and on her way out she trips, plunging a letter opener into his side so badly he nearly passes out from the blood. Allie walks in and flips out, and the two girls get him to the hospital.

Brady wakes up in the Shadyside Hospital, not really awake and only seeing blurry shapes. He’s visited by the scarred girl, who tells him she’s trying to help, warning him that Rosha tried to kill him, and when she almost reveals Rosha’s true identity, she’s shuffled out by hospital staff. Luckily, Brady is taken back home quickly, and Allie’s his first visitor. She says that Rosha told her everything about their dates, and yells at him for lying, and tells him goodbye. Brady’s having a pretty bad day, and it gets worse when Jon calls him, saying he talked to the scarred girl, and she told him the truth about Rosha, and can he please come over, and he almost tells him who Rosha really is, and Brady interrupts him like a dumb potato because his call-waiting is ringing. When he gets back over to Jon’s line, it’s dead. Brady thinks Jon sounded really serious, and he goes to his house, only to find police there and Jon with his windpipe broken, which leads to a very strange timeline. Presumably, Jon wasn’t attacked until Brady interrupted their call, and then Brady got in his car immediately and drove six blocks to his friend’s house. Chocking someone isn’t that easy, even with the help of a marble candlestick. That’s definitely not enough time for anyone to call the police or even notice something is wrong, and not enough time to clean a scene of evidence. I doubt Rosha made it down the block by the time the police arrived.

Brady is still being a dumb potato and wonders if the scarred girl killed Jon, not that it really matters, because Rosha is literally the only thing he cares about. I assume some supernatural thing is going on to make him obsessed, but it’s never really addressed. Anyway, Rosha left him a message on his answering machine telling him to go to Miller Hill and meet her. Brady, having just seen his best friend’s body after being murdered, who was desperately trying to tell him Rosha was bad news, his parents not even home yet, is very excited to get this phone call. To be fair, he phrases it in that he’s going to ask her questions about the scarred girl, but he still races up the hill to see her.

He meets Rosha at the top of the hill, and she asks him if he remembers the last time they were here together. Brady’s confused, but she reminds him that he killed her. She’s not Rosha at all! Rosha Nelson is an anagram for Sharon Noles! She tells him she borrowed a body, because it was the only way her plan would work, and then she starts to choke him to death. But the scarred girl shouts at Sharon to stop and demands her body back. The two girls argue, and then the girl launches at Sharon. They fight in an almost comical way. At first it’s regular catfight pulling hair kicking and all that, Brady sunk into the ground, too close to death to do anything, and then the girl grabs Sharon’s arm and tears it clean off! And then Sharon tears off her leg! They’re throwing limbs in the air, and they both grab each other’s necks, and both their heads are ripped clean off, sending their bodies tumbling down the hill. And then they vanish? So that solves that problem.

In the epilogue, Brady trudges back to his house a full day later, the text tells me. He walks to Allie’s, ignoring people calling his name, or kids throwing snowballs, or any of the obstacles. He’s freezing. He needs to get warm. He finds her shoveling snow from the driveway, and he apologizes for being a jerk. He begs her to take him back, and she agrees, until he puts his hands to her face. He’s freezing, and he tells her the truth. He’s dead now, Allie. Rosha killed him. He’s so cold and so dead, and won’t she please take him back? And then it ends as Allie screams. So I don’t know if he stole her body, or if he plans to be her zombie boyfriend, or what actually happened. At no point is the bodyswapping or dead-to-life thing ever explained, it just is to make the plot work. The end!

Favorite Line

He staggered toward her. “Okay, Allie? Take me back even though I’m dead. Okay? Okay?”

Fear Street Trends

It’s winter time in this book, but these girls know how to look good! Rosha wears some skintight black leggings and tight jeans, and lots of pants disappearing into boots. Allie dresses a little more casual, and in the last scene she’s wearing blue snowboots and a fisherman’s jacket. The boys refer to Rosha as a “Major Babe”, and I’ve never seen that with the capitalization. Is it supposed to be a title, or is she a babe in the key of major? Linguists can inform me. Brady refers to the girls’ “bods”, which is everything we need to know about Brady. The movie they go see in Waynesbridge is a Brad Pitt movie, but it’s a horror film? I think he’s done some thrillers, but I can’t off the top of my head think of what that might be. And, of course, Brady uses a phone book to try to track down Rosha’s address, which paints such a clear divide between cell phone age and before.


The twist of this book I saw coming from a distance, and I think it could’ve been interesting, but there’s just no reason for it. It’s never explained how Sharon came back from the dead, or why Brady did as well, and the deaths are treated so lightly it can be jarring. It felt like ten other Fear Street books and doesn’t do anything special. I’ll give it two peeled off faces out of five.

Five Best Covers


During the brief reprieve I gave myself, I’ve somehow accumulated more projects, which means this past few weeks have been busy for me. I was originally going to read another of the modern Fear Street books, but time escapes me, and I’m out of town this week due to the holidays. I didn’t want to leave you with nothing, so I decided to rank for you what I believe are the top five book covers (of what I’ve seen so far).

5. The Stepsister

the stepsister orignal

What I originally said:

The cover to the original 1990 version (borrowed from Retro Daze) is alright. I think it hits the right amount of sinister with the figure showing up to the unsuspecting reader, and I sort of like that they keep the angelic looks of Jessie, but it makes it slightly less frightening.

I do like it. There’s something very sinister about the stepsister’s reflection in the mirror as Emily leans in to read her diary. It’s a great moment in a horror movie, when someone’s creeping around the villain’s room only to be caught, and I think it’s captured well here. I think the most distracting thing in it is the lamp, and removing it could add a little darkness that it’s missing.

4.  The Secret Bedroom

the secret bedroom

What I originally said:

The cover (pulled from Lexile) is’t bad. The contrast of her to the sickly green glow coming out of the door, the skeleton hand, her scared expression, it’s all pretty good. What’s killing it for me (besides the mom jeans and the terrible shirt) is that left arm. It’s so poorly attached, and the line of the shirt makes a line cutting it off, so it looks like they copy and pasted it from somewhere else. Otherwise it’s a pretty good cover.

I stand by this one. I still think the shadow on the left arm makes it look disconnected, but this is a dynamic cover. The placement of the tagline over the opening door as both arms pull adds an urgency to it. The green light might be goofy elsewhere but works here, though the skeleton hand looking like it’s pulling the door back could be changed. Having it claw at her would be a lot better. I like the slant to the door as well. It gives it an off-kilter feeling.

3. The Sleepwalker

the sleepwalker

What I originally said:

I have so many memories of just this cover (pulled from its GoodReads page).  I didn’t remember the plot of the book before reading it, but I have distinct memories of holding this book and its eerie cover. I think this is beautiful. The glow of the fog, the water at her feet, the white nightgown. The only thing I might change is she seems like a dangerous figure here, which I’m not against, but I think a little more delicacy in her face and pose might’ve gone further in the ethereal design they were going for.

This cover is nostalgic for me, and I remember it stacked with my Christopher Pike books I likely purchased from Half-Price books. The fog, the water, the white nightshirt all work together to make this feel dreamlike and ethereal, and it’s a perfect selling point for the book.

2. The Surprise Party

the surprise party

What I originally said:

I really like this cover (pulled from this website). It’s ominous, I like the use of green, the figure is threatening, but doesn’t reveal too much. I’m a big fan of this.

This looks like a 70s horror movie cover. It should be advertising Last House on the Left or something. It’s beautifully painted, extremely sinister, and gives everything you need to know going in. The early books have some legit horror movie style covers that I really appreciate.

