Fear Street #42 – Killer’s Kiss


The Cover

I really like the original cover (taken from this Fear Street blog)? There’s something very classic about it, from the old photograph to lip stains on it, to the colors. It has very little to do with the plot, but that’s okay, because it’s sinister and sweet all at the same time.

The new one (taken from its Amazon page) is better than most of the updated covers. I appreciate a good skull though I don’t know why it’s wearing sunglasses? That color with that bridge crack definitely makes this skull look like a cool dude. The kiss on the forehead too is weird. I know why they did it there, but that doesn’t say “tender love turned deadly” as much as “bad Photoshop”.


Her lips were sweet and deadly.

Also a pretty good tagline. It could use an ellipses in there to really sell the drama, but I like this.

Sweet, tender, and vicious.

Not as good, but they’re nearly identical. I think vicious isn’t as sellable as deadly I think it loses something from not being a complete sentence.


We open on Vincent Milano watching Delia apply a tube of purple lipstick to her lips after a makeout session. The first three chapters made me think Vincent would be our main character, and I thought this was going in a more Double Date direction, but he sort of disappears from his own story after this introduction? Unlike other Stine books where someone’s dating two people at once (which is an alarming number of them), Vincent is pretty much just there to lie and die.

The important thing is, Vincent and Delia have just been making out super good, and we see Delia do something she’ll do a hundred times in this book: she applies her lipstick and then presses a tissue to her lips, making a perfect lip mark. Vincent’s also a pretty bad womanizer. Delia asks him about his birthday party, and he realizes both she and Karina are invited and decides to do nothing about this. He’s also invited both girls over on the same night for making out. Too late he realizes the clock in his living room has stopped and Karina might be there at any second, so he kicks Delia out without much fanfare. Literally as she pulls out of the driveway, Karina turns down his street. If you’re going to two-time two girls who despise each other, at least plan it better.

Karina arrives and chats with Vincent on his porch before they walk in, and she realizes Delia left a huge purple lip mark on his cheek. Vincent quickly backtracks with some lame excuse about helping her with her homework and that she gave him a peck on the way out. Karina proceeds to give the same speech that Delia gave about her: the two are rivals, and the one is always stealing the other’s clothes and friends and now boyfriends. Karina flips out though and shouts that she won’t let her win before slamming the door and driving off. A totally normal Shadyside reaction.

We cut to Delia hanging out with her friends on the bleachers in the gym. Britty and Gabe are discussing the Conklin Award, which is never fully explained but appears to be an arts scholarship that allows Delia a free ride to the “most expensive fashion college in New York” (you couldn’t figure out a name, Stine?). Without it, Delia’s not even sure if she can afford community college in Waynesbridge. They say seven kids applied for it, which seems improbably low for a huge scholarship that could get you into art colleges in New York, but maybe it’s a local thing? There also seems to be a talent portion that is unrelated to the actual art that the student does? Delia paints and sketches fashion, but she plays guitar for her talent, and Karina sings, and Stewart, another contender, does a magic show? I don’t know much about art scholarships but I don’t think they work like a beauty pageant.

There’s a little more about Karina and Delia’s rivalry, and Britty mentions they all used to be friends. She still hangs out with Karina and offers to talk to Delia for her. Gabe mentions they had a truce for a whole year and were nearly on friendly terms, but Delia won’t stand for her boyfriend being stolen. Which is when the doors fly open and Karina comes shrieking in. She lunges at Delia and starts to choke her! She screams that Delia’s not going to win this time, and Delia manages to shove her off. For the first time ever in a Fear Street novel a teacher intervenes. The coach takes Karina to the principal’s office, and Delia is shaken. Her friends comfort her, and Britty promises to talk to Karina to see what’s going on.

Delia and Vincent are chatting, and I don’t know why Vincent is even with Delia. He clearly doesn’t want to talk to her and would choose Karina over her in a heartbeat. As he starts kissing her, Delia realizes they’re being watched, and she sees her younger sister Sarah. The two sisters fight, and Delia snaps at Sarah that she’s just jealous because no boy’s ever kissed her. Sarah flips out and screams that she hates her. She threatens her sister, steals one of her paintings, and runs upstairs.

At school, Delia is caught off guard by Stewart, who she says is the stiffest competition for the Conklin Award. She’s clearly into him and forgets for a second that she even has a boyfriend. Stewart asks her out, but she sees Vincent coming down the hall, and she tells him no. Stewart seems genuinely disappointed, which is a little sad. But later on she hears someone talking from within a storage closet, and she sees Stewart and Karina inside, talking quietly. She thinks maybe they’re plotting against her. She runs into Britty, who tells her that there’s no real reason for Stewart to help Karina, and it’s more likely that he asked Delia out because he likes her. They watch Stewart leave, but Karina doesn’t. Delia asks Britty to talk to Karina, to explain that she’s with Vincent, and she’s willing to be cool so long as Karina doesn’t come for him. Britty seems reluctant, but as they see Karina leave, she goes to greet her.

Britty gets Karina to stop walking so Delia can listen in. Britty asks her what happened the other day at the gym, and Karina blows it off. Britty is rightfully upset that she doesn’t see a strangulation as a big deal, and she tries to lightly bring up that she’s acting out of control. Karina gets real menacing and says Delia won’t win the Conklin and won’t win Vincent, and then she calls out to Delia in the hall before storming off.

Delia is all nerves as the competition starts for the Conklin Award. She dreams about Karina covering her in her Midnight Wine lipstick (less fun than it sounds). Delia chose to go last in the competition and regrets it, since she has all the time in the world to get nervous. Karina sings as someone plays piano, and Delia notices her sister sitting away from them, watching Delia. Delia runs backstage, her nerves getting to her, and she picks up her guitar case. The judges call her name, and she’s saved the embarrassment of playing an original song she wrote about Vincent when she realizes all her strings are cut, and a dead rat has been stuffed into its hollow center. Gabe helps her off stage, and she accuses Karina of messing with her. The judges again present themselves as reasonable authority figures and tell the girls that they’ll investigate what happened and decide from there.

Delia gets home to find a note taped to her door from Vincent, inviting her out to Red Heat. She decides to get some clothes that Britty borrowed from her back, and when she arrives at Britty’s house, she finds she and Gabe are making cookies for her. It’s genuinely sweet how these two support Delia, and they chat about Karina and eat cookies together and it’s great. As Delia drives back home, she sees Karina and Vincent kissing. She tries to slam on her brakes but hits the accelerator instead, and then a patch of ice, and then she’s spinning out of control. Karina helps her out of the car, and the two share an awkward moment. Delia admits she didn’t know Vincent was dating both of them, and Karina tells her he’s been lying. Karina apologizes for going berserk in the gym but swears she didn’t ruin her guitar, and she asks for a truce. Delia reluctantly agrees, and then Karina gets the fuck out of there so Vincent can arrive. I’m not 100% sure what happens next, but we cut to Vincent on the phone with Delia clearly the same night, telling her that he can’t go to the Red Heat after all, which is fucking crazy. He tells Delia that Karina was lying and kissed him against his wishes and, like, dude. If you’re going to keep playing this terrible game, at least go dancing with her tonight to reinforce it. Also she almost died getting an outfit to look good for you so you can at least show up. He doesn’t even wait for Delia to respond before hanging up on her. As he hangs up, he cuddles up to the next girl on his couch: Sarah.

The next stage of the Conklin Award appears to be presenting what you’re actually going to school for. Delia waits with her paintings. They’re all also artists and appear to be pretty good, so again, I don’t really know what the the requirements are for this scholarship. Stewart continues to be sweet to Delia and soft asks her out. But Delia’s called in, and she removes her paintings from their portfolio, only to discover they’ve been smeared with Midnight Wine lipstick. Delia flips out and immediately goes to find Karina, who is making out with Vincent.

Britty and Delia talk during an elaborate display of Britty pulling out salsa, jalapenos, and black beans and rice, which I guess is meant to tell us that Britty is Latinx, but it sort of comes out of nowhere? I’m not sure what Stine’s thought process was with this. Delia tells her she’s going to see Vincent, and Britty tells her to drop his ass. But Delia won’t let it lie, and she goes to Vincent’s house, only to find him making out with Sarah. Vincent tries to write it off, but Delia doesn’t even seem to care. She’s worried about Karina, and she makes him promise to talk to her before she gets too out of control.

And now it’s time for something completely different. Britty and Gabe appear to be helping Vincent set up his party in an abandoned house in Fear Street. I’m not 100% why either of them agreed to help or would show up with Delia, but narratively it needs to happen. Karina arrives instead, and Britty and Gabe vacate. Vincent doesn’t even seem to want Delila at his party, and when Britty comes up to him later saying she’s worried, he blows it off. He refuses to be worried about it at his own party, though he still seems kind of worried about it. Britty is getting snippy with him and says that they’re stopping by Delia’s on the way home, not that he cares. But as they start to leave, Delia arrives, making her grand entrance. Her heels are snapped, her dress is torn, her arms are scratched, and blood is on her face, and she collapses right there in front of everyone. They all gather around to see if she’s okay, and Delia points an accusing finger at Karina. She says Karina invited her over to talk, and then tied her up on her bed. She demands to know what Karina’s plan was after the party. Was she going to kill her? Karina screams that she didn’t do it, and when Delia says they can go to her house, she tells them no. Vincent tries to talk to Karina, but she screams at him and runs off.