1. The First Evil


What I originally said:

Only one cover this time (borrowed from the GoodReads page), and I gotta say I really like it. The skull and blood in the pompom is good, and the girl looks possessed. It’s a nice, sinister cover.

Y’all knew. Y’all knew! This is straight up and down my favorite Fear Street cover. The blood in the pompom with the skull coming out? Classic. You know this is going to be a scary fun book just looking at it. A++ would read again.

Special Mention

one evil summer

What I originally said:

I adore this cover (pulled from Goodreads). It’s so wickedly delightful. Chrissy is just swinging around that cat in her longshirt pajamas having a grand old time being so gosh darn evil. The only change I might make is getting rid of the lighthouse in the background. It’s a little distracting, does not have a place in the plot, and you get enough sense of being on the ocean from the ocean outside her window.

Why even have other covers? Woman laughing maniacally with cat had never made me pick up a book fast enough. Love it love it love it.

That’s it, my friends! That’s all I have time for right now. In two weeks I’ll hopefully be coming at you with the next book, but until then, consider checking out my 1950s monster mash, which is about to finish up its second arc (meaning I have to get started on part three!). After that, I’ve got some ideas for what I’ll be doing. I’m hoping to have the next part of my old west horror serial up in January as well, but there’s still tons of research I’ve been avoiding! If nothing else, I’m going to continue my Modern Monsters series, in which the next part will focus almost exclusively on this year’s best flop, the Mummy. If you haven’t noticed, I’ve switched around how I do donations, and currently you can buy me a coffee if the mood takes you. I’ve mentioned before I purchase the most of these books, which are usually around $5. It’s not the worst expense I have to deal with, but with some other projects in my life, I don’t have a lot of loose change lying around.

Which brings me to my biggest announcement! With the help of some friends, I’ve started an LGBT pop up library! Renegade Libraries is meant to bring literature to queer people in Houston, TX, as well as provide programming and connect authors to their audience. Find us on twitter and Facebook, and if you happen to live in Houston, come check us out at the Montrose Center on January 14! We’re currently looking for the best way to ask for donations, but give us a holler online if you like what you see! This is something I’ve thought about for a very long time and now it’s happening, which is super exciting for me!

See you in December!


Fear Street Superchiller – The Evil Lives!


A bunch of stuff has been happening for me the past week, the most of which included my computer dying! But I got it fixed, and I’ll do our very last October update on the spookiest day of the year, Halloween! Get ready, folks, for some evil.

The Cover

the evil lives

The cover (borrowed from this Fear Street blog) is… not great. I want to like it. The Cheerleaders books are the only ones who’ve been consistently interesting. This one has too many things going on, and the uniform is all one color, with nothing to break it up. The ghost looks way too small, and the pose on the girl is awkwardly trying to fit in all the subtitles. That Fear Street logo takes up way too much space.


Before the Cheerleaders, the Evil lived… in Sarah Fear.

Not horrible. On the nose, but as a clear far off sequel, it deserves a little intrigue into the canon. The only real thing that’s bothering me is how many proper nouns take up that sentence.


This Cheerleaders book starts the way most do: with cheerleading. We meet the next generation of cheerleaders: Amanda Roberts, cheer captain, Janine Klein, best friend, Natalie Morris, the competitive one, and the other, less important ones. Janine and Natalie both date boys on the basketball team who are competing as well. This’ll come up a lot. Amanda’s dating a boy too, but he’s incredibly unimportant, and she dumps him almost immediately to go out with Judd Hunter, also on the basketball team, sort of a surly dream boy type.

Luke (Natalie’s boyfriend) and Brandon (Janine’s boyfriend) get into a fight on the court while the boys practice, prompting Natalie to make some rude comments in front of Janine. They seem to cool off by the end of practice, though, and the girls go into the locker room to change. Amanda has a new locker (number 113, natch), and she notices there’s something still in it. A pale blue duffel bag with a name tag on it. Corky Corcoran. Amanda finds a couple of things in the bag, including an old uniform, a picture of five smiling girls, and a small box made  of smoother, dark wood with a brass catch to keep it closed. A label is on top of the box that says DO NOT OPEN. EVIL INSIDE.

The girls gather around to investigate. One girl points out Corky in the picture, saying she was cheer captain when they were freshman, giving a hint at the timeline. The same girl takes the box and lifts the lid. Nothing happens. But inside the box is a stack of papers, and Amanda sees that they’re letters written by Corky. Corky says that she wrote this as a warning, and once they’re done reading, they should destroy everything, including the box. This raises the question of, why did you leave a box here Corky? Literally no one would’ve messed with it if you hadn’t. This is all your fault. The letter continues and gives a summary of the first three books, but she managed to drown it. But the evil isn’t dead, she warns. Destroy this box! That I left behind! To be found in a public high school! By literally anyone!

The girls debate what to do about this. They start to look at the other papers, but Amanda’s boyfriend Dustin shows up and ruins the party. He’s oblivious to his girlfriend’s obvious discomfort and tells them that the two boys are at it again, leaving Luke with a bloody nose. Amanda walks with Dustin to his car and decides it’s time. When he leans in to kiss her, she tells him they should just be friends in an extremely awkward way that clearly shows she has no other way of saying I hate dating you. He stares at her for like a minute and then walks away. Amanda is a little freaked out and goes to see her friends, but they’re gone. She looks for the papers again, and those are gone too.

Janine stole it, and the girls decide a super fun thing to do would be to use the spells to call up the evil. While joking about how spirits aren’t real and they’re totally not all going to die, Amanda gets told she has to deal with Janine and Natalie and do her fucking job as cheer captain. Amanda decides to ignore that responsibility and get a snack. She runs into her sister, back from college, and asks if she knew Corky, and her sister responds in the most dramatic possible way. She tells her about Bobbi’s death by scalding and apparently the whole school knew about the evil? Which isn’t the craziest thing, that in Shadyside there are rumors of an evil spirit being summoned to explain tragic deaths, but it’s mentioned so casually it’s still kind of weird. Her sister warns her not to disturb the spirits, and Amanda’s like noooooo of course not.

Amanda goes to practice to be greeted by the sight of Janine and Natalie straight up brawling on the gym floor. The girls manage to pull them apart, and Amanda screams at them. Natalie’s boyfriend got the coveted spot on the b-ball team and wouldn’t stop bragging about it. The appropriate response to this is to grab a girl by the hair. Amanda gets them to calm down, and the girls practice more terrible cheers, but it seems to work. As practice ends, there’s the usual rigamarole of ex-boyfriends who won’t take no for an answer and creepy black candles in a circle, but the girls sit down and summon the evil. Amanda tells them what her sister told her, and the girls shake their heads. Besides, they know how to kill it. All you have to do is drown it. Natalie says that it’s like playing with a Ouija board and it’s all fake and it’s always gone so well for everyone involved. They do the spell, and bright light flashes at them, leaving them all freezing cold, right as two boys walk into the house. Brandon and Judd.

Judd looks absolutely confused and then straight faints. They get him some water and prop him up, and he comes to, telling them he’s probably just dehydrated. Amanda looks at him, no longer certain if that’s really Judd. The game comes, and she’s still thinking about Judd and how cute he is. They get ready to cheer for their boys, and Amanda sees Janine looking at her benched boyfriend. She tries to comfort her, only for Janine to tell her Brandon will play, her voice unnervingly certain. They cheer, the boys play, Luke gets the ball, and he starts running, and running, and running, and passes the basket, and runs and runs and runs close enough to Amanda that she could almost grab him and slams, headfirst into the bleacher. The whole gym stops. Amanda stares. Because there’s something next Luke where he collapses on the floor. There’s so much blood. His head. His skull. His scalp. Torn off by the impact.