The next day, Delia seems fine, which is probably the biggest red flag. She won’t go to the police, and she’s applying her makeup like normal. She and Britty and Gabe go over to the house to clean it, but they wait outside for Vincent first. When he doesn’t arrive, they check inside, only to find his body there, his body stabbed, and a purple lipstick mark on his cheek. The police take Delia in, and Gabe tells her not to accuse Karina, in case that makes her sound guilty, but the current story is that Karina ties up people to her bed so like mention that I guess. The detectives leave Delia with their murder board which doesn’t seem appropriate protocol. She watches as they start putting pictures of evidence on the murder board. They come out and tell her they took her lip print (????) and compared it to the print on Vincent’s body and found it a match. We don’t get the scene where a bunch of grown men in police uniforms force a teenage girl to kiss something to get her “lip print” and for that I’m thankful.

They do tell her not to talk until her attorney arrives, but she decides she can prove it wasn’t her. She does a full Mythbusters and says that if it was truly her lip print, the print would be reversed on Vincent’s cheek (?????). She does the thing where she presses a piece of paper to her lips and shows them the print, and then points out that this must’ve been pressed to Vincent’s cheek. I’m not a scientist, or a biologists, or an artist, but I’m pretty certain this is not how lipstick marks work. I don’t know if I could tell the difference between a direct kiss stain and a reproduction. Also, Delia, how much lipstick are you globbing on that your tissue paper blotting can reproduce a full lip mark after use. I feel like Stine maybe thought up this part first and then wrote us a story to get here. It’s written like a real Sherlock Holmes moment, but it doesn’t make any sense.

Anyway, the police go to search Karina’s house and find a saved sheet of lipstick marks. I’ve avoided talking about the homoerotic tension between Karina and Delia but man oh man could I get into some stuff. Karina flips out when Delia accuses her and tries to attack her again. Her mom promises to get her help, and Delia feels it might finally be over.

Cut to senior prom, sort of. Gabe and Delia are going together, but they stop by the psychiatric hospital to see Karina first, I guess to make her feel extra bad? Gabe mentions he’s been coming every week, though I don’t know why. He tells Delia he’s proud of her for winning the Conklin Award, and she says this isn’t how she wanted to win. She then proceeds, with no prompting, to tell Gabe exactly how she dug a dead rat out of the trash to wreck her own guitar, and ruined her own paintings, and she got so mad when she caught Vincent with Sarah, so she faked her own kidnapping, planted evidence in Karina’s house, and then killed him. She kisses Gabe and begs him not to tell anyone, and then comes the worst ending to a book I think I’ve ever read:

Gazing over Delia’s shoulder, he saw a white coated doctor standing grim-faced in the doorway.

“I heard the whole story,” he told Gabe. “I’ll phone the police.”

And then it’s over. What? It’s such a clumsy exit.

Favorite Line

“You’ve been out in the ozone somewhere since we got here.”

Fear Street Trends

So many! Thank goodness! Karina and Delia are clearly meant to be opposites, and they dress like it. Delia constantly mentions finding her clothes at thrift shops, and she wears loud colors and crazy designs. We see her wearing an orange shirt dress embroidered with yellow flowers. The outfit that almost kills her is a black suede miniskirt with a matching black suede fringed vest (ugh) with a purple lace bodysuit (what!) and platform red boots. Her “artsy” outfit for the second part of the competition is a braid with stone studded silver earrings. And her trademark purple lipstick. Karina is only described a handful of times, but Vincent says she looks like Michelle Pfeiffer (I’ve missed you celebrity descriptions!). She dresses more conservatively with pleated pants and a pink sweater.


This one is bad. It’s the only real word for it. The book is mostly bloodless and the unreliable narrator could’ve been cool if we were given more reason to distrust her. There’s a few red herrings but none of them are played up. The ending’s the worst part, and I think if she’d gotten away with it in the end, I would’ve forgiven this book some of it’s faults, but I guess Stine didn’t want to pull another Best Friend. I’m giving it one rat filled guitar out of five.


Fear Street # 37 – The Perfect Date


I did not mean to take January off, but my schedule got kind of crazy with things freezing over, taking trips, and working odd weekends, but I’m back! Since February is a month of love, I chose some books to really illustrate the dangers of dating.

The Cover

The original cover (pulled from this Fear Street blog) isn’t bad. There’s no background to it, which feels exceptionally lazy, but the posing is well done. It kind of reminds me of First Date, but the people in this are actually looking at each other and the knife to the back is subtle enough. The updated cover (taken from its Amazon page) is so, so sad. Why they do they do that negative exposure thing to all these books? Was that ever popular?


Dream date… or nightmare?

Pretty good, pretty good. Plays into expectations, makes a play one words, but doesn’t reveal too much. I can appreciate this one.

Breaking up can be murder.

Um, what? I guess there’s a subplot about breaking up with someone in this book, but that’s not the central conflict. This seems very out of place.


We open with a prologue! Brady Karlin and his beautiful girlfriend Sharon Noles are hiking up the tallest hill in Shadyside after a major blizzard burst through their town. Miller Hill slopes down in front of them, and Sharon’s nervous to sled down it. She keeps pointing over to the other hills, but Brady’s insistent they go down Miller Hill. He kind of pushes Sharon on her sled before she’s ready and follows after, and they’re sledding down, avoiding thornbushes and tall pine trees, flying so fast. Brady’s loving it, but Sharon starts screaming. She slams into a tree and goes flying. Brady chases after her, being casual about it at first, even though she’s not answering, and when he finds her body, there’s nothing left of her face.

Cut to a year later. Brady is hanging out with his friend Jon, possibly the most likeable guy in Shadyside, talking about cute girls. It seems like every girl has a crush on Brady, and Jon has to remind him he’s currently dating Allie Stoner. He seems a little upset when Brady mentions he’s been thinking about breaking up with her, and while it doesn’t come up, I’m 90% sure Jon has a little crush on her. Their conversation is interrupted when Brady sees a girl he describes as “perfect”, totally gorg, pouty lips and all. Jon again reminds Brady he has a girlfriend a she gets up to go talk to her. She introduces herself as Rosha Nelson, and her name normally wouldn’t make me bat an eye thanks to all the weird 90s names that get tossed around, but the characters bring it up themselves that it’s kind of weird. They chat, flirt, make plans for a date, and then she pours boiling hot coffee on his hand.

At school the next day, Brady runs into Allie, who reminds him they were going to the basketball game together on Saturday and invites him out for pizza that night. Brady plays her off and starts to break things off with her, but he gets cold feet on it. He lies instead, saying he has to babysit his cousin, and she seems to buy it. She asks if he’s still coming over Sunday to study with her and Jon, and he promises he’ll be there. But Brady’s distracted and only wants to think about Rosha. For the first time since the prologue he thinks about Sharon, and then quickly dismisses her for Rosha.

Brady meets Rosha at the mall on Saturday, nervous he’ll get caught by one of Allie’s friends. At first he thinks he might get stood up, but she shows, and they head off to Waynesbridge to see a movie. Rosha, up to this point, has refused to tell Brady where she lives, meeting at a second location instead, hasn’t given him her phone number, and has clearly lied about why she wanted to meet at the mall. She’s also incredibly cold, and Brady seems supernaturally attracted to her, to the point that he starts stalking her later. She also does that thing crazy girls in Shadyside do, where they ask for the keys to their boyfriend’s car, and then drive it at 90 miles an hour down dangerous streets. Going home from the movies, she plows through some ice, spinning them out, and getting Brady’s head smashed into the windshield. When he comes to, she quickly tells him to get in the driver’s seat since she doesn’t have her license, and when the police arrive, she’s already gone.

Brady goes to meet Jon and Allie for studying, and he and Jon talk about his crazy night. Brady got off surprisingly easy for crashing his dad’s classic car, but maybe the concussion is punishment enough. Allie is a good girlfriend and fusses over him, and Brady gets annoyed and disappears for a bit. He realizes he doesn’t have Rosha’s phone number. He opens up a phone book and looks for the Nelsons before realizing there’s a lot of them, and he doesn’t know her parents’ names. He decides to ditch his friends and blames his head injury before heading home. As he walks back, he sees a police cruiser in front of his house, and the officer hands him back Rosha’s purse she’d been carrying the night before. He opens it, hoping there’ll be a phone number or some way of contacting her, but finds it completely empty.

Brady ditches his girlfriend some more and starts calling Nelsons in the phone book, only for his phone call to be interrupted. He answers, and a voice on the other end tells him to stay away from Rosha before hanging up. This makes Brady only wilder for seeing this girl he has no way of contacting and remembers she mentioned going to the private school in Shadyside. He drives over to the school, but not before talking to Jon, who calls him out on his shitty behavior. Brady’s just pissed, and he races to the school as the students are leaving. He chases down a bunch of blond girls, none of which are Rosha, and goes to the office, demanding her phone number, until they remind him they can’t just give out student information. He sees a boy waiting for the bus and asks him if he knows Rosha, and when he says no, he flips out on him and knocks him to the ground. As he wanders the school, looking for her, he sees this girl on the football field. He saw her on their date at the movie, this blond girl with these horrible scars all over her face. She just stares at him, and Brady starts running, straight into Rosha.

Rosha listens to his story and realizes he was essentially stalking her. She flips out and asks if he’s checking up on her, calling him weird and a jerk. Brady apologizes, and she apologizes for crashing the car. He hands her the purse, and she gets nervous when he mentions the police, but he assures her he didn’t tell them anything. They get a coffee, and she gives him a phone number and an address. She also asks him to go dancing with her Saturday night, and, even though he knows he has a party to go to with Allie, he agrees.

Brady practices breaking up with Allie, but he gets a phone call from the mystery person, telling hm to stay away from Rosha. He figures out it’s the scarred girl. He and Jon talk while lifting weights, and Jon pushes on him to dump Allie before she finds out he’s two-timing her. Brady is lifting weights from the bench, and he sees through the window the scarred girl staring at him, surprising him so he drops his weights on his neck. Jon pulls them off, and he points out that the girl was right there. Jon thinks he’s freaking out because she reminds him of Sharon, and he admits that’s probably true.