Which, like, of course it’s the Evil, but the deaths are so over the top in this it’s almost comical. He gets scalped from running into a bleacher, and later someone’s head just straight explodes. Not even going for subtle. But there’s a funeral first, and everyone’s real messed up about it. Janine goes to Natalie and apologizes to her for her behavior before all this, that she let her competitive side get to her, and she wants to be her friend again, but Natalie screams at her that this is exactly what she wanted and storms off. The girls start to wonder if maybe they did release an evil, but some of them are still skeptical. Amanda isn’t sure, but as Judd comes in she can’t help being suspicious of him. He lets them know there’s still going to be another game, dedicated to Luke, but he zones out and tells Amanda he’s been feeling really strange. When she presses him on it, he kisses her instead. She’s torn, since this is exactly what she wanted, but he’s been acting so weird, and he collapsed right after they summoned the evil.

The girls get ready for the pep rally before the game. Everyone’s so bummed and depressed because of the whole “basketball player gets his head lopped off” fiasco four whole days ago, but the cheerleaders tough it out. Amanda looks to Natalie, who’s not doing so hot, and Natalie tells her she’s going to tell the principal about the Evil. The girls are pretty certain they’ll just sound nuts, but it looks like Natalie just wants to pass this problem off to an authority figure so she can stop thinking about her dead boyfriend. She’s going to tell the principal right after the pep rally. The girls line up and start cheering, and it does seem to work. The school gets into it, people are cheering, and they pull off their routine. But at the end of it is silence. Because Natalie can’t move. Her elbows bend back the wrong way, and her face splits apart. The skin opens up to reveal the skull, which cracks, and blood pours out.

Absolute panic ensues. The auditorium runs for it. The girls are left stranded int he crowd. Amanda sees Janine just staring at Natalie, her face emotionless, unmoving, and then Janine turns to her. She marches at her, taking her by the arm, and the two go into the locker rooms. Amanda can’t help but imagine Bobbi being scalded here. She can’t help but imagine she’s next. Janine tells her she read Corky’s letter again and she does believe the evil is back. Corky told them to drown the evil (even though Corky got told the Evil couldn’t be drowned????), and they have to figure out who’s possessed and drown them. Corky also said the whole thing started with Sarah Fear at Sarah Fear’s grave, and the two decide to go there right now. This conversation takes maybe ten minutes, but Natalie’s body is already cleaned up, and they walk past the police officers who are apparently not taking witness statements. Cool. Dope. Great job guys.

They drive out to the cemetery and investigate the gravestones. Some of them are so old the names are weathered away, but they find her eventually. Sarah Fear: 1875 – 1899. I really should keep better track of the Fear timeline because I’m not 100% sure where she fits in. They decide if the grave is undisturbed, then the Evil isn’t released, which doesn’t make sense. The grave is where the evil was first released, but that isn’t it’s last known location. Ever since the first book, the grave has been utterly irrelevant, and I can’t help but think it still isn’t filled in from all that time ago.

The grave is open and empty, and they freak out. Dustin appears behind them, which is less evil and more asshole ex-boyfriend. He insists he wants to talk to Amanda, who tells him no, she doesn’t want to, she wants to go home with Janine, and he physically stops her from leaving, causing her to fall backwards into Sarah Fear’s grave. She struggles to get out but a darkness overtakes her, and she’s hurtled back… in time. She wakes up in an old timey period where two women are talking. The two women quickly identify themselves as Sarah Burns, engaged to Thomas Fear, a man she’s never met, and Jane Hardy, who plans to travel to England soon. They both desperately want what the other has: a marriage to a rich man or a life abroad. They agree to switch places, live the lives each other were meant for, and tell no one of what they’ve done. Amanda tries to follow them and manages to move the carriage, which you’d think would come up later but does not, and the two women go on.

Amanda is jettisoned to another time, another memory. She’s on the deck of the ship, salt water pouring down on her and wind slapping at the sea. Men are shouting, people are fleeing, and a woman is in the chaos of it all: Sarah Burns. Sarah laments that she was never meant to die like this, that it’s Jane that should be dying, and she’s thrown into the ocean. Her last moments are so filled with hate and regret that Amanda feels it burning out of her. Amanda watches her drown, and as she does, a green snakelike liquid pours from the dead woman’s mouth. The birth of Evil.

Amanda wakes up in the grave and her friends help her out. She’s soaking wet and it tastes of salt water, so she knows it wasn’t just a dream. She went back to that time and saw those things. She tries to explain it to her friends, but Dustin clearly thinks she’s insane, and Janine is having a hard time following her, but the important take away is that this is Jane’s grave, and the Evil is Sarah Fear.

Janine drives Amanda home, and I guess her parents didn’t hear about the whole girl’s facing exploding, because they’re pretty blase. Amanda does not tell them. She’s more concerned because she saw muddy footprints leading to her bedroom window. She creeps towards the door, and a voice whispers to her to come in. She sees in the center of her room a woman, half corpse, half skeleton, flesh dangling from her bones. Sarah Fear tells her they’re going to trade places now. But psych! That was just the cliffhanger! Amanda realized she’s imagining it and opens her door for real. There is mud in her room leading from the windowsill to her dresser. On it is a note signed Sarah Fear. Which, would Sarah ever think of herself as a Fear? She never met the family. She never took the name. Anyway, it’s unimportant. Amanda decides to go back to Janine before it’s too late, but it’s too late. Judd is at her door.

Judd says he wanted to make sure she was alright, since their friend died maybe six hours ago, probably less. Amanda tries to get him to leave her alone, saying she has to visit Janine, but he sees that she’s white and shaking and offers to drive her. They drive towards Janine’s only to pass her in a car on the way. Judd asks if they should follow, and Amanda says yes. She’s now 100% certain Judd is the evil, and she’s looking for the next opportunity to jump out. But Janine and Brandon pass the mall and keep driving all the way back to Fear Street. They walk into the cemetery together. Judd questions if they should really be following them, but Amanda runs as soon as the car unlocks and races up the hill to find her friend. She screams at Janine that Judd is evil and going to kill them, forgetting that Judd is right behind her. Before he can respond to the accusation, Brandon says he’ll help, and his eyes turn an evil irradiated green. Amanda immediately realizes how stupid she’s being.

Brandon tries to kill both girls, but Judd jumps on him. The two boys rassle as the girls try to make their escape, only to see Judd go down like a sack of bricks and not get back up again. Brandon stalks after them. Using her cheerleader agility, Amanda manages to get some kicks in on Brandon and then picks up a branch, using it to whack against his skull. This seems to be working, despite the Evil supposedly being able to force people to kill themselves against their will, but I don’t know. They dance around for a while until they manage to push him into the grave. As they scramble to bury him alive, a skeleton woman approaches and stands at the grave. The girls go back for Judd as Brandon springs from the grave, and he and the corpse look at each other. They scream at each other that they’re supposed to be dead, and they realize the corpse woman is Jane Hardy. They fight some, hurting Brandon’s face, and then Amanda knocks them all into the grave, falling in after them.

Amanda finds herself on a ship once again, this time most likely on Fear Lake on that fateful day. She sees Jane and Sarah arguing, and they grab each other as the boat tips back and forth. She sees Brandon as well, no longer injured, looking very confused. She realizes the Evil isn’t here yet, that they’ve traveled back in time before it’s possessed anyone. The boat continues to rock back and forth, and finally the women are thrown over. Sarah struggles to break the surface of the water, but Jane holds onto her and drags her under. Neither woman comes up again.