Brady decides to ask Rosha if she knows anything about the scarred girl, but when he calls the number she gave him, it’s disconnected. He freaks out and drives over to 7142 Fear Street to talk to her face-to-face. He drives slow down the street, reading the street numbers, and he sees the graveyard where Sharon is buried. He gets up to 7136, and after that there’s no houses. Just the woods.

Brady’s at his house now, thinking about Allie and Rosha and what he’s going to do, especially since he can’t contact Rosha. Luckily, she shows up at his house, and he lets her in. He points out her address was bogus and her phone doesn’t work, and she quickly comes up with some excuses why and then gets mad that he would even question her. As they’re starting to calm down, Allie arrives, and Brady flips out. He tries to get Rosha to go out the back door, and on her way out she trips, plunging a letter opener into his side so badly he nearly passes out from the blood. Allie walks in and flips out, and the two girls get him to the hospital.

Brady wakes up in the Shadyside Hospital, not really awake and only seeing blurry shapes. He’s visited by the scarred girl, who tells him she’s trying to help, warning him that Rosha tried to kill him, and when she almost reveals Rosha’s true identity, she’s shuffled out by hospital staff. Luckily, Brady is taken back home quickly, and Allie’s his first visitor. She says that Rosha told her everything about their dates, and yells at him for lying, and tells him goodbye. Brady’s having a pretty bad day, and it gets worse when Jon calls him, saying he talked to the scarred girl, and she told him the truth about Rosha, and can he please come over, and he almost tells him who Rosha really is, and Brady interrupts him like a dumb potato because his call-waiting is ringing. When he gets back over to Jon’s line, it’s dead. Brady thinks Jon sounded really serious, and he goes to his house, only to find police there and Jon with his windpipe broken, which leads to a very strange timeline. Presumably, Jon wasn’t attacked until Brady interrupted their call, and then Brady got in his car immediately and drove six blocks to his friend’s house. Chocking someone isn’t that easy, even with the help of a marble candlestick. That’s definitely not enough time for anyone to call the police or even notice something is wrong, and not enough time to clean a scene of evidence. I doubt Rosha made it down the block by the time the police arrived.

Brady is still being a dumb potato and wonders if the scarred girl killed Jon, not that it really matters, because Rosha is literally the only thing he cares about. I assume some supernatural thing is going on to make him obsessed, but it’s never really addressed. Anyway, Rosha left him a message on his answering machine telling him to go to Miller Hill and meet her. Brady, having just seen his best friend’s body after being murdered, who was desperately trying to tell him Rosha was bad news, his parents not even home yet, is very excited to get this phone call. To be fair, he phrases it in that he’s going to ask her questions about the scarred girl, but he still races up the hill to see her.

He meets Rosha at the top of the hill, and she asks him if he remembers the last time they were here together. Brady’s confused, but she reminds him that he killed her. She’s not Rosha at all! Rosha Nelson is an anagram for Sharon Noles! She tells him she borrowed a body, because it was the only way her plan would work, and then she starts to choke him to death. But the scarred girl shouts at Sharon to stop and demands her body back. The two girls argue, and then the girl launches at Sharon. They fight in an almost comical way. At first it’s regular catfight pulling hair kicking and all that, Brady sunk into the ground, too close to death to do anything, and then the girl grabs Sharon’s arm and tears it clean off! And then Sharon tears off her leg! They’re throwing limbs in the air, and they both grab each other’s necks, and both their heads are ripped clean off, sending their bodies tumbling down the hill. And then they vanish? So that solves that problem.

In the epilogue, Brady trudges back to his house a full day later, the text tells me. He walks to Allie’s, ignoring people calling his name, or kids throwing snowballs, or any of the obstacles. He’s freezing. He needs to get warm. He finds her shoveling snow from the driveway, and he apologizes for being a jerk. He begs her to take him back, and she agrees, until he puts his hands to her face. He’s freezing, and he tells her the truth. He’s dead now, Allie. Rosha killed him. He’s so cold and so dead, and won’t she please take him back? And then it ends as Allie screams. So I don’t know if he stole her body, or if he plans to be her zombie boyfriend, or what actually happened. At no point is the bodyswapping or dead-to-life thing ever explained, it just is to make the plot work. The end!

Favorite Line

He staggered toward her. “Okay, Allie? Take me back even though I’m dead. Okay? Okay?”

Fear Street Trends

It’s winter time in this book, but these girls know how to look good! Rosha wears some skintight black leggings and tight jeans, and lots of pants disappearing into boots. Allie dresses a little more casual, and in the last scene she’s wearing blue snowboots and a fisherman’s jacket. The boys refer to Rosha as a “Major Babe”, and I’ve never seen that with the capitalization. Is it supposed to be a title, or is she a babe in the key of major? Linguists can inform me. Brady refers to the girls’ “bods”, which is everything we need to know about Brady. The movie they go see in Waynesbridge is a Brad Pitt movie, but it’s a horror film? I think he’s done some thrillers, but I can’t off the top of my head think of what that might be. And, of course, Brady uses a phone book to try to track down Rosha’s address, which paints such a clear divide between cell phone age and before.


The twist of this book I saw coming from a distance, and I think it could’ve been interesting, but there’s just no reason for it. It’s never explained how Sharon came back from the dead, or why Brady did as well, and the deaths are treated so lightly it can be jarring. It felt like ten other Fear Street books and doesn’t do anything special. I’ll give it two peeled off faces out of five.

A Fear Street Christmas Special – The Snowman


I was trying to figure out what to do for the last update in December, especially since last year I burned through the best material. Luckily, I work in a library, and just about every day we get book donations, and sometimes an R.L. Stine book appears in that mess. So today’s sampling is not from Fear Street, but rather from the Point Thrillers series, which had a number of YA horror writers submitting books for it, including my second fav Christopher Pike. (One day I may have to reread all of the Last Vampire series, but saints help me on that day.)

The Cover

the snowman

This cover (borrowed from YA Revisted) is actually very good. I’m a little disappointed I could only find the high contrast images of it, because I feel like the softness is lost, and that’s part of what sells it. The headless snowman is a cliche but good image, and the footsteps leading to it hint at something sinister. I think what sells the beheading is the scarf standing just above, hinting at what would be a neck otherwise. Overall, a good image.


A cold-blooded killer.

Also a good tagline! Dang, this book is killing it. Short, sweet, sinister, gives nothing away. Like with the cover, it’s minimal, but that makes it good.


We open on a familiar scene to any Fear Street reader. Heather fantasizes about murdering her Uncle James in various ways, from letting him freeze in the snow, to tossing him off a roof. She imagines this while making out with her boyfriend. Their makeout session is interrupted by Uncle James himself rapping on the window. He shouts down at Heather, tells her she needs to head off to her job, and tries to humiliate Ben, who skedaddles. Heather’s so mad she shouts that she hates him before driving off to her job at the mall.

Heather reveals that her parents died, and she was left a large inheritance, but her Uncle James is her guardian and refuses to allow her to touch it. She suspects he’s stealing from it, as he’s made a few big purchases lately in cash,  but since he doesn’t let her access her accounts, she can’t know. She keeps her job to have money to spend, mentioning that she has three thousand dollars in her bank account, but her uncle doesn’t even let her use that. She works at a greasy diner in the mall and hates it, but she needs the money.

As she works, she meets a boy with tanned skin, brown eyes, and snow white hair. She seats him, and they chat a little. He tells her he just moved to town and introduces himself as Snowman. They get flirty, and Heather can’t stop looking at him. When she brings him his check, he pats down his pants and realizes he doesn’t have his wallet. Heather’s cool about this and offers to cover it, and he offers to make it up to her on Saturday. He asks her on a date, and she’s eager to say yes. It’s not until she walks to her car and sees Ben that she remembers she has a boyfriend.

Heather makes up a lame excuse for why she can’t go out with Ben on Saturday. We cut to her getting ready for her date as her uncle shouts at her. Snowman comes to the door to pick her up, and her uncle is extremely unpleasant and kind of racist? Snowman tells her uncle and aunt that his name is Bill Jeffers, and Uncle James refers to him as “just a mutt”. Uncle James bullies him with questions, all of which Snowman breeze through, until he brings up his dad. Snowman lets them know he’s dead now, and when Heather gets him out of the house, he tells her his dad was way worse than her uncle, and he knows just how to handle him. On their way to go dancing, Snowman gets paranoid and thinks a car is following them, pulling over to the side. He mentions to Heather that his family is struggling, and he doesn’t have any money, which she’s very cool about.

At school, Heather looks for Snowman in class, but she doesn’t see him. She runs into Ben instead, who says he called on Saturday night, and her uncle told him everything. Heather feels more upset that her uncle ratted her out than guilty that she snuck around behind Ben’s back. Ben quickly cements his place as the nicest boyfriend anyone in these books has ever had. He tells her he can’t stop her from seeing someone else, but he thought they were supposed to trust each other, and he’s disappointed.

Heather does feel bad when Ben dumps her, but she sees Snowman some more, and she learns more about him. His mom works two jobs, his brother is sick, his dad died suddenly, and he struggles a lot with money. The pair of them find a secluded spot in the park and build a snowman, and meanwhile Heather finds a black car following her home. She thinks Ben might be stalking her. Snowman insisted on having dinner with Heather and her family, which is going as well as you can expect. When Snowman mentions his mom is a nurse, so it’s hard for her to have dinner ready for her kids, Uncle James makes a jab about how she’s not doing her job as a mom. He makes fun of Snowman for eating too much, and then tells him he’s not going to get any of Heather’s money. Snowman looks like he’s going to fight him before he storms out.