And they wake up. This time in a hospital room. Janine is beside Amanda, who she says was found in the Fear Street Cemetery soaking wet. Amanda declares the Evil is dead, and Janine has no idea what she’s talking about. Janine tells her no one is killed, and they didn’t find a box, and she has no idea what this evil is. Amanda demands to see Brandon, and she gets him. They discover that Natalie and Luke are still alive, and the Evil didn’t die so much as never lived. Because it never existed, all the bad things never happened. Which, like, does that mean Kimmy is still alive? What about Jennifer? Bobbi? All of the events of the past few years erased away? They’re relieved for a moment, knowing the spirits are at rest, and then Brandon takes her hand as his eyes begin to glow and tells her they can’t rest. Amanda agrees, her own eyes glowing, and she knows the Evil didn’t drown…

Favorite Line

“Our parents are all having cows! Brandon declared.

Fear Street Trends

Not a ton this time around. A little disappointing. Amanda mostly wears hoodies and sweaters, and the boys wear sneakers. The misuse of slang above is maybe the most hilarious line in the whole thing. No rap style cheers, no attempts at being relevant. I’ll just have to be disappointed.


This one really feels like the fifth installment of a horror movie, when they’re running out of actors and everything’s sort of tangentially related, and they discover some new twist that poorly fits into the canon that’s been previously established. I didn’t dislike it. I didn’t really attach myself to any of the characters or any of the drama, but it’s a serviceable Fear Street book. I’ll give it three half-corpse women out of five.


Fear Street #50 – Best Friend 2


The Cover

best friend 2

The cover (pulled from Amazon) is nothing. The only thing I like about it is that Fear Street has a logo on top, but that logo leaves no room for anything else.


There isn’t a tagline, just a reminder that this book was written after they held a contest. Fans submitted what they thought should happen to Honey. I wonder how much of this book came from Sarah Bikman, or if she had the initial idea. The initial idea’s fantastic and I wish it’d carried through more of the book, but what’s a Fear Street book without at least three plot twists.


This book is separated into parts as well, though these parts actually seem helpful to the overall narrative. It’s all done in first person. I cannot remember if the original book was in first person or not, but it’s the only way this book would work. Becka’s now going to Waynesbridge, the town over from Shadyside. She’s nervous about her past following her, and nervous about not fitting in. She calls herself “full-figured” and not cute, but she’s starting to feel good about herself again.

Becka has to check in with a counselor first. It’s not the only counselor she’s seen in the past year since Honey ruined her life, but hopefully it’ll be the last. Miss Englund pulls no punches and immediately asks her about Honey. Becka proceeds to recap the previous book, feeling extreme guilt over Bill’s murder. She sees him everywhere, and makes a fool of herself throwing her arms around some rando. He’s nice about it at least and walks her to her next class. Here she’s thrown into a class with a teacher who lectures and never stops. A pretty redhead girl takes pity on Becka and tells her to write down everything he says, introducing herself under the unfortunate name Glynis. They don’t really get to talk during class, since their teacher drones on, and Becka distractedly writes down whatever she can, only to realize she’d written BILL BILL BILL across the page. This’ll happen a lot, so I’m only going to make this joke once.

The good news is, Glynis seems to want to be her friend. They chat a while about Becka’s old school until Frankie rolls up. He’s clearly Glynis’ boyfriend, but Becka can’t keep her eyes off him, and he can’t seem to do the same. He’s the one who invites her out to pizza with the two of them. As they eat, Becka sees someone she recognizes and runs to embrace Eric. You remember Eric, right? He was in the first chapter of the Best Friend only to be dumped? No? I didn’t either. He’s a little standoffish with Becka, clearly trying to get out of the conversation, but she follows him to his car anyway, grabbing him as they get in and making out with him hardcore, though she’s really thinking about Frankie. When Becka gets home, she’s excited, relieved, and bubbling with hope. She looks at herself in the mirror. Her hairs only a few shades darker than Glynis, and about the same length. If she straightened it, stopped chewing her fingernails, bought a matching nail color, she’d look just like her…

Becka gets a phone call and hears Frankie’s voice on the other end. He wishes that Glynis would go away so they could be together, and Becka realizes she’s imagining this. She’s acting like Honey. She remembers the party, when Honey showed up in a matching outfit after cutting her hair, right before she pushed Trish down the stairs. The moment of revelation goes away as she paints on the same nail polish that Glynis wears, only to realize the words BILL BILL BILL have been scrawled over her face in that very nail polish.

Becka spends more time with Glynis. She ends up trying on all her clothes and then tucks a handful of them away to borrow. Glynis takes her shopping and asks about the clothes, but Becka plays it off, saying she had a date and wanted to try them. They go to the Shadyside mall (a bad idea, Becka), and go into one of the shops where Eric happens to be working. Glynis and Frankie talk to him too before absconding to the food court, and Eric asks the question we’ve all been thinking: Why are they calling you Becka? Because it’s not Becka at all. Surprising no one, it’s been Honey the whole time. Honey loses her absolute shit, made worse when Eric points out the real Becka is standing the same store next to her. She grabs a necklace of glass beads and starts choking Eric. No one seems to do anything about this. It’s not a quick and easy process to choke someone to death, especially with a department store necklace, but Eric goes down, and Becka screams that Honey killed him. Honey pulls the usual “no you!” on Becka, but it’s clear it’s not working.

Smash cut to part two, now narrated by the actual Becka, who has remained in Shadyside, is still best friends with Trish and Lilah. They’re attending poor Eric’s funeral, whose only crime was to make out with a girl he had to know attempted murder in the last year. They discuss how Honey forged her way into Waynesbridge with fake documents, and now she’s disappeared. No one knows where she was living or where she would go. As they walk home, Becka’s two friends try to console her, and they both point out she’s been distant and refuses to talk about anything. They’re interrupted by BILL running up the street! He’s not dead at all! He survived his stabbing last year, though he and Becka are donesville. It seems like he’s gotten very close with Trish, which will be a plot point later. He tries to talk to her, clearly wanting to get back together, even though she has a boyfriend now, and Becka brushes him off. She tells him she can’t.

The girls keep walking, and Trish speaks up. She tells them that Bill visited her in the hospital every day, that he was a good friend to her, and that Becka didn’t do any of those things. Becka tells her she was so messed up after everything that she couldn’t look at the people that were hurt because of her. She feels so much guilt over everything that happened. It’s why she can’t look at Bill anymore. But she promises to be a better friend.

Becka works at the Hacker’s Cafe (delightful) and her boyfriend Larry comes by to chat. She’s too busy to sit with him, and she has to do her job, but she tells him she’ll call later. As she leaves work, someone comes up behind her at her car, and she flips out, only to see Bill. He tells her he stills cares about her and bla bla bla. Knife victim, guilty conscious, boy that won’t take no for an answer. Becka’s rescued when Larry runs up. Larry seems to be one of those rare good boyfriends you can occasionally find in Shadyside. As he helps Becka into her car, she starts screaming, because someone’s taking a knife to the interior and tossed in a dead rat for good measure.

In a rare turn of events, Becka’s seeing a therapist and taking her meds. They aren’t doing their job of calming her down though, and she decides to investigate the house next door. Honey’s dad still lives there, and she wonders if there’s a chance he’s hiding her. But she’s interrupted by Lilah, who wants to show her something. They have a loud conversation outside the window, and that ends exactly as you’d expect it, with Honey’s dad looking outside. As soon as he recognizes Becka, he starts shouting at her, asking her where Honey is. The two girls run away.

Lilah tells Becka what she wanted to show her was a news article she found. It tells the story of Hannah Paulsen watching her father murder her mother and her brother before turning the gun on himself. Becka’s horrified, but Lila tells her they knew Hannah Paulsen. She was a total loser who followed them around in the fourth grade. They tricked her into embarrassing herself in front of the whole school, and soon after that she disappeared completely. And now she’s back. Hannah is Honey. Her “dad” isn’t her father at all, but her uncle.

Becka gets a few more threatening phone calls, because why not, and Trish tells her she’s hurting Bill more than getting stabbed ever did. She goes to her counselor and tells him about some of the stuff she’s learned. He asks if she’s gone to the police with any of this, and she admits no. He does the first responsible thing I’ve seen an adult do in these books, and tells her she has to tell the police about the phone calls, since they can probably track them. No stalling. Go there right away. She leaves, only to be attacked by Honey five feet from the door. As she wails on her, Becka tries to reason, calling her Hannah and saying she knows the whole story now, but Honey screams that she’s not Hannah and she’s not Honey because she’s Becka now! She continues to beat down on her, until all Becka sees is black.

But Becka wakes up again and realizes Honey must’ve stopped because she thought she was dead. She drives herself home instead of going inside the building full of adults, but her parents make her go to the hospital, and the police are called. Someone really should involve them at some point. Despite being beaten in the street, she still goes on her date with Larry, who’s pretty standoffish. Becka screams when someone accidentally pokes her with their umbrella, and at dinner flips out when she sees a waitress carrying a steak knife. Larry, to his credit, doesn’t want to leave her alone and offers to stay at home with her until her parents get in, but she tells him to leave. Listen, kids, neither of you are prepared for this kind of relationship. Don’t blame yourself if it doesn’t work out.

Becka refuses to turn on any lights when she gets home, which is stupid. She makes her way up to her room only to find her bed is full of blood and guts and someone’s etched THIS IS U into the wall. No one has Becka leave the house, or be put into protective custody, or her parents don’t consider moving for a while. Her friends offer to let her stay, but Becka says no. As she hangs around the house, she gets another a phone call, this one telling her that her best friend is coming tonight. Becka flips out when she hears someone at her door, but it’s only Bill. She screams at him what’s happening, and he tells her to get in his car, that he’ll take her to his uncle’s murder cabin in Fear Street Woods. The phone rings again, and Becka answers it in case it’s her parents. It’s Lilah, who tries to tell her something, but she hangs up on her.

They get to the murder cabin, and Bill goes to get some firewood. Becka takes advantage of the phone. She calls Lilah, who tells her that Honey’s been arrested. They caught her two days ago. It was upstate, and Honey was giving different names, so local police only just figured it out. Becka realizes this means that Honey couldn’t have messed up her room and couldn’t have called her. As she realizes this, Bill comes in, telling her to put the phone down. He lunges at her when she tries to call 911 and rips it off the wall. She asks him why he did it, sneaking into her room and calling her, and he says it wasn’t him. Then Trish walks in. Yup! You guessed it! Trish was the best friend the whole time! Trish tells her that when she was in the hospital, Becka never visited her, only Bill was so sweet, and she’d hurt him too, and she was being so selfish getting over the trauma of being gaslit and hunted and thought to have murdered her own boyfriend. She then pulls out a knife, and Bill says they were only going to scare her, not actually hurt her. Trish brings the knife down, and Bill tries to stop her, only to get stabbed once more in the abdomen. As Trish screams this is all Becka’s fault, Becka goes for the knife. The two girls wrestle, but Becka manages to cut her neck as sirens wail in the distance. Becka drops down beside Bill, holding him, and tells him she’ll be at true friend this time.

Favorite Line

I am my own best friend! I told myself. I have to be strong. I have to be my own best friend now.

Fear Street Trends

At least two girls are described as “like a model”, and Glynis is described as resembling Claire Danes (which is actually a pretty good pull). Larry is described as looking like Bugs Bunny (less good). Glynis paints her nails a chocolate brown and calls it “the flavor of the week”, sparking a conversation where Honey as Becka talks about licorice nail polish. Her “very slim and trim” look is a yellow vest over a white t-shirt and a short green skirt over brown tights. That’s so many layers! Were we doing that many layers back then! No wonder we wore basically nothing in the 2000s. I may also have to give you the full description for the Hackers Cafe:

It’s actually just a coffeehouse. But Mr. Arnold, the owner, put computers at the counter so that customers could surf the internet and send e-mail while they drink their coffee and eat their muffins and pastries. The cafe became really popular, especially with kids from Shadyside High and young adults who work in the neighborhood.

Love it, love it, love it.


I don’t know how to feel about this one. The twists were obvious from a mile away, but they were interesting at least, and the eponymous best friend switching from Honey to Trish isn’t bad. Still, no one’s motives make much sense, and Honey’s barely in it. I’ll give it three murder cabins out of five.


Fear Street Seniors #1 – Let’s Party


The Cover

lets party

The cover (pulled from its Amazon page) is less than nothing. What is this even supposed to be? A blank red texture, a knife, and a stock photo? Y’all couldn’t even try? Also it took me a while to notice that this is “episode one”.


You’re invited to… DIE!

Y’all couldn’t even try. The ellipses aren’t even in the right place!

Bonus Round!

What? Does this book come with a fully stocked cast of characters page shaped like a yearbook???? You know it does! I carefully photographed them with my phone like a professional and put them below. Peruse at your own leisure.

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It’s the last day of junior year! Bell rings, kids get out, and they’re now officially seniors! (Is that how it works? I wouldn’t think they’re technically until school starts in the fall, but we have to get this party started.) This is where we meet our impressive cast of characters. Josh is our main, and he passes by Dana and Marla, Mickey and Gary, Matty, Debra and Clark. Mickey and Gary are bullies, as is Josh, who passively sits by and calls people nerds, and Matty’s the fat kid who makes jokes at his own expense to keep in with the cool kids. Marla and Dana are the hotties, and Debra is Josh’s girlfriend, who he sees necking with Clark, the local goth. He wears all black and keeps his hair slicked back, so everyone calls him Count Clarkula. This’ll be important when Josh goes off the deep end.

Josh walks up to his girlfriend as Clark descends on her neck. He shouts her name, and both of them turn around, looking super suspicious. Debra tells him Clark was only helping her get something out of her eye, the absolute worst lie anyone’s ever told, but Josh is willing to believe it. Clark stalks off, and Josh tries to talk to Debra, who’s clearly uninterested. Sorry Josh. Leave her to the goths. But Josh thinks Clark is too big of a geek for Debra to be interested in, so he let’s it drop.

It’s okay, because Josie, Josh’s step-sister, comes running into the scene to break the tension. She’s livid because she got a D in trig, even when she did a ton of extra credit. It’s mentioned here she needs to get on honor roll for her parents to get her a car, but later her teacher says she has Bs and Cs in other classes, and I’m like, Josie. Maybe you’re just a bad student. Josie screams that she’s going to kill him and then storms off to talk to him. Thanks, Josie, for your contribution to this scene. Then their friend Trisha runs up and immediately collapses in front of them. They both run over to help her. Trisha tells them she had “the most horrifying flash”. Yup. Trisha’s a psychic. She’s also super rich. Her dad built the mall in Shadyside, which I think how everyone who’s rich in Shadyside got their money. Trisha tells them she saw the whole of the Shadyside seniors laid down in their coffins, dying one by one. Debra tells her that’s not true, that she’s just stressed, but Trisha clearly believes it. Josh tries to lighten the mood by reminding them of the killer party Trisha’s gonna throw, and she tells them she’s canceling it. She had another premonition of a girl sprawled out on her floor dead during the party. Josh and Debra tell her it won’t come true, and Josh tells her to have the party anyway, that nothing bad could possibly happen.