Heather chases after Snowman and repeats her refrain of, “I could kill him.” Snowman says no problem. He’s stressed out because his little brother is sick and needs a major surgery that costs at least two thousand dollars. Heather is so struck by his struggles that she offers him the money right then and there. She has the money in her bank account, and it’s not like she needs it. He struggles with this and leaves, saying he has to think about it.

Heather sees Snowman after she leaves work the next day, and he says he does need the money for his little brother. She writes him the check with little prompting. After that, she doesn’t see Snowman for a few days, running into Ben instead. Immediately she realizes she misses him, and they have a friendly conversation. Leaving work, Heather sees Snowman again, and he runs up to greet her, clearly in a good mood. She asks him what happened, and he tells her he paid her back. He killed her uncle.

Heather is a aghast, and Snowman says he’ll prove it. He gets her to drive him to her house, where they see police lights. Her aunt is crying on the front lawn, and Snowman immediately starts comforting her. Snowman claims he strangled her uncle with a wool scarf, which leaves no marks, and there’s no way for me to search if that’s true without ending up on someone’s watch list, but a brief survey leaves this inconclusive. The paramedics tell Heather it was a heart attack anyway. Once the police and paramedics clear out, Snowman hangs out to help around the house. Heather is freaking out, and when she finally gets a chance to confront him, he pulls out the check she gave him. He says this is his insurance, that if she goes to the police, he’ll tell them she paid him to kill her uncle. Which is kind of insane? It’s not like she put in the for line: assassination. And he never puts it in his account, which technically means she didn’t pay him, and I think is more suspicious if an assassin doesn’t take the money. Anyway, he tells her that he doesn’t have a little brother, and this was all a set up, which is also kind of insane. Snowman sticks around, even attending the funeral with the family.

After the funeral, the car that followed Heather pulls up in her driveway, and two men in suits get out. They introduce themselves as FBI agents, which Heather actually is wary of and suspects they may be fake, but she answers their questions anyway. They ask about William Jeffers and if she has any information on him. Heather lies and tells them she met him at the restaurant but didn’t see him anymore after that. They keep emphasizing this old fashioned coat he wears, and I can’t tell if it’s meant to be distinctive, or if secretly Snowman is way older than he says, which makes this more disturbing. They give Heather their card and tell her to contact them if she learns anymore, and on their way out, she asks what he did. They tell her he murdered his father.

Snowman confronts Heather about the FBI, but she didn’t tell them anything. He promises she’ll get rid of him forever if she gives him another check for $2,000 and asks her to make it out to cash. She has access to her trust fund now and does it, sending him off. But she’s shocked when he shows up at her house for dinner that night. When she corners him, he tells her he needs five thousand dollars now, and then he’ll be gone for good. He needs cash right now, and so she takes him to her bank, where she gets $5,000 in cash, which I don’t think banks are super keen on doing. Heather leaves, grateful to never see him again, only to learn that he’s rented the extra room in her house, meaning he’s going to stick around.

At this point Heather doesn’t know what to do, so she goes to tell Ben. We don’t really hear Ben’s reaction to this news and just sort of cut in after the explanation, and he’s extremely calm?? I’m waiting for the twist that he’s involved as well (like he actually did pay Snowman to kill her uncle, since literally right before her uncle dies, he asks about his health, but this never comes up). When she cries that it looks like she gave him nine thousand dollars to kill her uncle, he points out only the first check is made out to him, the rest is cash. Which, again, I thinks it’s more damning to take out huge amounts of cash for no known reason, versus a check made out to a person, but I don’t know anything about hiring assassins. They decide to sneak into Snowman’s room and steal the first check and tear it up, so he has nothing to show the police.

They sneak into the room and are almost immediately caught. Snowman clubs Ben with a tire iron and drags Heather into a car. He knocks her out with I think a needle, but it’s unclear, and she wakes up in a cold dark space. She realizes she’s packed in snow, building her inside a snowman inside the same park, which I have problems with. She’s tied up, which hinders movement, sure, but she’s worried about suffocating and can’t push the snow at all. Now, I’m from Texas, so I have no real knowledge of how snow works, but this seems ridiculous to me. Googling it lets me know Snow Immersion Suffocation seems to be a real concern to skiers, but it essentially seems to be drowning in deep snow. It’s possible to pack and sculpt snow into some sort of oubliette, but I can’t believe trapping someone in a snowman couldn’t be undone just by them wiggling around a little too much. Anyway, Heather’s Chekhov’s lighter manages to light and burns her way out of the snowman, only to find Snowman waiting for her on the other side. He comes at her, and somehow, by waving her lighter at him, she lights his coat, and he starts to burn. Police show up with Ben hobbling behind them, and he says he was following her that day they went to the park and figured this is where he’d take her. Snowman’s arrested, Heather and Ben are probably going to get back together, and her uncle’s still dead, which is a general gain for everyone.

Favorite Line

“Okay, let’s bomb out of here!” he said enthusiastically.

Fear Street Trends

No Fear Street this time around, but it’s still a book written in the 90s. The above slang pops up on occasion, and at one point Heather says Snowman looks like “a Smiley button”, which I think she’s referring to this. A lot of attention is paid to Snowman’s “50s style coat”, but he also wears corduroy pants to the funeral. I’m still convinced it was supposed to be that he was much older, but we’ll never know for sure.


This book is not quite the usual Stinian fare. It’s definitely got his writing style and tropes he likes to use, but the chapter break jump scares are infrequent, no unnecessary twists, and it builds steadily a single narrative that actually works fairly well. I liked the Snowman. It was a refreshing breather in the occasional slog that is these old books, and being removed from the Fear Street mythology let the book be its own thing. This book came out in 1991 and seems so much cleaner than his other series, and I wonder how much of the goofiness of Fear Street is his hectic writing schedule and a franchise’s need to stick to formula. Anyway, the Snowman gets four headless snowmen out of five.

Bonus: I already got some Christmas presents and my brother-in-law got me the 25th anniversary Goosebumps set along with some Fear Street books!


I’ve been looking forward to do Wrong Number 2, so look forward to that in 2018!


Fear Street Sagas #3 – Forbidden Secrets


Y’all, I want to apologize in advance for this one. I actually read this in October with the intention of writing up a recap then, but this one was so bad I couldn’t justify it. I’ve honestly debated skipping it because it’s that bad, but I set out to read every Fear Street story, and that includes this one.

The Cover

forbidden secrets

The cover (taken from Simon & Schuster’s website) I actually like. The contrast is on point, the delicate woman next to a rose dripping blood is classic, and while the creepy doll is out of place, at least it’s something. It depicts a woman being consumed by darker things, and I appreciate that.


She learned to love, honor… and fear.

I also really like this! The ellipses are unnecessary, but it plays into the themes of the novel without revealing too much. A great start to a terrible book.


We open in Blackrose Manor, where an ancient woman rambles on about how she misses her home in Whispering Oaks. She murmurs her story to absolutely no one, but starts the tale of Savannah and Victoria, and how they met Tyler Fier. She mentions that both girls were in love with him, which I think is to keep us on our toes on which sister survives???? except Victoria at no point is like “he’s evil but I’m still into it”.

We start our story proper on the Whispering Oaks plantation in 1861. Remember how I was mildly uncomfortable in the last book because it was sent in the south during the Civil War, which meant all our characters’ loyalties belonged to the slave owners? So in this book, the main characters are slave owners, and Tyler Fier comes from the north, which puts us in a fun wacky “who’s the real monster” kind of mindset (It’s still Tyler). The previous book managed to avoid it by having no real mention of the Civil War except in scene setting and Stine not pulling a Django Unchained, but the main plot of this book sort of hinges on that, so like.

Which is to say, it’s Savannah’s birthday! The slaves are setting up for the party while Savannah waits for her brother Zachariah and his friend Tyler to return from their ride. She’s sort of how Scarlett O’Hara presents herself, and when she suspects the boys are coming back, she goes inside to gather a parasol and make herself a grand entry. She’s stopped by her mother, who asks about her sister Victoria. Savannah’s worried about her sister because she “was fascinated by the dark arts some of the slave women practiced”. Oofadoof. But she ignores her mother’s request to find her sister and greets Tyler. The two of them take a walk together into the woods, where they start macking. He says he must leave soon, and she’s heartbroken until he asks her to marry him. They’ll announce the marriage at the picnic. But Savannah hears something behind her and sees her sister darting through the trees. She follows her into the slave quarters and hears something squeal in terror, and whens he pushes open the door, Victoria is covered in blood.

The word voodoo is never said, possibly because Stine knows as much about voodoo as your average non-practitioner, but we see Victoria holding a piglet in a half circle of candles. She takes the blood of the piglet and sprinkles it on the candles, saying words we recognize: Dominatio per malum. She brings a knife over the piglet, but Savannah knocks her over. Victoria is still in her trance as Savannah tries to wake her, and Victoria shouts that Tyler is cursed, that all the Fiers are cursed, and they will be cursed if Savannah marries him. Savannah’s pretty sure Victoria’s just jealous, to which Victoria repeats that his presence only means death. Savannah’s not convinced otherwise.

As they leave the shack, they see Tyler and have an exchange that might be the best in any book:

“I want to make your sister happy,” he told Victoria firmly.

“Then leave her.” Victoria walked away without another word.

Drop the mic Victoria! The two lovers turn to each other and say they’ll be together forever right as a rider gallops towards them screaming, “War!” Also holding up a newspaper? Someone will have to fact check for me the rate of information travel, but that feels a bit much for me. He tells them that Fort Sumter has been fired on, and Savannah realizes with dawning horror that her beloved is now officially a soldier. He asks if she’ll wait for him, and she says of course, and he’ll fight alongside her brother, to which he responds no. He’s from the North. His loyalties lie with the North. He offers to marry her today, and then they’ll leave for his home in Massachusetts, and Savannah becomes livid. Her home and family is in the South. She can’t just leave that. Her rejection makes him angry, and he demands that she come with him one more time. Savannah runs away. But Tyler screams at her once more that she’ll regret choosing her home and family and everything she knows over him, and that he is a man who keeps his promises.

The old woman babbles some more. She says the slaves ran, their parents died, and the two began to starve in their home. They have no money left and no one to tend the fields, so the pair struggle to find food. There’s a scene where they eat worms that comes across as more comical than horrifying, which kind of undercuts the whole “slowly starving in our decaying mansion in the South” thing but it’s probably fine. Savannah sleeps uneasily and hears a noise in the hall. She opens the door to see Zachariah, but he smells of gunpowder and bleeding profusely. He opens his mouth to speak and blood pours out, and Savannah wakes. She half-tells Victoria her dream, not wanting to scare her, and notices a dark stain where Zachariah was standing in her dream. This does nothing and never really comes back, except they receive a letter from Tyler saying Zachariah’s dead and he saw it happen, making him realize she’s more important than any war. Victoria’s heartbroken about their brother, but Savannah is scared for Tyler. She begs Victoria to do some magic to see if he’s alright.

Victoria takes her sister to her room where she prepares a ritual. She holds up a pair of chicken feet for Savannah to kiss, which she does. Victoria then paints them in blood and makes markings on the letter. The room gets ice cold as she picks up the letter and burns it, sparking outrage from Savannah. She still thinks her sister is jealous, but Victoria tells her that Tyler Fier will destroy her if they allow him back. The old woman is back and says they’d be so much happier if they never received the letter. A bluebird flies up to her, and she tears its head off. I don’t know why.

It’s now 1865, and Savannah and Victoria have managed a small garden. Savannah’s working on it when a soldier approaches her. He tells her the war is over and he is going home. Savannah races up to Victoria’s room to tell her, only to find her sister rocking back and forth and talking to Tyler Fier, threatening to destroy him. When Savannah tells her the news, Victoria says that no one will be coming home to them. Only Tyler Fier. She hands Savannah a pouch to ward off evil. Savannah tells her she doesn’t need it. After a few weeks, destiny comes for them, and Tyler Fier arrives at the manor. He asks her again if she’ll marry him, to which she says yes, and he tells her he can’t wait to take her to Blackrose Manor. Savannah’s uncertain to leave behind her home, but last time it ended kind of badly, so she agrees.

They arrive at Blackrose Manor as a storm threatens them overhead. They enter the grey stone manor and see rows of portraits, though Stine refuses to elaborate so I can tell where Tyler fits into this weird family. They also meet Mrs. Moreland, who runs the house. Victoria is nervous, but Savannah’s certain they’ll settle in. As Victoria rushes into her room, Mrs. Moreland tells her she’s wise to hide, and that the two girls should leave while they can. Savannah refuses to be scared and tells her she can return to her duties. After exploring the house a little, Savannah goes to find Tyler, only to find him in front of the portraits, screaming at them to stop staring. He stabs one over and over again. He moans to Savannah that they don’t understand what he did during the war, and she comforts him. They hear screaming and run to the staircase, where we meet Lucy.

Lucy’s never really explained properly. She was the ward of Tyler’s parents, I guess, and he treats her as a little sister. She acts like a child and flings herself into Tyler’s arms as Victoria chases after her. Lucy stole her pouch of protection, and Tyler forces her to give it back and apologize. The ladies go upstairs to prepare for dinner. It’s a strange dinner, worthy of any unsettling Crimson Peak-esque melodrama if written well, with Lucy getting upset that Victoria took her spot and being obsessed with the candles, Savannah and her sister dressed up again for the first time in ages, them enjoying a meal with real vegetables and spices. Lucy gets upset when she’s chided by Tyler and knocks over the candelabra, screaming fire. When she’s scolded by Victoria, she tells them fire is so pretty and she likes the way it dances. They all decide the day has been too exciting and head up to bed. Savannah is woken by a maid and she asks her to press her dress, but they both find it torn and slashed. Lucy comes up behind them and shouts that the dress is ruined. Savannah says she doesn’t want to tell Tyler, and Lucy seems pleased to be given a secret, so she offers to show her the dolls.

We are led to Lucy’s room, which is painted black and as gloomy as the rest of the house. It’s filled with dolls: porcelain, cloth, on the dresser, on the bed, all with black hair and dark eyes. Lucy says they can’t be friends because they’re sisters, which fills Savannah’s heart. She tells her she’s always wanted another sister. Lucy asks her to pick a doll, and the one Savannah lifts up has been smashed. When she asks Lucy what happened, she tells her that she killed it. The other dolls were happy when it got hurt. They were so happy Lucy got hurt. All the dolls are named Lucy.

Savannah’s pretty hardcore in denial at this point, saying all they need to make this place better is some new paint. Victoria’s gone the other way and won’t stop screaming about evil. Victoria points out that Lucy has a big ol’ crush on Tyler, which Savannah laughs off, until Victoria tells her that Lucy is really seventeen and wants Tyler for herself. Tyler keeps giving Savannah gifts, including a horse named Whisper, Lucy tells Victoria Savannah said she always wanted a different sister, Savannah feeds her breakfast to the cat and watches it die, indicating it was poison, and then someone sets her room on fire. She tells Tyler someone is trying to kill her, and he responds by moving up the wedding date.

The servants get killed one by one, even Mrs. Mooreland, whose death forces Savannah to wonder if Victoria is behind it. She goes to find her and sees Victoria holding a knife to Tyler’s throat. He laughs at her and wonders aloud if Savannah would still be so loyal if she knew Victoria was behind all the fire. Victoria screams that she must end the curse, but Savannah rushes her and knocks her to the floor. In the struggle, the knife goes into Victoria. Savannah wails as her sister dies in her arms and promises to return her to Whispering Oaks. Tyler comforts her by saying she saved his life. He still wants to marry her. Savannah says she’s tired of being unhappy, and they plan to wed after burying her sister.

The day after the funeral, Savannah is married in black. What should be the happiest day of her life is filled with longing and regret as she remembers all the family she’s lost and how they should be here. After their wed, Savannah tells Lucy they’re really sisters now, and Lucy makes her swear to never have children, lest they also suffer the Fear curse. As the couple goes to their wedding night, Lucy screams at the both of them. Tyler still treats her like a child and never allowed her to grow up. She says that he should’ve married her instead. Tyler manages to pacify her and takes Savannah to their bedroom. When she tells him what Lucy told her in the church, he tells her that Lucy killed her parents. He thinks it’s time she’s taken away, that she might be dangerous.

She’s not taken away soon enough. Savannah finds her dead at the bottom of the stairs and rushes to tell Tyler. Only he seems to be in a laboratory of some kind, with Lucy’s hand amid vials and potions. He tells her that he killed Lucy and Mrs. Mooreland and Zachariah for good measure. He did all that for… reasons and is now going to kill her. Savannah to her credit bashes him over the head with a torch and that stabs him with a pair of metal prongs, to which he laughs and announces he died at Gettysburg. Zachariah killed him, and he managed to figure out how to live forever. He planned to come back for Savannah and live with her forever. Tyler boasts that he’ll never tire and is immortal right as Savannah bumps into his table, knocking over his vials. One breaks in Savannah’s hands, and he screams that he needed that! He needed that to be undead! So now he has to kill Savannah. He grabs her, they struggle, and then he just kind of falls over? And is dead?

Cut back to the old woman, who reveals the person she’s been talking to all along was the skeleton of Tyler!!!! Aaaaah!!!!

Favorite Line

Tyler is now a solider, she realized with sickening dread. And soldiers die!

Fear Street Trends Anachronisms

I’m actually a huge fan of Southern Gothic so this could’ve been interesting, following post-war South as two girls struggled to make ends meet, being visited by a wealthy northerner who at first seems altruistic but slowly reveals his true intentions. It definitely shares elements from a lot of gothic literature, from the weird kind of but kind of not incestuous relationship between Tyler and Lucy to the strange servants who warn of danger, but it doesn’t actually go anywhere. Like the previous book, the whole North-South conflict is glossed over. Tyler and Zachariah are said to go to West Point, and I don’t know much about the lives of military men before the Civil War, but these things don’t happen overnight. You think there’d be some conflict there before war is broken out. A lot of things are super glossed over in this book.


Like I said, I don’t like this book. Everything from the characters, the plot, the subject matter, and the pacing was totally and completely off. I’ve enjoyed the Fear Sagas so far, especially where they expanded on the Fear family, but who even is Tyler Fier? Who even are these ladies? Where does this fit into our timeline? It’s bad, I hated it, and I’m going to have to give it one creepy doll out of five.


Happy Halloween!


Halloween, as we know, is the most magical time of the year. I’ve been consuming a lot of media this month, including some brand new podcasts and even reading a non-Stine related book, and in the past I’ve given my recommendations related to these things. I don’t plan on taking a break in November this year, though I will be going back to my every other week update for the conceivable future, so in the week while you’re waiting for the next chilling adventure, I suggest you check out this cool media:

Meddling Kids is a book inspired by Scooby-Doo and Lovecraft. The cover is vividly gorgeous, and the writing inside is strange, but ultimately weaves together a tale of friendship, fishmen, and fear. Set in 1990, it’s a perfect read for a fan of Fear Street.