There’s another scene with Josh and Mickey that’s really unimportant except it reinforces the whole “Clark might be a vampire” subplot and also I think Mickey’s like a little gay for Josh? Just a little? Much like in Goodnight Kiss, Josh comes to believe in vampires over something completely innocuous, this time a wire sculpture of a bat. Josh also gets a threatening phone call from someone saying they’re gonna drain him dry. I also forgot this book is separated into parts, even though they’re totally unnecessary. (Did I add that to Fear Street bingo? I don’t remember anymore.) Part One consisted of five chapters. Part Two takes place on the same day, now starring Josie, and also takes place over about five chapters, though it feels more like two thanks to the length of them. I know YA as a genre is still new and innovative at this point in our history, but considering some of the door stoppers destined to come out during the height of the YA boom, these books feel incredibly juvenile.

Josie goes to meet her teacher, Mr. Torkelson and ask about her grade. Josie came to state her case, but she pretty much stammers out complaints and tells him she can’t have a D. When he tells her he rechecked her exam grade three times, she shouts that she had the flu during the final. He points out that Marla Newman also had the flu during the exam and got a perfect score, and gently mentions that she probably should’ve just taken a make up exam. Josie goes into a blind rage hearing about her mortal enemy, the perfect and gorgeous Marla Newman, made even worse when he mentions her brother gets good grades in math, and she fantasizes about smashing him over the head. This scene is almost entirely lifted from Final Grade, and I’m starting to wonder how hard Stine was phoning it in this book.

Josie stumbles around the school, seeing Ds everywhere she goes. She runs into Deirdre Palmer and Jennifer Fear, her two BFFs. Deirdre teases Jennifer about being a Fear, saying she casts evil spells and she’s a witch and the usual. Jennifer is clearly pissed every time she does it and she does not stop, but don’t worry. They go over to Jennifer’s creepy old house across the street from the Fear mansion, which Josie thinks is definitely haunted with the ghosts of old Fears, and they go into a room full of books on witchcraft! Jennifer’s mom flips out later when she finds them with the books and tells Josie they’re dangerous, and it’s like why even have them? Get rid of them. Throw them in a fire. Josie pulls out a book simply called The Spell Book (catchy) and flips to a page called DOOM SPELL. Deirdre insists they try it on Torkelson. In a great bit of timing, Josie tells them they need black candles, to which Jennifer responds, where would we even get those? Luckily Dierdre finds them in a carton from one of the shelves. It’s said several times that Jennifer’s family renovated the house, so this spell room had to be left in on purpose.

They start the spell. They feel wind blow in, candles flickering out, cold pressing against them, and just as the last candle is about to be blown out, Jennifer’s mom comes in. Mrs. Fear apologizes for interrupting their seance, but she looks real nervous. Hey, Momma Fear? Maybe if you found your daughter practicing black magic in a family history of that sort of thing, you say something? The girls rush off, but Josie pauses. She finishes the spell, imagining Marla and Torkelson being affected by the spell. As the last candle goes out, a figure in a red robe moves towards her, the face beneath its hood only a skull with a two-headed snake slithering in its open sockets. It reaches out to strangle her, and she’s shaken from her vision by her friends. She quickly puts the book back.

Josh, Mickey, and Josie go to the mall and run into Marla, who’s snide and condescending towards Josie. Josh gets distracted as they walk past a CD store and see Debra and Clark together. He walks up to them, and Debra quickly makes excuses, but Josh turns on Clark and asks if he’s behind the threatening phone calls. Clark tells him no, of course not, before skedaddling. Josh asks Debra what’s going on, and she tells him vaguely that she’s “drawn” to Clark. When Josh points out that they’ve been together a lot, she snaps that she’s not his property, and she can talk to whoever she wants, which is true. But, Debra, dear, your boyfriend getting jealous because you have a male friend is a little different than your boyfriend getting jealous because you’re dating someone behind his back. One of these is valid.

Josh wanders out, thinking about how Clark is so goth, and when he gets home he gets another threatening phone call. Now there’s a shadow outside his door, and it is Clark. Returning a sleeping bag. Lame and random. Moving on. Josie wakes up the next morning thinking about how she has to find a job because Marla stole hers. Her friend gives her a call to meet her at the school to retrieve a sculpture project she left behind. When she gets there, Clarissa is nowhere to be seen, but she does see Mr. Torkelson driving towards her. He holds his hand out the window to wave right as a delivery van rams straight into him. He’s slammed into a wall, and blood is pouring out of the car like a fountain. She runs towards the wreck and screams when she sees what’s lying on the ground. His hand, severed, blood spewing from it like a river, and its fingers still reaching to her.

Josie tells her friends that she finished the spell, and now she’s a murderer. Jennifer reminds her that magic isn’t real, and Deirdre tells her it was just a goof. Josie tries to call Marla to warn her, but Marla plays her off and hangs up on her, leaving Josie alone with her guilt. Meanwhile, Josh is hanging outside the movie theater, waiting on his date. Debra stood him up. He tries calling her house. No answer. He drives around and decides to go to Clark’s house. This puts things in a weird perspective. Clearly Josh and Clark know each other well enough that they know where they live, and also borrow things from each other. But Josh treats Clark like some weirdo he never talks to. Inconsistent writing or a character history being hinted at? You decide. He parks down the street and can see the two of them in the window. At first it looks like Clark might be biting Debra’s neck, but they’re just making out. He watches for a long time, which is weird. He knows vampires aren’t weird, but Clark’s so weird, and also Debra’s been pale and tired lately. Probably from all the sneaking around.

He leaves after Debra does and finds Mickey and Matty. He’s pretty sure vampires don’t exist, he tells them, and Mickey decides they need proof. That’s right, folks! It’s time to break into someone’s house again! My only explanation for Shadyside being the way it is has to be the evil has contaminated the water supply for so long. They drive back to Clark’s house, now empty and quiet, and sneak in through the window. The evidence they find is: a black cape, a book titled Lives of the Vampire, and dirt spread across the bed. Josh is now convinced he’s a vampire. He returns home, to hear his phone ringing again. He braves up and answers it, only for Trisha to be on the other line, calling from her cellular phone (fancy), to tell him the party’s back on! After hanging up on her, the phone rings again, and this time it’s Debra, yelling at him for spying on her and thinking he owns her. Again, valid complaints under normal circumstances, but she’s leaving out the fact that she ditched her boyfriend to make out with someone else. Josh tries to tell her Clark’s a vampire, which she doesn’t believe, and she breaks it off with him. What you should’ve done forever ago, Debra.

Party time! Finally! Josh drives up to Trisha’s mansion, complete with gate and security guard. There’s food and music and the grounds are huge. He sees Mickey with a girl, tall, beautiful, redhead, but the two of them are arguing. She shoves him hard, and he shoves her back. They seem to be getting into a physical fight, and Josh starts towards them, only to be interrupted by Pheobe Yamura. They have a quick conversation, and when he turns back around, the two are gone. Well, no need to break up that domestic dispute. What a good friend Josh is. Trisha is dancing with bad boy Gary Fresno, who is also someone else’s boyfriend, and then the redhead is next to Josh. She gives him a shove, ans asks if he’s Mickey’s friend. The two flirt for a long time, and she introduces herself as Saralynn. His eyes catch Debra and Clark in the crowd, and he decides to spend the whole party with Saralynn, making her jealous, and immediately forgetting that she and Mickey are clearly a thing. What a good friend Josh is.