Buzzfeed Unsolved is, for the five people who haven’t heard of it, a web series produced by Buzzfeed that focuses on unsolved mysteries and supernatural stories. A marathoned all the episodes in less than a day and love both the absolute drive to believe by Ryan and the relentless skepticism of Shane. If you’re looking for something spooky for Halloween, I recommend the Chilling Exorcism of Anneliese Michel, but they also have episodes on the O.J. Simpson case, Men in Black, and even the recent strange road trip of the Tromp family. For a fan of mysteries, it’s a must.

Ghostwatch maybe the most fascinating item on this list. Originally aired in 1992, it depicted an investigative team examining the strange haunting of a home in London. While initially harmless, with interviews from neighbors dressed up for Halloween, the haunting escalates until the ghost takes over all the cameras. It’s never had a repeated viewing on BBC, it started a War of the Worlds style hysteria, with people believing a ghost was invading their homes, and several cases of trauma popping up afterwards. Sawbones actually did an episode on the phenomenon it caused, and it’s worth a listen. Every year folks do a “seance” of sorts, starting their viewing of the program at the same time and going to Twitter under #ghostwatch. You’ll have to find a version yourself, but it’s worth a watch.

For some reason I’ve become obsessed with exorcisms over this month, and I started listening to Wondery’s deep dive into the Exorcist movie, titled Inside the Exorcist. Four of seven episodes have been released, and they cover all the factors that went into making the exorcist, from the author that wrote the original book, from the case that inspired it, to the life of the director who made it. Done partially as a narrative and partially as a documentary, it jumps between times and focuses and creates a chilling picture of one of the scariest movies of all time. If you don’t know anything about the creation of the movie or are just curious, I recommend checking it out.

And, if you haven’t watched it this year, go ahead pick up Evil Dead 2. It does not require seeing Evil Dead to watch it, and honestly I enjoy it more than Army of Darkness (which is still an amazingly hilarious movie). It hits the stride between horror and comedy while playing on Evil Dead’s original concept. It’s Bruce Campbell nailing down Bruce Campbell, with tons of over the top gore, strange animations, and a scene so manic and delightful that you’re laughing when a man chops off his own hand. I realized while rewatching it that it’s the Bride of Frankenstein of our day, a parody of it’s own material, far better than it’s predecessor, and a delight from start to finish.

Hopefully these suggestions will find you something good this Halloween! Barring anymore hiccups I’ll post again on November 11, where we’ll continue to follow the Fears and this unusual town to the very end. Stay spooky!


Fear Street #50 – Best Friend 2


The Cover

best friend 2

The cover (pulled from Amazon) is nothing. The only thing I like about it is that Fear Street has a logo on top, but that logo leaves no room for anything else.


There isn’t a tagline, just a reminder that this book was written after they held a contest. Fans submitted what they thought should happen to Honey. I wonder how much of this book came from Sarah Bikman, or if she had the initial idea. The initial idea’s fantastic and I wish it’d carried through more of the book, but what’s a Fear Street book without at least three plot twists.


This book is separated into parts as well, though these parts actually seem helpful to the overall narrative. It’s all done in first person. I cannot remember if the original book was in first person or not, but it’s the only way this book would work. Becka’s now going to Waynesbridge, the town over from Shadyside. She’s nervous about her past following her, and nervous about not fitting in. She calls herself “full-figured” and not cute, but she’s starting to feel good about herself again.

Becka has to check in with a counselor first. It’s not the only counselor she’s seen in the past year since Honey ruined her life, but hopefully it’ll be the last. Miss Englund pulls no punches and immediately asks her about Honey. Becka proceeds to recap the previous book, feeling extreme guilt over Bill’s murder. She sees him everywhere, and makes a fool of herself throwing her arms around some rando. He’s nice about it at least and walks her to her next class. Here she’s thrown into a class with a teacher who lectures and never stops. A pretty redhead girl takes pity on Becka and tells her to write down everything he says, introducing herself under the unfortunate name Glynis. They don’t really get to talk during class, since their teacher drones on, and Becka distractedly writes down whatever she can, only to realize she’d written BILL BILL BILL across the page. This’ll happen a lot, so I’m only going to make this joke once.

The good news is, Glynis seems to want to be her friend. They chat a while about Becka’s old school until Frankie rolls up. He’s clearly Glynis’ boyfriend, but Becka can’t keep her eyes off him, and he can’t seem to do the same. He’s the one who invites her out to pizza with the two of them. As they eat, Becka sees someone she recognizes and runs to embrace Eric. You remember Eric, right? He was in the first chapter of the Best Friend only to be dumped? No? I didn’t either. He’s a little standoffish with Becka, clearly trying to get out of the conversation, but she follows him to his car anyway, grabbing him as they get in and making out with him hardcore, though she’s really thinking about Frankie. When Becka gets home, she’s excited, relieved, and bubbling with hope. She looks at herself in the mirror. Her hairs only a few shades darker than Glynis, and about the same length. If she straightened it, stopped chewing her fingernails, bought a matching nail color, she’d look just like her…

Becka gets a phone call and hears Frankie’s voice on the other end. He wishes that Glynis would go away so they could be together, and Becka realizes she’s imagining this. She’s acting like Honey. She remembers the party, when Honey showed up in a matching outfit after cutting her hair, right before she pushed Trish down the stairs. The moment of revelation goes away as she paints on the same nail polish that Glynis wears, only to realize the words BILL BILL BILL have been scrawled over her face in that very nail polish.

Becka spends more time with Glynis. She ends up trying on all her clothes and then tucks a handful of them away to borrow. Glynis takes her shopping and asks about the clothes, but Becka plays it off, saying she had a date and wanted to try them. They go to the Shadyside mall (a bad idea, Becka), and go into one of the shops where Eric happens to be working. Glynis and Frankie talk to him too before absconding to the food court, and Eric asks the question we’ve all been thinking: Why are they calling you Becka? Because it’s not Becka at all. Surprising no one, it’s been Honey the whole time. Honey loses her absolute shit, made worse when Eric points out the real Becka is standing the same store next to her. She grabs a necklace of glass beads and starts choking Eric. No one seems to do anything about this. It’s not a quick and easy process to choke someone to death, especially with a department store necklace, but Eric goes down, and Becka screams that Honey killed him. Honey pulls the usual “no you!” on Becka, but it’s clear it’s not working.

Smash cut to part two, now narrated by the actual Becka, who has remained in Shadyside, is still best friends with Trish and Lilah. They’re attending poor Eric’s funeral, whose only crime was to make out with a girl he had to know attempted murder in the last year. They discuss how Honey forged her way into Waynesbridge with fake documents, and now she’s disappeared. No one knows where she was living or where she would go. As they walk home, Becka’s two friends try to console her, and they both point out she’s been distant and refuses to talk about anything. They’re interrupted by BILL running up the street! He’s not dead at all! He survived his stabbing last year, though he and Becka are donesville. It seems like he’s gotten very close with Trish, which will be a plot point later. He tries to talk to her, clearly wanting to get back together, even though she has a boyfriend now, and Becka brushes him off. She tells him she can’t.

The girls keep walking, and Trish speaks up. She tells them that Bill visited her in the hospital every day, that he was a good friend to her, and that Becka didn’t do any of those things. Becka tells her she was so messed up after everything that she couldn’t look at the people that were hurt because of her. She feels so much guilt over everything that happened. It’s why she can’t look at Bill anymore. But she promises to be a better friend.

Becka works at the Hacker’s Cafe (delightful) and her boyfriend Larry comes by to chat. She’s too busy to sit with him, and she has to do her job, but she tells him she’ll call later. As she leaves work, someone comes up behind her at her car, and she flips out, only to see Bill. He tells her he stills cares about her and bla bla bla. Knife victim, guilty conscious, boy that won’t take no for an answer. Becka’s rescued when Larry runs up. Larry seems to be one of those rare good boyfriends you can occasionally find in Shadyside. As he helps Becka into her car, she starts screaming, because someone’s taking a knife to the interior and tossed in a dead rat for good measure.

In a rare turn of events, Becka’s seeing a therapist and taking her meds. They aren’t doing their job of calming her down though, and she decides to investigate the house next door. Honey’s dad still lives there, and she wonders if there’s a chance he’s hiding her. But she’s interrupted by Lilah, who wants to show her something. They have a loud conversation outside the window, and that ends exactly as you’d expect it, with Honey’s dad looking outside. As soon as he recognizes Becka, he starts shouting at her, asking her where Honey is. The two girls run away.

Lilah tells Becka what she wanted to show her was a news article she found. It tells the story of Hannah Paulsen watching her father murder her mother and her brother before turning the gun on himself. Becka’s horrified, but Lila tells her they knew Hannah Paulsen. She was a total loser who followed them around in the fourth grade. They tricked her into embarrassing herself in front of the whole school, and soon after that she disappeared completely. And now she’s back. Hannah is Honey. Her “dad” isn’t her father at all, but her uncle.

Becka gets a few more threatening phone calls, because why not, and Trish tells her she’s hurting Bill more than getting stabbed ever did. She goes to her counselor and tells him about some of the stuff she’s learned. He asks if she’s gone to the police with any of this, and she admits no. He does the first responsible thing I’ve seen an adult do in these books, and tells her she has to tell the police about the phone calls, since they can probably track them. No stalling. Go there right away. She leaves, only to be attacked by Honey five feet from the door. As she wails on her, Becka tries to reason, calling her Hannah and saying she knows the whole story now, but Honey screams that she’s not Hannah and she’s not Honey because she’s Becka now! She continues to beat down on her, until all Becka sees is black.

But Becka wakes up again and realizes Honey must’ve stopped because she thought she was dead. She drives herself home instead of going inside the building full of adults, but her parents make her go to the hospital, and the police are called. Someone really should involve them at some point. Despite being beaten in the street, she still goes on her date with Larry, who’s pretty standoffish. Becka screams when someone accidentally pokes her with their umbrella, and at dinner flips out when she sees a waitress carrying a steak knife. Larry, to his credit, doesn’t want to leave her alone and offers to stay at home with her until her parents get in, but she tells him to leave. Listen, kids, neither of you are prepared for this kind of relationship. Don’t blame yourself if it doesn’t work out.

Becka refuses to turn on any lights when she gets home, which is stupid. She makes her way up to her room only to find her bed is full of blood and guts and someone’s etched THIS IS U into the wall. No one has Becka leave the house, or be put into protective custody, or her parents don’t consider moving for a while. Her friends offer to let her stay, but Becka says no. As she hangs around the house, she gets another a phone call, this one telling her that her best friend is coming tonight. Becka flips out when she hears someone at her door, but it’s only Bill. She screams at him what’s happening, and he tells her to get in his car, that he’ll take her to his uncle’s murder cabin in Fear Street Woods. The phone rings again, and Becka answers it in case it’s her parents. It’s Lilah, who tries to tell her something, but she hangs up on her.

They get to the murder cabin, and Bill goes to get some firewood. Becka takes advantage of the phone. She calls Lilah, who tells her that Honey’s been arrested. They caught her two days ago. It was upstate, and Honey was giving different names, so local police only just figured it out. Becka realizes this means that Honey couldn’t have messed up her room and couldn’t have called her. As she realizes this, Bill comes in, telling her to put the phone down. He lunges at her when she tries to call 911 and rips it off the wall. She asks him why he did it, sneaking into her room and calling her, and he says it wasn’t him. Then Trish walks in. Yup! You guessed it! Trish was the best friend the whole time! Trish tells her that when she was in the hospital, Becka never visited her, only Bill was so sweet, and she’d hurt him too, and she was being so selfish getting over the trauma of being gaslit and hunted and thought to have murdered her own boyfriend. She then pulls out a knife, and Bill says they were only going to scare her, not actually hurt her. Trish brings the knife down, and Bill tries to stop her, only to get stabbed once more in the abdomen. As Trish screams this is all Becka’s fault, Becka goes for the knife. The two girls wrestle, but Becka manages to cut her neck as sirens wail in the distance. Becka drops down beside Bill, holding him, and tells him she’ll be at true friend this time.

Favorite Line

I am my own best friend! I told myself. I have to be strong. I have to be my own best friend now.

Fear Street Trends

At least two girls are described as “like a model”, and Glynis is described as resembling Claire Danes (which is actually a pretty good pull). Larry is described as looking like Bugs Bunny (less good). Glynis paints her nails a chocolate brown and calls it “the flavor of the week”, sparking a conversation where Honey as Becka talks about licorice nail polish. Her “very slim and trim” look is a yellow vest over a white t-shirt and a short green skirt over brown tights. That’s so many layers! Were we doing that many layers back then! No wonder we wore basically nothing in the 2000s. I may also have to give you the full description for the Hackers Cafe:

It’s actually just a coffeehouse. But Mr. Arnold, the owner, put computers at the counter so that customers could surf the internet and send e-mail while they drink their coffee and eat their muffins and pastries. The cafe became really popular, especially with kids from Shadyside High and young adults who work in the neighborhood.

Love it, love it, love it.


I don’t know how to feel about this one. The twists were obvious from a mile away, but they were interesting at least, and the eponymous best friend switching from Honey to Trish isn’t bad. Still, no one’s motives make much sense, and Honey’s barely in it. I’ll give it three murder cabins out of five.


Fear Street Seniors #1 – Let’s Party


The Cover

lets party

The cover (pulled from its Amazon page) is less than nothing. What is this even supposed to be? A blank red texture, a knife, and a stock photo? Y’all couldn’t even try? Also it took me a while to notice that this is “episode one”.


You’re invited to… DIE!

Y’all couldn’t even try. The ellipses aren’t even in the right place!

Bonus Round!

What? Does this book come with a fully stocked cast of characters page shaped like a yearbook???? You know it does! I carefully photographed them with my phone like a professional and put them below. Peruse at your own leisure.

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It’s the last day of junior year! Bell rings, kids get out, and they’re now officially seniors! (Is that how it works? I wouldn’t think they’re technically until school starts in the fall, but we have to get this party started.) This is where we meet our impressive cast of characters. Josh is our main, and he passes by Dana and Marla, Mickey and Gary, Matty, Debra and Clark. Mickey and Gary are bullies, as is Josh, who passively sits by and calls people nerds, and Matty’s the fat kid who makes jokes at his own expense to keep in with the cool kids. Marla and Dana are the hotties, and Debra is Josh’s girlfriend, who he sees necking with Clark, the local goth. He wears all black and keeps his hair slicked back, so everyone calls him Count Clarkula. This’ll be important when Josh goes off the deep end.

Josh walks up to his girlfriend as Clark descends on her neck. He shouts her name, and both of them turn around, looking super suspicious. Debra tells him Clark was only helping her get something out of her eye, the absolute worst lie anyone’s ever told, but Josh is willing to believe it. Clark stalks off, and Josh tries to talk to Debra, who’s clearly uninterested. Sorry Josh. Leave her to the goths. But Josh thinks Clark is too big of a geek for Debra to be interested in, so he let’s it drop.

It’s okay, because Josie, Josh’s step-sister, comes running into the scene to break the tension. She’s livid because she got a D in trig, even when she did a ton of extra credit. It’s mentioned here she needs to get on honor roll for her parents to get her a car, but later her teacher says she has Bs and Cs in other classes, and I’m like, Josie. Maybe you’re just a bad student. Josie screams that she’s going to kill him and then storms off to talk to him. Thanks, Josie, for your contribution to this scene. Then their friend Trisha runs up and immediately collapses in front of them. They both run over to help her. Trisha tells them she had “the most horrifying flash”. Yup. Trisha’s a psychic. She’s also super rich. Her dad built the mall in Shadyside, which I think how everyone who’s rich in Shadyside got their money. Trisha tells them she saw the whole of the Shadyside seniors laid down in their coffins, dying one by one. Debra tells her that’s not true, that she’s just stressed, but Trisha clearly believes it. Josh tries to lighten the mood by reminding them of the killer party Trisha’s gonna throw, and she tells them she’s canceling it. She had another premonition of a girl sprawled out on her floor dead during the party. Josh and Debra tell her it won’t come true, and Josh tells her to have the party anyway, that nothing bad could possibly happen.

There’s another scene with Josh and Mickey that’s really unimportant except it reinforces the whole “Clark might be a vampire” subplot and also I think Mickey’s like a little gay for Josh? Just a little? Much like in Goodnight Kiss, Josh comes to believe in vampires over something completely innocuous, this time a wire sculpture of a bat. Josh also gets a threatening phone call from someone saying they’re gonna drain him dry. I also forgot this book is separated into parts, even though they’re totally unnecessary. (Did I add that to Fear Street bingo? I don’t remember anymore.) Part One consisted of five chapters. Part Two takes place on the same day, now starring Josie, and also takes place over about five chapters, though it feels more like two thanks to the length of them. I know YA as a genre is still new and innovative at this point in our history, but considering some of the door stoppers destined to come out during the height of the YA boom, these books feel incredibly juvenile.

Josie goes to meet her teacher, Mr. Torkelson and ask about her grade. Josie came to state her case, but she pretty much stammers out complaints and tells him she can’t have a D. When he tells her he rechecked her exam grade three times, she shouts that she had the flu during the final. He points out that Marla Newman also had the flu during the exam and got a perfect score, and gently mentions that she probably should’ve just taken a make up exam. Josie goes into a blind rage hearing about her mortal enemy, the perfect and gorgeous Marla Newman, made even worse when he mentions her brother gets good grades in math, and she fantasizes about smashing him over the head. This scene is almost entirely lifted from Final Grade, and I’m starting to wonder how hard Stine was phoning it in this book.

Josie stumbles around the school, seeing Ds everywhere she goes. She runs into Deirdre Palmer and Jennifer Fear, her two BFFs. Deirdre teases Jennifer about being a Fear, saying she casts evil spells and she’s a witch and the usual. Jennifer is clearly pissed every time she does it and she does not stop, but don’t worry. They go over to Jennifer’s creepy old house across the street from the Fear mansion, which Josie thinks is definitely haunted with the ghosts of old Fears, and they go into a room full of books on witchcraft! Jennifer’s mom flips out later when she finds them with the books and tells Josie they’re dangerous, and it’s like why even have them? Get rid of them. Throw them in a fire. Josie pulls out a book simply called The Spell Book (catchy) and flips to a page called DOOM SPELL. Deirdre insists they try it on Torkelson. In a great bit of timing, Josie tells them they need black candles, to which Jennifer responds, where would we even get those? Luckily Dierdre finds them in a carton from one of the shelves. It’s said several times that Jennifer’s family renovated the house, so this spell room had to be left in on purpose.

They start the spell. They feel wind blow in, candles flickering out, cold pressing against them, and just as the last candle is about to be blown out, Jennifer’s mom comes in. Mrs. Fear apologizes for interrupting their seance, but she looks real nervous. Hey, Momma Fear? Maybe if you found your daughter practicing black magic in a family history of that sort of thing, you say something? The girls rush off, but Josie pauses. She finishes the spell, imagining Marla and Torkelson being affected by the spell. As the last candle goes out, a figure in a red robe moves towards her, the face beneath its hood only a skull with a two-headed snake slithering in its open sockets. It reaches out to strangle her, and she’s shaken from her vision by her friends. She quickly puts the book back.