It’s fine, because a thunderstorm sends a downpour over the party, and they all race inside. Trisha announces this is perfect, because now they can play a murder game! She hands them all cards, either a victim, a suspect, or an investigator. Marla draws victim. Josh and Phoebe get investigator. Mickey stumbles into the party, blood marring his face. He tells them all he tripped and slammed his face into his car by accident, but Josh can’t help notice that they look like scratch marks. He thinks about his fight with Saralynn. Then does nothing. What a good friend Josh is.

Trisha tells the suspects and the victim to go into the next room and make up a scenario. They have to choose how the victim died, and who did it. So it’s less of a game and more of a theater workshop. After a while of waiting, they hear noises from the other room, and Josie screaming help. Josh immediately rushes in, and they find Marla on the ground, dead. For reals. Trisha flips out, because her vision came true. Hey, Trisha, why did you plan a murder game at your party where you had a vision of someone getting murdered, Trisha? They all panic, trying to think of who could’ve murdered her, and Josie belts out that she did. It’s all her fault. She tells everyone about the Doom Spell. Jennifer tells her it’s not her fault and tries to get Josh to comfort her. They try to call the police, but the phones are dead. Trisha’s cell phone is in the car her parents took. They agree to go to a neighbor, or maybe just leave, and they all head out into the rain. But as soon as they get to the gate, it’s padlocked. They’re locked in.

They make it back to the house. Josh notices some people are missing, including Clark and Saralynn, and as they walk back into the dining room, they find Marla’s body missing. As they try to figure out who moved it, Josh also notices Mickey. He’s dry while the rest of them are soaking wet. He points that out, and Mickey tries to make excuses, just as Jennifer sees a dark red stain against the closet door. They open it, and Saralynn falls out, also dead. They quickly turn on Mickey, who announces he did kill them, and he’ll kill again, before he grabs Josie and drags her into the next room. Josh races forward, knocking Mickey to the ground. They rassle. Mickey gets real close to Josh’s face, and I’m like are they gonna kiss? But no. Mickey starts laughing and announces that he can’t do it anymore.

Saralynn gets up and Marla pokes her head in, asking if the game is over. You guessed it, folks. It’s another of those classic “pretend there’s a murderer on the loose” games Shadyside kids like to play so much. Trisha announces the joke is over, and Josie’s livid. Marla laughs and asks her if she really cast a spell on her. Josie darts off, just as Clark descends the stairs, floating, cape out, fanged teeth grinning. Trisha tells him he’s too late, that the game’s already over. He’s disappointed after he did so much research and even tried to get into character by sleeping in dirt.

Josie doesn’t hear any of this. She’s in the bathroom, calming herself down. She can leave, she thinks, and be a laughing stock, or just party on. Reapplying her lip gloss like armor, she steps out into the party. Josh tries to talk to her, but she tells him she’s fine. Then the doors swing open, and a red robed figure floats in. People notice and start to congratulate Trisha on another prank, but the figure looks at Gary and tosses him against the wall, where his head splatters. Some R-rated gore and violence happen in this chapter. Trisha gets her head squeezed like a grape, Marla gets punched in the chest and her heart just falls out, Phoebe gets her head twisted off, and Josh’s arms are ripped right off.

Josie runs for it. She gets in her car and drives all the way to Fear Street, finding Jennifer’s house. She knows it’s too late to save them, but she has to try. When Jennifer’s mom opens the door, she makes up an excuse about needing a CD and sneaks past her to the library. She tries to find a reversal for the Doom Spell, but finds something else entirely. Time Spell. It can help her go back in time and stop this from happening. It’s only an hour, but it’s an hour she needs. She performs the spell and finds herself back int he bathroom, right before everyone’s dead. She tries to think of how to get everyone out and knows she can’t convince them. She goes to the doors, where the red robed figure makes its appearance, and she does, well, she does nothing. It looks at her, taps the glass, and then leaves. Cool.

The only mystery left is who made those phone calls? Josh goes up to Trisha, and she tells him it was Matty, duh. He told everyone. Josh is reasonably embarrassed by this, and he walks back to the food spread, before he treads on something. He lifts it up, showing it to Trishsa. They’re the plastic fangs Clark was supposed to wear. Never opened. He turns as Clark walks out the door with Debra. Smash cut to black. Credits. Music.

Favorite Line

“Know who else has a crush on you? Her sister Deirdre.” Josie slapped her hands over her mouth. “Oops. Forget you heard that. It just slipped out.”

Fear Street Trends

There’s a good bunch of trends here. Debra’s described as “a clean-cut Kate Moss.” Who’s like a model. I’m not sure how much more clean cut you get than that. Marla and Josie where vests over t-shirts, pretty fashionable, and Debra wears a blue crop-top with blue shorts on her date with Clark (very matchy matchy). Mickey and Matty are playing Madden ’99, such a pull that I’m assuming that’s something Stine’s son played at the time. My favorite description is of Josie when we first meet her: “She wore a short black skirt over black tights and a black vest over two t-shirts.” Was that a thing in ’98? Were we wearing two t-shirts at the same time? And, of course, Trisha is shown to be rich and cool by having her own cell phone, with terrible reception.


This book seems pretty generically Stinian. A lot of it feels pulled from other books, from the vampire subplot to the curse ghost, to the party games. Probably the only thing new in it is the time travel, though last Halloween we saw a time traveling ghost, so even that I’m not sure. I will say Final Destination came out in 2000, while this book came out in 1998. Make of that what you will. I’ll have to give it two Mortal Kombat finishes out of five.


Fear Street #43 – All-Night Party


I’m still playing a bit of catch up right now, but hopefully I’ll be back on track after this week. If you’re looking for something to read between books, my writing blog is updating with short stories about vampires, werewolves, ghosts, and monsters. The first is already up, and the second will go up tomorrow! I’m trying to get back on a regular schedule with this, so bear with me while I finish sorting everything out.

The Cover

So I found three covers for this book. The first (found at this Goosebumps fan site) is pretty good. There’s a danger element to boys and the girl looks suitably nervous. The girl peeking over the shoulder of her date to watch also adds a creepy element. I think the colors are pretty passive, though I do actually like her blue dress, and maybe something bolder could’ve been added, but this is nice.

The two revamp ones (found through Random Blogger and Amazon) are not good. There’s no danger to them. The silhouettes look bad. The colors are bad. They don’t have any danger element to them at all, and it feels very generic.


Party till you drop… dead.

Not bad, not bad. Very generic but it gets across a danger that I appreciate.

Everyone is dying to be invited.

Also not bad. Kind of nothing, but it works for what it needs to do.

An exclusive invitation… to die.

Bad. Bad bad bad. It’s the worst of the three.


We’re introduced to Gretchen as she and her friends are on their way to Cindy’s house to surprise her for her birthday. More specifically, they’ve decided to Jawbreaker style kidnap her, take her to Fear Island, and have an all night party. Gretchen is new to Shadyside, having only lived  here six months, but she fits right in with this bad plan. Hannah says it’s “just what Cindy deserves”, which probably hints at the larger problems in the group. Cindy is blond, beautiful, and always gets what she wants. She’s also described as a huge tease a large number of times, which isn’t completely inaccurate.