Josh, Mickey, and Josie go to the mall and run into Marla, who’s snide and condescending towards Josie. Josh gets distracted as they walk past a CD store and see Debra and Clark together. He walks up to them, and Debra quickly makes excuses, but Josh turns on Clark and asks if he’s behind the threatening phone calls. Clark tells him no, of course not, before skedaddling. Josh asks Debra what’s going on, and she tells him vaguely that she’s “drawn” to Clark. When Josh points out that they’ve been together a lot, she snaps that she’s not his property, and she can talk to whoever she wants, which is true. But, Debra, dear, your boyfriend getting jealous because you have a male friend is a little different than your boyfriend getting jealous because you’re dating someone behind his back. One of these is valid.

Josh wanders out, thinking about how Clark is so goth, and when he gets home he gets another threatening phone call. Now there’s a shadow outside his door, and it is Clark. Returning a sleeping bag. Lame and random. Moving on. Josie wakes up the next morning thinking about how she has to find a job because Marla stole hers. Her friend gives her a call to meet her at the school to retrieve a sculpture project she left behind. When she gets there, Clarissa is nowhere to be seen, but she does see Mr. Torkelson driving towards her. He holds his hand out the window to wave right as a delivery van rams straight into him. He’s slammed into a wall, and blood is pouring out of the car like a fountain. She runs towards the wreck and screams when she sees what’s lying on the ground. His hand, severed, blood spewing from it like a river, and its fingers still reaching to her.

Josie tells her friends that she finished the spell, and now she’s a murderer. Jennifer reminds her that magic isn’t real, and Deirdre tells her it was just a goof. Josie tries to call Marla to warn her, but Marla plays her off and hangs up on her, leaving Josie alone with her guilt. Meanwhile, Josh is hanging outside the movie theater, waiting on his date. Debra stood him up. He tries calling her house. No answer. He drives around and decides to go to Clark’s house. This puts things in a weird perspective. Clearly Josh and Clark know each other well enough that they know where they live, and also borrow things from each other. But Josh treats Clark like some weirdo he never talks to. Inconsistent writing or a character history being hinted at? You decide. He parks down the street and can see the two of them in the window. At first it looks like Clark might be biting Debra’s neck, but they’re just making out. He watches for a long time, which is weird. He knows vampires aren’t weird, but Clark’s so weird, and also Debra’s been pale and tired lately. Probably from all the sneaking around.

He leaves after Debra does and finds Mickey and Matty. He’s pretty sure vampires don’t exist, he tells them, and Mickey decides they need proof. That’s right, folks! It’s time to break into someone’s house again! My only explanation for Shadyside being the way it is has to be the evil has contaminated the water supply for so long. They drive back to Clark’s house, now empty and quiet, and sneak in through the window. The evidence they find is: a black cape, a book titled Lives of the Vampire, and dirt spread across the bed. Josh is now convinced he’s a vampire. He returns home, to hear his phone ringing again. He braves up and answers it, only for Trisha to be on the other line, calling from her cellular phone (fancy), to tell him the party’s back on! After hanging up on her, the phone rings again, and this time it’s Debra, yelling at him for spying on her and thinking he owns her. Again, valid complaints under normal circumstances, but she’s leaving out the fact that she ditched her boyfriend to make out with someone else. Josh tries to tell her Clark’s a vampire, which she doesn’t believe, and she breaks it off with him. What you should’ve done forever ago, Debra.

Party time! Finally! Josh drives up to Trisha’s mansion, complete with gate and security guard. There’s food and music and the grounds are huge. He sees Mickey with a girl, tall, beautiful, redhead, but the two of them are arguing. She shoves him hard, and he shoves her back. They seem to be getting into a physical fight, and Josh starts towards them, only to be interrupted by Pheobe Yamura. They have a quick conversation, and when he turns back around, the two are gone. Well, no need to break up that domestic dispute. What a good friend Josh is. Trisha is dancing with bad boy Gary Fresno, who is also someone else’s boyfriend, and then the redhead is next to Josh. She gives him a shove, ans asks if he’s Mickey’s friend. The two flirt for a long time, and she introduces herself as Saralynn. His eyes catch Debra and Clark in the crowd, and he decides to spend the whole party with Saralynn, making her jealous, and immediately forgetting that she and Mickey are clearly a thing. What a good friend Josh is.

It’s fine, because a thunderstorm sends a downpour over the party, and they all race inside. Trisha announces this is perfect, because now they can play a murder game! She hands them all cards, either a victim, a suspect, or an investigator. Marla draws victim. Josh and Phoebe get investigator. Mickey stumbles into the party, blood marring his face. He tells them all he tripped and slammed his face into his car by accident, but Josh can’t help notice that they look like scratch marks. He thinks about his fight with Saralynn. Then does nothing. What a good friend Josh is.

Trisha tells the suspects and the victim to go into the next room and make up a scenario. They have to choose how the victim died, and who did it. So it’s less of a game and more of a theater workshop. After a while of waiting, they hear noises from the other room, and Josie screaming help. Josh immediately rushes in, and they find Marla on the ground, dead. For reals. Trisha flips out, because her vision came true. Hey, Trisha, why did you plan a murder game at your party where you had a vision of someone getting murdered, Trisha? They all panic, trying to think of who could’ve murdered her, and Josie belts out that she did. It’s all her fault. She tells everyone about the Doom Spell. Jennifer tells her it’s not her fault and tries to get Josh to comfort her. They try to call the police, but the phones are dead. Trisha’s cell phone is in the car her parents took. They agree to go to a neighbor, or maybe just leave, and they all head out into the rain. But as soon as they get to the gate, it’s padlocked. They’re locked in.

They make it back to the house. Josh notices some people are missing, including Clark and Saralynn, and as they walk back into the dining room, they find Marla’s body missing. As they try to figure out who moved it, Josh also notices Mickey. He’s dry while the rest of them are soaking wet. He points that out, and Mickey tries to make excuses, just as Jennifer sees a dark red stain against the closet door. They open it, and Saralynn falls out, also dead. They quickly turn on Mickey, who announces he did kill them, and he’ll kill again, before he grabs Josie and drags her into the next room. Josh races forward, knocking Mickey to the ground. They rassle. Mickey gets real close to Josh’s face, and I’m like are they gonna kiss? But no. Mickey starts laughing and announces that he can’t do it anymore.

Saralynn gets up and Marla pokes her head in, asking if the game is over. You guessed it, folks. It’s another of those classic “pretend there’s a murderer on the loose” games Shadyside kids like to play so much. Trisha announces the joke is over, and Josie’s livid. Marla laughs and asks her if she really cast a spell on her. Josie darts off, just as Clark descends the stairs, floating, cape out, fanged teeth grinning. Trisha tells him he’s too late, that the game’s already over. He’s disappointed after he did so much research and even tried to get into character by sleeping in dirt.

Josie doesn’t hear any of this. She’s in the bathroom, calming herself down. She can leave, she thinks, and be a laughing stock, or just party on. Reapplying her lip gloss like armor, she steps out into the party. Josh tries to talk to her, but she tells him she’s fine. Then the doors swing open, and a red robed figure floats in. People notice and start to congratulate Trisha on another prank, but the figure looks at Gary and tosses him against the wall, where his head splatters. Some R-rated gore and violence happen in this chapter. Trisha gets her head squeezed like a grape, Marla gets punched in the chest and her heart just falls out, Phoebe gets her head twisted off, and Josh’s arms are ripped right off.

Josie runs for it. She gets in her car and drives all the way to Fear Street, finding Jennifer’s house. She knows it’s too late to save them, but she has to try. When Jennifer’s mom opens the door, she makes up an excuse about needing a CD and sneaks past her to the library. She tries to find a reversal for the Doom Spell, but finds something else entirely. Time Spell. It can help her go back in time and stop this from happening. It’s only an hour, but it’s an hour she needs. She performs the spell and finds herself back int he bathroom, right before everyone’s dead. She tries to think of how to get everyone out and knows she can’t convince them. She goes to the doors, where the red robed figure makes its appearance, and she does, well, she does nothing. It looks at her, taps the glass, and then leaves. Cool.

The only mystery left is who made those phone calls? Josh goes up to Trisha, and she tells him it was Matty, duh. He told everyone. Josh is reasonably embarrassed by this, and he walks back to the food spread, before he treads on something. He lifts it up, showing it to Trishsa. They’re the plastic fangs Clark was supposed to wear. Never opened. He turns as Clark walks out the door with Debra. Smash cut to black. Credits. Music.

Favorite Line

“Know who else has a crush on you? Her sister Deirdre.” Josie slapped her hands over her mouth. “Oops. Forget you heard that. It just slipped out.”

Fear Street Trends

There’s a good bunch of trends here. Debra’s described as “a clean-cut Kate Moss.” Who’s like a model. I’m not sure how much more clean cut you get than that. Marla and Josie where vests over t-shirts, pretty fashionable, and Debra wears a blue crop-top with blue shorts on her date with Clark (very matchy matchy). Mickey and Matty are playing Madden ’99, such a pull that I’m assuming that’s something Stine’s son played at the time. My favorite description is of Josie when we first meet her: “She wore a short black skirt over black tights and a black vest over two t-shirts.” Was that a thing in ’98? Were we wearing two t-shirts at the same time? And, of course, Trisha is shown to be rich and cool by having her own cell phone, with terrible reception.


This book seems pretty generically Stinian. A lot of it feels pulled from other books, from the vampire subplot to the curse ghost, to the party games. Probably the only thing new in it is the time travel, though last Halloween we saw a time traveling ghost, so even that I’m not sure. I will say Final Destination came out in 2000, while this book came out in 1998. Make of that what you will. I’ll have to give it two Mortal Kombat finishes out of five.