They march into Cindy’s house and storm into her bedroom. Gretchen and Hannah blindfold her, and then Patrick pulls out a fucking gun and puts it to her head. Everyone reasonably flips out, and Gretchen asks why he even brought it. Patrick tells them that his dad, a police officer, told him a convict escaped and is hiding on Fear Island. He was put away for killing three girls, and his dad gave him the gun for protection. It’s not loaded at the moment (at least he practices gun safety?? kind of????). They agree to go out anyway, assuming anyone escaping probably wouldn’t stay in one place too long.

They row out to the island, and the teen drama starts coming to the surface. Hannah comes with her boyfriend Gil, who is also the ex-boyfriend of Cindy, who still flirts with him a lot. They broke up because her parents told her too, and it’s obvious the two are still into each other. Hannah’s very annoyed by this. Also with them is Jackson, who stares at Gretchen a lot and is kind of a creepy dude. He says a lot of weird stuff and otherwise does not talk at all. Cindy asks Gretchen where her boyfriend Marco is, and Gretchen admits she’s been looking for a way to break up with him. He’s a dangerous dude with one earring and a motorcycle. Typical Shadyside guy. Gretchen didn’t invite him, but he shows up anyway, letting her know he found out through her mom. At least these kids were responsible and told their parents where they would be.

The party is kind of lame with only eight people in attendance. There’s some cattiness between Hannah and Cindy as they argue over who knows Gil better. Gretchen tries to get as far from Marco as possible, but it’s not really a good scenario with nowhere else to go. Hannah storms into the kitchen, and Gretchen follows. Hannah tells her that Cindy got a scholarship she’d applied for, even though Cindy’s parents could pay for her college and Hannah needs it. Hannah says loudly that she wishes Gretchen was dead. They go back into the room and open presents, which Cindy kind of tosses aside. She tells everyone thanks but seems really unenthusiastic and doesn’t really care. They put on some music and dance, but Gretchen really wants to get away from Marco, and she makes an excuse to go outside.

Hannah and Gil go with her to find a private spot to neck, and they disappear. Patrick stays inside, as does Cindy, and so does Marco presumably. Jackson continues to watch Gretchen, who heads to the shed beside the cabin. Inside the shed, she can hear voices in the kitchen. Voices that sound like Cindy and Jackson. She hears a sharp slap and then silence, but decides it’s none of her business. As she walks around outside, she hears someone behind her, and it’s Marco again. Gretchen tells him point blank she didn’t invite him because she didn’t want to go out with him anymore. He takes this well by pulling out a switchblade and hacking up the tree beside her. They walk back to the cabin together in probably the most awkward silence there ever was, and it’s empty. Gretchen goes into the kitchen where she sees the mess from their cake making earlier, flour all over the floor, and something red spilling everywhere. It’s Cindy. Dead.

Gretchen staggers out of the kitchen feeling sick. Marco runs over to her, and she tells him what she saw. She tries to run outside and runs straight into Patrick, whose shirt is covered in blood. He tells her he cut his hand on the upstairs window. Everyone else is coming in to as Patrick surmises that it’s he escaped prisoner that must’ve killed Cindy. Gretchen says they have to go to the police, and he insists no. There aren’t any phones in the cabin. There aren’t any phones on the whole island. They’re trapped. Until dawn. (dun dun dun)

It doesn’t take long for the panicking to set in. They decide to stay in the cabin and wait until their parents notice they’re missing, but someone points out the murderer could still be in the cabin. They decide to search the cabin. Gretchen thinks she sees someone outside only to run into Jackson, who tells her he’s worried. She thinks about the argument she heard and considers asking him, but he walks away. As they come back together, they consider the possibility that their friend Patrick is covered in blood and insists they shouldn’t go to the police and also has a gun with him. Gretchen looks at Hannah, who’s sobbing, and remembers her saying she wants Cindy dead. And then Gretchen tells everyone about the argument.

This is a good set up, and should devolve into them screaming and stabbing each other. Gil screams at Hannah that he was going to break up with her anyway to get back with Cindy, Hannah is a mess convinced the killer is going to come back for them, and Jackson tries to keep them together and insists they look at the body one more time. Now Gretchen has time to actually look at it, and they all notice something. A red baseball cap in her hands. It’s Patrick’s. They argue over whether he was wearing it or not, if Cindy put it on herself, if anyone else did, and Patrick says if he did kill Cindy he wouldn’t shot her instead of using a bread knife, which causes everyone to point a finger at him, because how did he know? Patrick points out that it’s missing from the knife holder. But there are footsteps in the flour, and Gretchen goes to get everyone’s boots and see which have flour on them. Guess who does?

They tie up Patrick, and then they go through his things. And they find everything! A note from Cindy saying she isn’t going to keep his secret, a bread knife wrapped up and stuffed into his sleeping bag, along with all of the other evidence. They bring it all to him and ask him to explain, and he tells them he’s being set up. He tells them if he did kill Cindy, he would’ve hidden the evidence instead of leaving it lying around. They discover that the note is forged. As they decide maybe Patrick isn’t the murderer, they notice that Hannah is missing. She ran off, leaving a note, which makes Gretchen suspicious that she may have done a murder. She goes outside to look for her, and Jackson follows, telling her he needs to confess something. It turns out the reason he’s a big creep is because he has a big ol’ crush on her. His choosing this moment to tell her reinforces that he’s kind of a big creep. But Gretchen seems sort of into it? She admits to him that she and Marco broke up, and after the conversation decides she feels safe with him. Sure. That’s how that works.

They hear Hannah screaming and find the other boys pulling her back inside the cabin. Gil tells them that he and Hannah separated for a bit while they were walking in the woods, meaning she could’ve gone back to kill Cindy, meaning Gil also doesn’t have an alibi. Gretchen finds a note in her pocket, and she realizes immediately who the killer is. The handwriting of the note matches the handwriting of the forged letter. It’s Patrick. He’s still the killer! Patrick framed himself, which is kind of silly because he’s also the one who had to convince his friends he was being framed. He tells everyone Cindy was a tease and loved to flirt with him and then push him away. He tried to give her a kiss for her birthday, and she laughed at him, and it set him off. Patrick pulls his gun on them, just as two police officers make their way into the cabin. They immediately tackle him and take his gun.

The officers explain Patrick stole the gun from his dad, and he sent them to get it back. There’s no escaped prisoner at all, Patrick had just planned to pin the murder on a fake story, but also he framed himself? This guy had too many plans. Just stab someone Patrick, and worry about it later. The officers wonder if the secret Cindy found out was the fires he set back in Waynesbridge, and Hannah realizes she didn’t know about that. She just liked to tease. She also thinks she may have liked Patrick, which was why she teased in the first place. This is the lesson, kids. Don’t be a tease.

Favorite Line

“I wish I hadn’t taken the gun out when we were kidnapping Cindy!”

Fear Street Trends

So much denim! Gretchen wears denim, Patrick wears denim, Marco is described like a 1950s greaser with a white T and blue jeans, though he also has a silver hoop in his ear. No one is really described that much, and the fashions are pretty nil. They do pull out a portable CD player, and they listen to some “heavy rock-and-roll”.


This book felt like #2 in the series, not #43. It’s kind of phoned in. It does share a lot of similarities with the Overnight, and Party Games seems to borrow a lot from it. On one hand, I appreciated how short it felt, but I really feel like the ball was dropped here. This could’ve turned into a Battle Royale style suspicion and murder, with kids turning on each other and splitting up and trying not to get murdered while taking out the suspects, but it really feels like the whole events took place over like two hours. One suspicious baseball cap out of five.